Here are 30 books that The Moonlight Sculptor fans have personally recommended if you like
The Moonlight Sculptor.
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I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars. It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.
I love stories where the hero is a normal guy that we can all identify with in some way or another and where there is an arc to the story that transforms that normal guy into something extraordinary.
With just wits and creativity, our hero, Wade Watts, finds a way to survive against all odds. And no matter how bad things get, he never quits. He embodies the best of the human spirit—and by the end of the book, you’re cheering for him. Because he is you (or who you want to be), the "everyman" who stands up to injustice, unfairness, and those powers that are wrecking humanity (which in this case happens to be a trillion-dollar Mega Corporation).
SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY STEVEN SPIELBERG
It's the year 2044, and the real world has become an ugly place. We're out of oil. We've wrecked the climate. Famine, poverty, and disease are widespread.
Like most of humanity, Wade Watts escapes this depressing reality by spending his waking hours jacked into the OASIS, a sprawling virtual utopia where you can be anything you want to be, where you can live and play and fall in love on any of ten thousand planets. And like most of humanity, Wade is obsessed by the ultimate lottery ticket that…
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
A Virtual Dream is a LitRPG that’s achieved legendary status. The story does so many things right. It establishes a compelling base-building story, gives meaning to NPCs, and pulls us to root for the oddball protagonist, whether or not we agree with him.
Mysteriously, books one and two of The Dragon’s Wrath haven’t been for sale online in years. Nonetheless, the demand for this series continues today and copies of each book still circulate the web, prized like treasures.
This book helped me realize how much more can be done with the LitRPG genre, and even though its story remains unfinished, the third book gives a considerable amount of resolution while leaving you hungry for more.
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
Solo Leveling (or Only I Level Up), in its webtoon form, is one of the peaks of LitRPG storytelling. The scenes are beautifully drawn, elevating the story beyond its original text-only format. You will be hard-pressed to find a more engaging read than this. The webtoon maintains tension incredibly well, and knows how to constantly supply its readers with little dopamine bombs along the way.
Solo Leveling plays with the formula of LitRPG, taking it off the rails by containing the game system inside the main character for much of the story, allowing him to grow stronger. Reading Solo Leveling is an absolute treat—perhaps doubly so for me as several of the niche ideas used in the story are also used in my books.
The official English print publication of the popular Korean webcomic!
E-class hunter Jinwoo Sung is the weakest of them all. Looked down on by
everyone, he has no money, no abilities to speak of, and no other job prospects.
So when his party finds a hidden dungeon, he's determined to use this chance to
change his life for the better...but the opportunity he finds is a bit different
from what he had in mind!
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
A Russian novel with a top-notch translation, Alterworld is a controversial series, but one that is etched into LitRPG history and is legitimately worth reading.
The story’s terminally ill protagonist cheats death by uploading his consciousness to a game world, trapping himself in-game, and unlocking a whole slew of issues to overcome. Be forewarned: the series is mired in controversy for several reasons, not least of which being the author’s mercurial political stance. Initially hyper-critical of government, the author becomes famous and suddenly changes his tune. If you binge read the series, this jump to pro-national propaganda will stick out like a sore thumb, but it’s a bit like a trainwreck that’s difficult to look away from. It’s odd and serves to make the series that much more interesting.
A page-turning LitRPG debut in the tradition of Nam Heesung, Legendary Moonlight Sculptor, and Ernest Cline, Ready Player One. Bestseller #1 for years 2013, 2014 and 2015. Bestseller #1 at Audible in 2016. Translated to Korean, German, Polish and Czech languages. A new pandemic - the perma effect - has taken over Earth of the near future. Whenever you play your favorite online game, beware: your mind might merge with the virtual world and dump its comatose host. Woe be to those stuck forever in Tetris! And still they're the lucky ones compared to those burning alive eternally within the…
For as long as I can remember I have been intrigued by a family mystery. Names such as Howard Carter, Tutankhamun, and Didlington Hall permeated my childhood along with phrases such as ‘a mummy’s curse’ and ‘financial disaster’. Something had happened years before I was born, which no one would discuss. As an adult I decided to search for the truth, and on the way found inspiration to fulfil a long held ambition, which was to write. I discovered that my family had played a vital, but often forgotten, role in Howard Carter's discovery of Tutankhamun. Our story is of wealth lost, extraordinary characters, passion and tragedy, but through it all Egypt winds like a twist of golden thread.
This was my introduction to ancient Egypt. I was twelve when I was given this book. I was immediately entranced by the beautifully told stories not only of the gods, but also of magic, shipwrecks, princesses, and thieves.
