Here are 67 books that Virginia Folk Legends fans have personally recommended if you like
Virginia Folk Legends.
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Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.
The Old Dominion has been one of the nation's most embattled states. Serving as center stage for both the American Revolution and the Civil War, it is also one of the most haunted. In addition to the sagas of the tragic spirits from these wars, this volume includes stories on the female stranger of Gadsby's Tavern in Alexandria, the mysterious stone showers in Newport, the ghost hound of the Blue Ridge, Mad Lucy of Williamsburg, and the spirits of native sons Thomas Jefferson, Robert E. Lee, and Edgar Allan Poe.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
For centuries, Virginians have told, retold, and embellished terrific stories of their history, some based on truth, others more folklore than reality. As someone who has written her own myths and legends book, it was refreshing to read about them from another author’s viewpoint. Plus, I got to learn some new angles about the lore of Virginia.
For centuries, Virginians have told, retold and embellished wonderful stories of their history. Legends such as the "wild Spanish ponies" of Chincoteague, General Braddock's lost gold, the Mount Vernon Monster and the Richmond Vampire tug at the imagination. Revolutionary War heroes, Annandale's Bunny Man, the enslaved woman who became a Union spy in the White House of the Confederacy and many others left imprints on the Commonwealth of Virginia. Explore secret societies, hidden knowledge and the mysteries of the universe with author Chuck Mills.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
As I was working on a new nonfiction book, this time about werewolves, dogmen, and other types of shapeshifters in the United States, I read many books on the subject out there. One author. Linda S. Godfrey, had written many stories connected to the American Dogman/werewolf, beginning with the Beast of Bray Road. In this book, she also wrote about other American creatures, not just the dogman. She covers pre-Columbian to modern sightings. I believe, whether a fantasy/horror writer looking for their next monster for their short story or novel to the amateur cryptid hunter happy to explore these beasties from the safety of their seat, anyone will enjoy this book. I did.
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America—including Bigfoot, the Jersey Devil, and more.
Bigfoot, the chupacabra, and thunderbirds aren’t just figments of our overactive imaginations—according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region.
Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Originally published in 1977, this book has inspired four, maybe five, generations of archaeologists and enthusiasts of early American history. It is a model for how to write elegant stories based on groundbreaking research. And it has yet to be surpassed. I count myself a "granddaughter" of Jim Deetz, a founding figure of historical archaeology – that hybrid of history and archaeology focused on the "modern" world, from the invention of the printing press to the present. If you are curious about what everyday life was like in colonial America for regular people, start here. In Small Things offers a tangible history of human experiences that would otherwise be forgotten.
A fascinating study of American life and an explanation of how American life is studied through the everyday details of ordinary living, colorfully depicting a world hundreds of years in the past.
History is recorded in many ways. According to author James Deetz, the past can be seen most fully by studying the small things so often forgotten. Objects such as doorways, gravestones, musical instruments, and even shards of pottery fill in the cracks between large historical events and depict the intricacies of daily life. In his completely revised and expanded edition of In Small Things Forgotten, Deetz has added…
I’ve dealt in antiques my entire life to one degree or another. I'm currently a full time antique dealer, after retiring from owning a florist shop that also sold antiques, books, plants, and giftware. My love for dealing antiques is only matched by my passion for writing, museums, and country living.
The first novel in the Old Town Antiques Mystery series is a cozy mystery with a delightful setting, a bit of romance, and a fifty-something main character who dives in to find a killer after making a late life career change.
When Camille Benson hears an antique shop that previously belonged to her parents is being sold by its unlikable current owner, Roberto, she decides buy the store. But Camille doesn’t even have time to revitalize the business before she discovers Roberto’s dead body, laying in the closed shop.
From there, the mystery takes off with loads of fun characters and enough trouble to make Camille fear she may not be able to untangle it all in time to save the business.
Art, murder, and a secret dating back centuries collide in Cordy Abbott’s delightful cozy mystery series debut, perfect for fans of Jane K. Cleland.
Roberto Fratelli, proprietor of the antiques store Waited4You, is the meanest man in Marthasville, Virginia. So when he puts the business up for sale, the other merchants in town are overjoyed. And now the business has a prospective buyer: local resident and the newly elected mayor's mom, Camille Benson, who’s thrilled at the prospect of getting into the antiques business. During a celebration in honor of Camille’s new venture, her best friend, Opal, tells her about…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure.
In this #1 New York Times bestseller Dr. Kay Scarpetta is on a deadly mission that will pull her in two opposite directions: toward protecting her career or toward the truth...
Remains were all that was left of the stowaway. He arrived in Richmond's Deep Water Terminal-the ghastly cargo of a ship from Belgium. The decomposed body gives Chief Medical Examiner Dr. Kay Scarpetta no clues to its identity-or the cause of death. But an odd tattoo soon leads her on an international search to Interpol's headquarters in Lyon, France-and towards a confrontation with one of the most savage killers…
I’m a contemporary romance author who loves to feature my own messy heroines – mostly because they are the type of women I read! So my favorite books often feature women who are complex and even stereotypically unlikeable. I love seeing my expectations subverted and a more winding, emotional way to a happy ending.
I’d read anything Kate Clayborn writes but Georgie is truly special.
She’s a searching soul, who can’t seem to find her place and will do anything to jumpstart her life. When she accidentally ends up staying at home with a family friend, Levi Fanning, they start to put each others’ pieces back together. This book is so emotional and beautiful and really doesn’t give easy answers where other books would. I love it if you need a tender, internal book.
“Perfect for Emily Henry fans. [This] is the love story that proves you can go home again…It’s so rich and wonderful.” – Julia Quinn on The TODAY Show
“A sweet novel that reminds you going back is sometimes the best path forward . . . and that planning is never as rewarding as doing.” —Jodi Picoult, New York Times bestselling author
“Magnetic, witty, and expansive. The world is going to fall hard for this deliciously whimsical and captivating story, and I cannot wait to see it!” —Ali Hazelwood, New York Times bestselling author of The Love Hypothesis
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
