Here are 66 books that Virginia Folk Legends fans have personally recommended if you like
Virginia Folk Legends.
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Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.
The Old Dominion has been one of the nation's most embattled states. Serving as center stage for both the American Revolution and the Civil War, it is also one of the most haunted. In addition to the sagas of the tragic spirits from these wars, this volume includes stories on the female stranger of Gadsby's Tavern in Alexandria, the mysterious stone showers in Newport, the ghost hound of the Blue Ridge, Mad Lucy of Williamsburg, and the spirits of native sons Thomas Jefferson, Robert E. Lee, and Edgar Allan Poe.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
For centuries, Virginians have told, retold, and embellished terrific stories of their history, some based on truth, others more folklore than reality. As someone who has written her own myths and legends book, it was refreshing to read about them from another author’s viewpoint. Plus, I got to learn some new angles about the lore of Virginia.
For centuries, Virginians have told, retold and embellished wonderful stories of their history. Legends such as the "wild Spanish ponies" of Chincoteague, General Braddock's lost gold, the Mount Vernon Monster and the Richmond Vampire tug at the imagination. Revolutionary War heroes, Annandale's Bunny Man, the enslaved woman who became a Union spy in the White House of the Confederacy and many others left imprints on the Commonwealth of Virginia. Explore secret societies, hidden knowledge and the mysteries of the universe with author Chuck Mills.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
As I was working on a new nonfiction book, this time about werewolves, dogmen, and other types of shapeshifters in the United States, I read many books on the subject out there. One author. Linda S. Godfrey, had written many stories connected to the American Dogman/werewolf, beginning with the Beast of Bray Road. In this book, she also wrote about other American creatures, not just the dogman. She covers pre-Columbian to modern sightings. I believe, whether a fantasy/horror writer looking for their next monster for their short story or novel to the amateur cryptid hunter happy to explore these beasties from the safety of their seat, anyone will enjoy this book. I did.
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America—including Bigfoot, the Jersey Devil, and more.
Bigfoot, the chupacabra, and thunderbirds aren’t just figments of our overactive imaginations—according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region.
Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
Nearly 200 years passed between the first English settlements and the American Revolution. Yet Americans today have a static view of women’s lives during that long period. I have now published four books on the subject of early American women, and I have barely scratched the surface. My works—Liberty’s Daughters was the first I wrote, though the last chronologically—are the results of many years of investigating the earliest settlers in New England and the Chesapeake, accused witches, and politically active women on both sides of the Atlantic. And I intend to keep researching and to write more on this fascinating topic!
A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s development.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English…
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading…
I am the author of six books on World War II, including my book that's listed below and Escape from Java: The Extraordinary World War II Story of the USS Marblehead. My fascination with history began at a young age when I built model ships and read books about World War II. My interest eventually grew into research and writing. I have interviewed scores of veterans from the Pacific War. My articles have appeared in World War II History, Naval History, and World War II Quarterly Magazines.
A gripping story of a group of soldiers from Bedford, VA, who participated in the D-Day invasion of France on June 6, 1944. Like all his books, Kershaw seamlessly weaves together the personal side of the war—people stories—with the actual battle—a must-read for anyone interested in World War II.
June 6, 1944: Nineteen boys from Bedford, Virginia- population just 3,000 in 1944- died in the first bloody minutes of D-Day. They were part of Company A of the 116th Regiment of the 29th Division, and the first wave of American soldiers to hit the beaches in Normandy. Later in the campaign, three more boys from this small Virginia town died of gunshot wounds. Twenty-two sons of Bedford lost- it is a story one cannot easily forget and one that the families of Bedford will never forget. The Bedford Boys is the true and intimate story of these men and…
My passion for examining racism and identity has been lifelong, born out of my experience as the daughter of an Ecuadorian mother and a Jewish-American father, a native speaker of English and Spanish, and a citizen of three countries. I was born in La Paz, Bolivia, raised in NYC, and spent childhood summers in Guayaquil. My identity has been consistently questioned and challenged. This all led to a deep desire to understand the complexity of identity and the history and dynamics of systemic racism. My son, who is presumed to be white, enhanced this passion, and it is because of him that I wrote Strength of Soul.
I read Life on the Color Lineas a junior in high school. I was amazed by William’s intimate account of having lived, first as a white boy in America, and then, as a Black boy in America. His life story illuminates not only the fiction that “race” is biological and immutable, but the powerful reality of white supremacy. Little did I know when reading Williams’s book that I would one day give birth to a son this society deems to be white. This is, in many ways, a painful book, but it is also one about the power of love and community. The love and community Williams found is what led him to share his story, which is a necessary and crucial reminder to challenge racism at its root.
“Heartbreaking and uplifting… a searing book about race and prejudice in America… brims with insights that only someone who has lived on both sides of the racial divide could gain.”—Cleveland Plain Dealer
“A triumph of storytelling as well as a triumph of spirit.”—Alex Kotlowitz, award-winning author of There Are No Children Here
As a child in 1950s segregated Virginia, Gregory Howard Williams grew up believing he was white. But when the family business failed and his parents’ marriage fell apart, Williams discovered that his dark-skinned father, who had been passing as Italian-American, was half black. The family split up, and…
I’m the author of the Peter Pike private eye series. Pike is a beat-up Middle Eastern veteran-turned private eye who finds himself embroiled in mysteries, usually with lost treasure involved: in the huge, sophisticated Indian civilizations that were here before us; in Lincoln’s murky sexuality; in a lost Faberge egg and the downfall of the Romanovs; and with Peter Pike and the Silver Shepherd, some rather nasty (and one nice) Nazi war dogs.
You want heartwarming books about man’s best friend? You’ve come to the wrong place. Novels with dogs don’t have to be heart-warming. They can be quite strange, sinister or both.
Here’s a prime example: The Dogs of Babel, which starts as the heartbroken narrator discovers his artsy, Goth wife has fallen from a tree and died. There are plenty of clues that this was not an accident. But there are no witnesses, except for poor Lorelei the dog. What starts out as a heartbreaking account of grief then takes a sharp turn into the bizarre as the narrator tries to teach Lorelei to speak so he can reconstruct his wife’s last hours. It descends into a seething underground, complete with people operating on dogs’ vocal chords to make them speak. Have I mentioned my list isn’t heartwarming? Did I swipe elements of this novel for my book? You bet…
Discovering clues that indicate his beloved wife may not have died accidentally, Paul Iverson begins a perilous search for the truth while attempting to teach his dog, who witnessed the crime, to communicate.
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Few individuals, even students of history, are aware of the significance of Jamestown in the legacy of American slavery. Tim Hashaw’s The Birth of Black America: The First African Americans and the Pursuit of Freedom at Jamestown provides an important alternative narrative for the birth of English America, focusing on the sixty Africans that arrived in the Chesapeake in 1619, instead of traditional exaltation of the original colonists at 1607 James Fort.
The voyage that shaped early America was neither that of the Susan Constant in 1607 nor the Mayflower in 1620. Absolutely vital to the formation of English-speaking America was the voyage made by some sixty Africans stolen from a Spanish slave ship and brought to the young struggling colony of Jamestown in 1619. It was an act of colonial piracy that angered King James I of England, causing him to carve up the Virginia Company's monopoly for virtually all of North America. It was an infusion of brave and competent souls who were essential to Jamestown's survival and success. And…
