30 books like The Moonlight Sculptor

I love how this book is a fast-paced read that explores what technology could be in the near future. 

This book touts a world where virtual reality is everything, and the real world is not a place you want to be. It’s only too believable. Go anywhere in public and what do you find? People on their phones. Even when reality is great, we can often turn to our devices. The allure of social media likes, polyopia victories, entertainment, or messages can sabotage our real-world relationships. I’m just glad we don’t wear headsets in our reality . . .

Yet. 

A Virtual Dream is a LitRPG that’s achieved legendary status. The story does so many things right. It establishes a compelling base-building story, gives meaning to NPCs, and pulls us to root for the oddball protagonist, whether or not we agree with him.

Mysteriously, books one and two of The Dragon’s Wrath haven’t been for sale online in years. Nonetheless, the demand for this series continues today and copies of each book still circulate the web, prized like treasures.

This book helped me realize how much more can be done with the LitRPG genre, and even though its story remains unfinished, the third book gives a considerable amount of resolution while leaving you hungry for more.

Solo Leveling (or Only I Level Up), in its webtoon form, is one of the peaks of LitRPG storytelling. The scenes are beautifully drawn, elevating the story beyond its original text-only format. You will be hard-pressed to find a more engaging read than this. The webtoon maintains tension incredibly well, and knows how to constantly supply its readers with little dopamine bombs along the way.

Solo Leveling plays with the formula of LitRPG, taking it off the rails by containing the game system inside the main character for much of the story, allowing him to grow stronger. Reading Solo Leveling is an absolute treat—perhaps doubly so for me as several of the niche ideas used in the story are also used in my books.

A Russian novel with a top-notch translation, Alterworld is a controversial series, but one that is etched into LitRPG history and is legitimately worth reading.

The story’s terminally ill protagonist cheats death by uploading his consciousness to a game world, trapping himself in-game, and unlocking a whole slew of issues to overcome. Be forewarned: the series is mired in controversy for several reasons, not least of which being the author’s mercurial political stance. Initially hyper-critical of government, the author becomes famous and suddenly changes his tune. If you binge read the series, this jump to pro-national propaganda will stick out like a sore thumb, but it’s a bit like a trainwreck that’s difficult to look away from. It’s odd and serves to make the series that much more interesting.

I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.

Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.

She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier book Spirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.

Eye-opening and beautifully written.

This was my introduction to ancient Egypt. I was twelve when I was given this book. I was immediately entranced by the beautifully told stories not only of the gods, but also of magic, shipwrecks, princesses, and thieves.

Egypt is an extraordinary country entirely reliant for thousands of years on the annual inundation of the river Nile. If the water levels were too low there was starvation, and too high there were devastating floods. In some places, the fertile area is a little wider than the flight of an arrow. With life so precarious, it is not surprising that the afterlife became so important to all Egyptians and that they spun so many myths to explain the inexplicable, and give structure to their world.

Dark and violent, this twelfth-century tale of love and revenge is a compelling vision of medieval values, combining many of the tropes of later pseudo-medieval sagas – treasure, gory battles, a cloak of invisibility, sexual deception and a dragon – with the spiritual angst that the later tales miss. From Siegfried’s brief encounter with a scaly beast to the fire-and-blood blitzkrieg of the climax – a ferocious battle in the hall of Attila the Hun – the story is told with breathless passion. Whether it glamourises war, or warns against its cost, is a matter of enduring debate. The tale has certainly had its share of cranky fans, from the silent movie filmmaker Fritz Lang to Heinrich Himmler, a testament to its provocative power.

Which version to read? The Penguin edition, translated by A.T. Hatto and published in 1965, offers a very readable prose version that captures the tale’s fiery… show more.

This is possibly the best collection of Irish myths and legends that I’ve read. It’s as comprehensive as Lady Gregory’s book but much more palatable. It charts the mythology of Ireland from the arrival of the Tuatha Dé Danann, right up to the arrival of Christianity. Written in clear, no-nonsense prose, this was one of my prime reference texts when writing my own book.

This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).

This book is a collection of legends and folklore gathered by field workers of the Virginia Writers Project of the WPA that languished for decades in the libraries of the University of Virginia. It took folklorist Thomas E. Barde to put them in a book endorsed by the American Folklore Society. It helped me discover the witch stories told in the past until the 40s in the western part of Virginia, as I researched for the witch chapter of my own book. I enjoyed these tales and believed other armchair folklorists would enjoy them, too.