Fans pick 46 books like The Nibelungenlied

That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.

I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.

In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.

The scale of this ancient Indian epic is off the charts, fusing Hindu iconography with story beats of startling familiarity. Monkeys build a bridge between India and Sri Lanka, an army of demons takes on the vanguard of the gods and the villain is felled by a celestial bow. An influence on storytelling down the ages – notably Star Wars – it’s a tale as exciting as it is charming, with a surprisingly downbeat coda, as Queen Sita discovers that being rescued by her divine husband isn’t enough to survive the prejudices of her age.

Which version to read? Arshia Sattar’s 1996 translation is available in Penguin translation. I can’t testify to its accuracy, but it’s a magnificent read.

Thousands of years and fifty reigns are dramatised in this chronicle of sixty thousand verses. Set down in the eleventh century by an engagingly grumpy Persian poet who enjoyed the odd cup of wine and fretted about his finances. In the process, he saved (as some would have it) the Persian language and culture. The resonance of his tales has endured down the centuries: traveling in Iran, I met artists who used the story of a snake-shouldered tyrant who gobbles the brains of young men as a parable for the inter-generational tensions of the mullahcracy and the trauma of the Iran-Iraq War; whilst the romance of a beautiful long-haired princess and her tower-climbing lover is the earliest recorded iteration of ‘Rapunzel’.

Which version to read: The nineteenth-century Warner brothers produced an atmospheric full translation, but for a more modern abridgment, I’d recommend The Epic of the Kings, translated by Reuben… show more.

Did you know that LitRPG was originally forged in the east? The Moonlight Sculptor (or Legendary Moonlight Sculptor, LMS, as most know it) was so popular that its ravenous fans spread it to the rest of the world. The series sets up a number of important tropes for the genre going forward. Many consider LMS to be required reading, but you should know going in that it has a very spotty translation. It’s a massive body of work, too, spanning 57 published volumes.

In it, a hardworking miser pseudonymously known as Weed overprepares and over-delivers time and time again. Watching Weed grow and affect his world is exciting and addictive. LMS is really engaging. It’s an excellent, albeit silly read. If you only read one Korean LitRPG, read this one.

I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.

Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.

She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier book Spirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.

Eye-opening and beautifully written.

This was my introduction to ancient Egypt. I was twelve when I was given this book. I was immediately entranced by the beautifully told stories not only of the gods, but also of magic, shipwrecks, princesses, and thieves.

Egypt is an extraordinary country entirely reliant for thousands of years on the annual inundation of the river Nile. If the water levels were too low there was starvation, and too high there were devastating floods. In some places, the fertile area is a little wider than the flight of an arrow. With life so precarious, it is not surprising that the afterlife became so important to all Egyptians and that they spun so many myths to explain the inexplicable, and give structure to their world.

This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).

The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.

Romance isn't the only genre I read, of course. Lavinia is written by one of my favorite authors, Ursula K LeGuin. This historical fiction novel takes a character from the ancient Aeneid and brings her to life.

In the Aeneid, Lavinia is the prize for Aeneas. But, she never speaks. Not even one word. LeGuin decided to fix that. She gives Lavinia her own story and journey. In doing so, she creates a rich protagonist who takes destiny into her own hands. 

LeGuin traditionally writes science fiction. I love how this female writer in a male-dominated genre broke out of sci-fi to bring a historical female character to proper life. This is female empowerment, and I am so here for it! Lavinia is enthralling, exciting, and impassioned. Definitely a favorite!