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Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.
The Old Dominion has been one of the nation's most embattled states. Serving as center stage for both the American Revolution and the Civil War, it is also one of the most haunted. In addition to the sagas of the tragic spirits from these wars, this volume includes stories on the female stranger of Gadsby's Tavern in Alexandria, the mysterious stone showers in Newport, the ghost hound of the Blue Ridge, Mad Lucy of Williamsburg, and the spirits of native sons Thomas Jefferson, Robert E. Lee, and Edgar Allan Poe.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
This book is a collection of legends and folklore gathered by field workers of the Virginia Writers Project of the WPA that languished for decades in the libraries of the University of Virginia. It took folklorist Thomas E. Barde to put them in a book endorsed by the American Folklore Society. It helped me discover the witch stories told in the past until the 40s in the western part of Virginia, as I researched for the witch chapter of my own book. I enjoyed these tales and believed other armchair folklorists would enjoy them, too.
What do devil dogs, witches, haunted houses, Daniel Boone, Railroad Bill, "Justice John" Crutchfield, and lost silver mines have in common? All are among the subjects included in the vast collection of legends gathered between 1937 and 1942 by the field workers of the Virginia Writers Project of the WPA. For decades following the end of the project, these stories lay untouched in the libraries of the University of Virginia. Now, folklorist Thomas E. Barden brings to light these delightful tales, most of which have never been in print. Virginia Folk Legends presents the first valid published collection of Virginia…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
As I was working on a new nonfiction book, this time about werewolves, dogmen, and other types of shapeshifters in the United States, I read many books on the subject out there. One author. Linda S. Godfrey, had written many stories connected to the American Dogman/werewolf, beginning with the Beast of Bray Road. In this book, she also wrote about other American creatures, not just the dogman. She covers pre-Columbian to modern sightings. I believe, whether a fantasy/horror writer looking for their next monster for their short story or novel to the amateur cryptid hunter happy to explore these beasties from the safety of their seat, anyone will enjoy this book. I did.
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America—including Bigfoot, the Jersey Devil, and more.
Bigfoot, the chupacabra, and thunderbirds aren’t just figments of our overactive imaginations—according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region.
Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Sometimes called the female version of Tom Jones, Moll loses her mother (who is a convict) and eventually suffers the complications of being female when she falls in love and becomes pregnant by someone who can’t marry. Things go from bad to worse when she marries someone she doesn’t love, and faces instability all over again when she becomes a widow.
Thus begins her adventuring to find a husband who will give her the security she needs to survive. She burns through a bevvy of men who disappoint her on many accounts and has—and abandons—children at a remarkable rate as she learns the tricks of a con artist’s ways.
This book would be interesting to read in tandem with Tom Jones to consider why Moll is a less enamouring character than Tom.
Daniel Defoe's bawdy tale of a woman's struggle for independence and redemption, Moll Flanders is edited with an introduction and notes by David Blewett in Penguin Classics.
Born in Newgate prison and abandoned six months later, Moll Flanders' drive to find and hold on to a secure place in society propels her through incest, adultery, bigamy, prostitution and a resourceful career as a thief ('the greatest Artist of my time') before her crimes catche up with her, and she is transported to the colony of Virginia in the New World. If Moll Flanders is on one level a Puritan's tale…
I'm an herbalist dedicated to teaching people practical approaches to herbalism and creativity. I do this on my Substack, in clinical intakes with my herbal clients (I work mostly with artists), and in workshops and classes. My life and herbal practice revolve around food. I’ve cooked professionally for over 15 years, worked on organic farms, and grow food at home for myself and pollinators in my region. The best bet we have at caring for ourselves and our communities is through the food we grow, buy, prepare, and eat. I like to say most people are already doing herbalism, they just don’t know it's happening in their kitchens at breakfast, lunch, and dinner every day.
Who doesn’t love a cookbook that includes A Thermos of Hot Virginia Country-Style Beef Consommé as the first item on a picnic list?
The Taste of Country Cooking is a cookbook and narrative of life in Freetown, Virginia where Lewis grew up. I feel comforted and assured reading Lewis’ stories and recipes. Here is an expert relating a way of life where eating is seasonal, healthful, and communal.
Recipes are directions on how to prepare and serve food, sure, they’re also medicinal formulas (lemonade is technically medicinal!), ethnobotanical records, and historical documents intimately tied to how humans all over the world live lives. I am a sucker for cookbooks tied to seasons, foodways, and history.
Lewis’ recipes are presented seasonally and organized into menus linked to events: Emancipation Day Dinner, A Cool Evening Supper, Morning-After-Hog-Butchering Breakfast. Food is what we eat but also who we are.
