66 books like Virginia Legends & Lore

Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.

This book is a collection of legends and folklore gathered by field workers of the Virginia Writers Project of the WPA that languished for decades in the libraries of the University of Virginia. It took folklorist Thomas E. Barde to put them in a book endorsed by the American Folklore Society. It helped me discover the witch stories told in the past until the 40s in the western part of Virginia, as I researched for the witch chapter of my own book. I enjoyed these tales and believed other armchair folklorists would enjoy them, too. 

There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.

As I was working on a new nonfiction book, this time about werewolves, dogmen, and other types of shapeshifters in the United States, I read many books on the subject out there. One author. Linda S. Godfrey, had written many stories connected to the American Dogman/werewolf, beginning with the Beast of Bray Road. In this book, she also wrote about other American creatures, not just the dogman. She covers pre-Columbian to modern sightings. I believe, whether a fantasy/horror writer looking for their next monster for their short story or novel to the amateur cryptid hunter happy to explore these beasties from the safety of their seat, anyone will enjoy this book. I did. 

Few individuals, even students of history, are aware of the significance of Jamestown in the legacy of American slavery. Tim Hashaw’s The Birth of Black America: The First African Americans and the Pursuit of Freedom at Jamestown provides an important alternative narrative for the birth of English America, focusing on the sixty Africans that arrived in the Chesapeake in 1619, instead of traditional exaltation of the original colonists at 1607 James Fort.

Sometimes called the female version of Tom Jones, Moll loses her mother (who is a convict) and eventually suffers the complications of being female when she falls in love and becomes pregnant by someone who can’t marry. Things go from bad to worse when she marries someone she doesn’t love, and faces instability all over again when she becomes a widow.

Thus begins her adventuring to find a husband who will give her the security she needs to survive. She burns through a bevvy of men who disappoint her on many accounts and has—and abandons—children at a remarkable rate as she learns the tricks of a con artist’s ways.

This book would be interesting to read in tandem with Tom Jones to consider why Moll is a less enamouring character than Tom.

A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s  development.

Not only is the Mrs. Murphy cozy mystery series written from the point of view of a sleuthing cat, it’s actually (allegedly!) written by a cat—the feline in question being Sneaky Pie Brown, author Rita Mae Brown’s real-life tabby companion, who supposedly makes use of Ms. Brown’s typewriter on the sly. Wish You Were Here is the first in a delightfully long series of cozy mysteries set in the fictional small town of Crozet, Virginia—where murders seem to happen with startling regularity, and where postmistress Mary Minor “Harry” Haristeen’s beloved cat, Mrs. Murphy, always seems to be one step ahead of the official investigators. I fell hard for the acerbic, no-nonsense Mrs. Murphy and for this series, which was a direct inspiration for my own “Homer Whodunit” mystery series. 

This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)     

As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.