Egypt is an extraordinary country entirely reliant for thousands of years on the annual inundation of the river Nile. If the water levels were too low there was starvation, and too high there were devastating floods. In some places, the fertile area is a little wider than the flight of an arrow. With life so precarious, it is not surprising that the afterlife became so important to all Egyptians and that they spun so many myths to explain the inexplicable, and give structure to their world.
This book is a great introduction to understanding the ancient Egyptians for anyone, but particularly for younger readers of 10+.
These stories include the great myths - of Amen-Ra, who created all the creatures in the world; of Isis, seaching the waters for her dead husband Osiris; of the Bennu Bird and the Book of Thoth. But there are also tales told for pleasure about magic, treasure and adventure - even the first ever Cinderella story.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
Nicholas Jubber has written for the Guardian, Irish Times and Telegraph, amongst other publications. He has won the Dolman Travel Book Award, for which he has been shortlisted three times, and his books have been picked by National Geographic, Wanderlust and the New York Times, amongst other publications, for their books of the year.
Dark and violent, this twelfth-century tale of love and revenge is a compelling vision of medieval values, combining many of the tropes of later pseudo-medieval sagas – treasure, gory battles, a cloak of invisibility, sexual deception and a dragon – with the spiritual angst that the later tales miss. From Siegfried’s brief encounter with a scaly beast to the fire-and-blood blitzkrieg of the climax – a ferocious battle in the hall of Attila the Hun – the story is told with breathless passion. Whether it glamourises war, or warns against its cost, is a matter of enduring debate. The tale has certainly had its share of cranky fans, from the silent movie filmmaker Fritz Lang to Heinrich Himmler, a testament to its provocative power.
Which version to read? The Penguin edition, translated by A.T. Hatto and published in 1965, offers a very readable prose version that captures the tale’s fiery…
Written by an unknown author in the twelfth century, this powerful tale of murder and revenge reaches back to the earliest epochs of German antiquity, transforming centuries-old legend into a masterpiece of chivalric drama. Siegfried, a great prince of the Netherlands, wins the hand of the beautiful princess Kriemhild of Burgundy, by aiding her brother Gunther in his struggle to seduce a powerful Icelandic Queen. But the two women quarrel, and Siegfried is ultimately destroyed by those he trusts the most. Comparable in scope to the Iliad, this skilfully crafted work combines the fragments of half-forgotten myths to create one…
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
This is possibly the best collection of Irish myths and legends that I’ve read. It’s as comprehensive as Lady Gregory’s book but much more palatable. It charts the mythology of Ireland from the arrival of the Tuatha Dé Danann, right up to the arrival of Christianity. Written in clear, no-nonsense prose, this was one of my prime reference texts when writing my own book.
'These legends are the action-packed stories - of ancient heroes, huge battles, attempted invasions, prophecies and spells, clashes between the underworld and the real world, abductions, love affairs and feasts - which have fascinated the Irish mind for more than 2,000 years . . . Most of them have an extraordinary, stark narrative sweep, with a marvellous sense of detail . . . Heaney writes directly and fluently . . . with great tact and skill.' Sunday Times
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).
In the dark streets of Corma exists a book that writes itself, a book that some would kill for... Black market courier Rowena Downshire is just trying to pay her mother’s freedom from debtor's prison when an urgent and unexpected delivery leads her face to face with a creature out of nightmares. Rowena escapes with her life, but the strange book she was ordered to deliver is stolen. The Alchemist knows things few men have lived to tell about, and when Rowena shows up on his doorstep, frightened and empty-handed, he knows better than to turn her away. What he…
I grew up watching Formula 1 as a fan, and have been lucky enough to turn my passion into my career as a journalist. I’ve covered F1 races since the early 1990’s, travelling around the world and getting to know many of its biggest stars. One of my proudest moments was winning a prestigious Medaglia d’Oro at the Lorenzo Bandini Awards for my contribution to motorsport journalism. Even though F1 has changed over the years – especially becoming a lot more commercial – I think the fundamentals remain: it's of the very best drivers in the very best cars going at it wheel-to-wheel in that all out quest for victory. That’s why I love it.
The status of Formula 1 legends is not just reserved for drivers, because there have been other big personalities involved in grand prix racing who became household names too.
One of those was commentator Murray Walker, who became the voice of F1 on both television and radio. I grew up listening to Walker on the BBC, so it was little wonder that this mini-autobiography Bedside Wheels became such a big hit for me.
In it he recounted some of his funniest moments covering the sport, as well as offers insight into just why he became famous for his commentary gaffes – which he insists throughout are not gaffes, but predictions that are immediately proved wrong!