100 books like Imagining England's Past

This book expanded how I thought about time and about the landscape we take for granted.

It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.

Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’

I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!

What do we mean by landscape? What do we mean by Britain?

Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.

It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.

Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.

I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.

Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.

It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.

I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.

This task was a little overwhelming and Digging Up Britain taught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.

Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.

It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout. 

This was one of the first Arthurian reference books and remains one of the best.

Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.

I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.

Dark and violent, this twelfth-century tale of love and revenge is a compelling vision of medieval values, combining many of the tropes of later pseudo-medieval sagas – treasure, gory battles, a cloak of invisibility, sexual deception and a dragon – with the spiritual angst that the later tales miss. From Siegfried’s brief encounter with a scaly beast to the fire-and-blood blitzkrieg of the climax – a ferocious battle in the hall of Attila the Hun – the story is told with breathless passion. Whether it glamourises war, or warns against its cost, is a matter of enduring debate. The tale has certainly had its share of cranky fans, from the silent movie filmmaker Fritz Lang to Heinrich Himmler, a testament to its provocative power.

Which version to read? The Penguin edition, translated by A.T. Hatto and published in 1965, offers a very readable prose version that captures the tale’s fiery… show more.

This was my introduction to ancient Egypt. I was twelve when I was given this book. I was immediately entranced by the beautifully told stories not only of the gods, but also of magic, shipwrecks, princesses, and thieves.

Egypt is an extraordinary country entirely reliant for thousands of years on the annual inundation of the river Nile. If the water levels were too low there was starvation, and too high there were devastating floods. In some places, the fertile area is a little wider than the flight of an arrow. With life so precarious, it is not surprising that the afterlife became so important to all Egyptians and that they spun so many myths to explain the inexplicable, and give structure to their world.

Did you know that LitRPG was originally forged in the east? The Moonlight Sculptor (or Legendary Moonlight Sculptor, LMS, as most know it) was so popular that its ravenous fans spread it to the rest of the world. The series sets up a number of important tropes for the genre going forward. Many consider LMS to be required reading, but you should know going in that it has a very spotty translation. It’s a massive body of work, too, spanning 57 published volumes.

In it, a hardworking miser pseudonymously known as Weed overprepares and over-delivers time and time again. Watching Weed grow and affect his world is exciting and addictive. LMS is really engaging. It’s an excellent, albeit silly read. If you only read one Korean LitRPG, read this one.

The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.

First published in 1940, Hawaiian Mythology is an astonishingly comprehensive compilation of native Hawaiian stories and beliefs that, had it not been for the systematic – even dogged – efforts of people like Martha Beckwith may have never survived to today. This is a book to dip into, especially if you find yourself in Polynesia. The stories are factual, often unembellished, which allows you a glimpse into the soul of Pacific peoples. This book also explores the connections between (remote) Hawaii and other island groups in the western Pacific whence its people came, bearing oral memories that seeded the geography of Hawaii and directed the nature of its human occupation, probably hundreds of years before Europeans even knew the Pacific Ocean existed.