100 books like The Arthurian Encyclopedia

I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.

I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.

For any serious Arthurian fan, an understanding of the Welsh origins of Arthur is essential, and yet unpicking these early threads of Arthurian material can be difficult.

This book provides the perfect guide, a series of accessible articles about the various stories and poems that circulated in Wales before the fourteenth century. As someone who has studied medieval Welsh literature in depth, I enjoy sharing knowledge of this fascinating culture with others, and this book opens a door into the world of early Wales where Arthur first took shape as a legendary battle warrior.

Arthur’s Welsh origins have perhaps attracted more extremist views than any other part of the legends, so this book, based on documentary evidence, is a welcome corrective to the more far-fetched speculations about the origins of Arthur.

I love this description of the power that the Arthurian legends exerted in nineteenth-century Britain and its cultural imagination.

With the re-printing of Thomas Malory’s Morte Darthur, poets, writers, and artists were inspired by these tales of chivalry and sacrifice at a time when the British Empire was at its height and ideals of service, governance, and personal endeavour were central to norms of masculinity.

Girouard perfectly captures the mood of the times and shows us why the vision of Camelot, doomed in its own Arthurian context, was even more flawed, and yet magnetic, in the context of empire.

This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.

Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.

Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.

I was about seventeen, at an airport waiting for a flight to Cyprus when I picked up this book whilst browsing. Didn’t realise at the time it would change my life forever. I read it three times in two weeks, despite finding out after the first time it was the third in a trilogy. I was hooked on the blood and the battles, the brotherhood of Arthur’s soldiers, the bygone era Bernard Cornwell seemed to so effortlessly breathe back to life. I haven’t looked back since.

John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a… show more.

Geoffrey’s History of the Kings is the work that picked Arthur up from the somewhat obscure backwater of Welsh story-telling and launched him onto the European stage, in the process creating a story that had an enormous influence on how the insular past was understood across the rest of the Middle Ages. Geoffrey was writing for the new Norman elite, who welcomed a view of the past which downplayed the Anglo-Saxons and centred instead on their rivals for control of ancient Britain, the Britons. He based his magnificent new work on the Historia Brittonum, a set of Welsh genealogies and various stories, all of which he embroidered from his own fertile imagination to construct a complex vision of insular history no closer to what had really happened than modern works such as Lord of the Rings or Star Wars. 

But by tapping into political and cultural needs in… show more.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Mentions of the historical Arthur—a war duke, not a king—date him to the late 5th and early 6th centuries. Merlin’s dates are fuzzier. Whyte sets this tale of Merlin’s origins in Roman Britain, consistent with the historical Arthur, as the withdrawal of Rome’s legions leaves the colony subject to invasion and insurrection. Young Publius, nicknamed Merlin, is a soldier and a blacksmith. He and his cousin Uther battle to keep Britannia from crumbling around them as Roman society is beset by external marauders and internal strife. Through it all, Merlin is intrigued by stories of a stone that fell from the sky—an iron-rich meteorite that has rendered steel, and which Merlin can forge into an incredible sword. In this richly developed story, Merlin is not a druid or a sorcerer, but a smith.