In this classic Southern cookbook, the “first lady of Southern cooking” (NPR) shares the seasonal recipes from a childhood spent in a small farming community settled by freed slaves. She shows us how to recreate these timeless dishes in our own kitchens—using natural ingredients, embracing the seasons, and cultivating community. With a preface by Judith Jones and foreword by Alice Waters.
With menus for the four seasons, Miss Lewis (as she was almost universally known) shares the ways her family prepared and enjoyed food, savoring the delights of each special time of year.
I’ve experimented with many careers during my adult life. I’ve been a nanny, high school Latin teacher, noontime talk-show hostess, computer instructor, college history professor, and president of a four-state charitable organization. But nothing has so occupied my passion as exploring and writing stories about America’s Civil War. Becoming an author was a career choice I made after I retired at the age of 65. I began with a small collection of letters written by my great uncle shortly before his death on a Civil War battlefield. My continuing inspiration comes from the enthusiasm of my readers who want to learn more than their history books offer.
The death toll of the Civil War was horrendous, the list of the wounded? Endless. Medical schools did not exist; doctor trained their assistants. There were no emergency rooms, no hospitals, no triage, and certainly no female nurses to care for those bleeding male bodies. In many respects, the medical profession was born on Civil War battlefields with the brave women who ventured among the dead and dying to staunch the flow of blood. So, who were the women who emerged from their sheltered lives to care for wounded soldiers in the Northern army? I wrote about one of them—Nellie Chase—but I thought she was an exception. These stories of the women who joined the Northern war effort expanded my knowledge beyond my wildest expectations.
A look at the lives of the real nurses depicted in the PBS show Mercy Street.
Heroines of Mercy Street tells the true stories of the nurses at Mansion House, the Alexandria, Virginia, mansion turned war-time hospital and setting for the PBS drama Mercy Street. Among the Union soldiers, doctors, wounded men from both sides, freed slaves, politicians, speculators, and spies who passed through the hospital in the crossroads of the Civil War, were nurses who gave their time freely and willingly to save lives and aid the wounded. These women saw casualties on a scale Americans had never seen…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
Gwen Cooper is the New York Times bestselling author of the memoirs Homer's Odyssey: A Fearless Feline Tale, or How I Learned About Love and Life with a Blind Wonder Cat, as well as the novel Love Saves the Day (narrated from a rescue cat's perspective) and The Book of PAWSOME: Head Bonks, Raspy Tongues, and 101 Reasons Why Cats Make Us So, So Happy--among numerous other titles. The first book in her forthcoming "Homer Whodunit" Cozy Mystery Series, You Only Live Nine Times, will be released in Summer 2022. Gwen's work has been published in more than two-dozen languages, and she is a frequent speaker at shelter fundraisers across the U.S. and Europe.
Not only is the Mrs. Murphy cozy mystery series written from the point of view of a sleuthing cat, it’s actually (allegedly!) written by a cat—the feline in question being Sneaky Pie Brown, author Rita Mae Brown’s real-life tabby companion, who supposedly makes use of Ms. Brown’s typewriter on the sly. Wish You Were Here is the first in a delightfully long series of cozy mysteries set in the fictional small town of Crozet, Virginia—where murders seem to happen with startling regularity, and where postmistress Mary Minor “Harry” Haristeen’s beloved cat, Mrs. Murphy, always seems to be one step ahead of the official investigators. I fell hard for the acerbic, no-nonsense Mrs. Murphy and for this series, which was a direct inspiration for my own “Homer Whodunit” mystery series.
Curiosity just might be the death of Mrs. Murphy--and her human companion, Mary Minor "Harry" Haristeen. Small towns are like families: Everyone lives very close together. . .and everyone keeps secrets. Crozet, Virginia, is a typical small town-until its secrets explode into murder. Crozet's thirty-something post-mistress, Mary Minor "Harry" Haristeen, has a tiger cat (Mrs. Murphy) and a Welsh Corgi (Tucker), a pending divorce, and a bad habit of reading postcards not addressed to her. When Crozet's citizens start turning up murdered, Harry remembers that each received a card with a tombstone on the front and the message "Wish you…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure.
In this #1 New York Times bestseller Dr. Kay Scarpetta is on a deadly mission that will pull her in two opposite directions: toward protecting her career or toward the truth...
Remains were all that was left of the stowaway. He arrived in Richmond's Deep Water Terminal-the ghastly cargo of a ship from Belgium. The decomposed body gives Chief Medical Examiner Dr. Kay Scarpetta no clues to its identity-or the cause of death. But an odd tattoo soon leads her on an international search to Interpol's headquarters in Lyon, France-and towards a confrontation with one of the most savage killers…
