Here are 70 books that Life on the Color Line fans have personally recommended if you like
Life on the Color Line.
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As both an author and a teacher, I’ve been using Howard Zinn’s iconic book for over 20 years. I have found it to be an effective counterweight to more orthodox texts, as well as a credible platform for stimulating discussion. In writing my own “guide” to U.S. history, I always kept Zinn in mind. While we may not always agree, the dissonance is something I’m certain Howard Zinn would appreciate. He was unafraid to "engage" with his subject matter and his readers. This is an inspiration.
Coates’s semi-autobiographical examination of life for black men in American society, and more broadly in American history, is an education. Like Zinn, Coates calls America on the hypocrisy inherent in its highest ideals and its most cherished conceits.
As Coates himself later said about Zinn, "He knocked me on my ass." The two - while not always on the same page in their critical examinations of the American experiment, are clearly kindred spirits. They both want America to do better and clearly believe it can do better if it is honest about itself - but will it be? This is the question left ominously dangling by both Zinn and Coates.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone)
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN •…
I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.
I loved this book because the author was able to share the racist encounters that she had to deal with and the racist encounters all minorities deal with at one time or another. This book puts a new intellectual perspective on those types of happenings. They also illustrated many racist encounters that are all too common and yet hard to believe. A must-read for all.
THE TIME NONFICTION BOOK OF THE YEAR | #1 NEW YORK TIMES BESTSELLER
"Powerful and timely ... I cannot recommend it strongly enough" - Barack Obama
From one of America's most celebrated and insightful writers, the moving, eye-opening bestseller about what lies hidden under the surface of ordinary lives
In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.
Barack Obama’s father was part of the story of Kenya’s road to freedom, and yet his son, Barrack, hardly knew him. His father met Barack’s mother while on a scholarship to the USA but abandoned her and his son when he returned to Kenya in 1964 and became a senior economist in the Kenyan Ministry of Finance.
We researched his life when writing our book. My co-author, Nancy Mudenyo Hunt, is also of Luo ancestry. Her father attended Obama’s funeral. This memoir is a testimony to the struggle of children of mixed heritage to decide on their identity. I find it sad that the young Obama is identified by the father who left him and not by his mother who cherished him.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS
In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World).
“Quite extraordinary.”—Toni Morrison
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Few individuals, even students of history, are aware of the significance of Jamestown in the legacy of American slavery. Tim Hashaw’s The Birth of Black America: The First African Americans and the Pursuit of Freedom at Jamestown provides an important alternative narrative for the birth of English America, focusing on the sixty Africans that arrived in the Chesapeake in 1619, instead of traditional exaltation of the original colonists at 1607 James Fort.
The voyage that shaped early America was neither that of the Susan Constant in 1607 nor the Mayflower in 1620. Absolutely vital to the formation of English-speaking America was the voyage made by some sixty Africans stolen from a Spanish slave ship and brought to the young struggling colony of Jamestown in 1619. It was an act of colonial piracy that angered King James I of England, causing him to carve up the Virginia Company's monopoly for virtually all of North America. It was an infusion of brave and competent souls who were essential to Jamestown's survival and success. And…
I’ve dealt in antiques my entire life to one degree or another. I'm currently a full time antique dealer, after retiring from owning a florist shop that also sold antiques, books, plants, and giftware. My love for dealing antiques is only matched by my passion for writing, museums, and country living.
The first novel in the Old Town Antiques Mystery series is a cozy mystery with a delightful setting, a bit of romance, and a fifty-something main character who dives in to find a killer after making a late life career change.
When Camille Benson hears an antique shop that previously belonged to her parents is being sold by its unlikable current owner, Roberto, she decides buy the store. But Camille doesn’t even have time to revitalize the business before she discovers Roberto’s dead body, laying in the closed shop.
From there, the mystery takes off with loads of fun characters and enough trouble to make Camille fear she may not be able to untangle it all in time to save the business.
Art, murder, and a secret dating back centuries collide in Cordy Abbott’s delightful cozy mystery series debut, perfect for fans of Jane K. Cleland.
Roberto Fratelli, proprietor of the antiques store Waited4You, is the meanest man in Marthasville, Virginia. So when he puts the business up for sale, the other merchants in town are overjoyed. And now the business has a prospective buyer: local resident and the newly elected mayor's mom, Camille Benson, who’s thrilled at the prospect of getting into the antiques business. During a celebration in honor of Camille’s new venture, her best friend, Opal, tells her about…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.
The Old Dominion has been one of the nation's most embattled states. Serving as center stage for both the American Revolution and the Civil War, it is also one of the most haunted. In addition to the sagas of the tragic spirits from these wars, this volume includes stories on the female stranger of Gadsby's Tavern in Alexandria, the mysterious stone showers in Newport, the ghost hound of the Blue Ridge, Mad Lucy of Williamsburg, and the spirits of native sons Thomas Jefferson, Robert E. Lee, and Edgar Allan Poe.
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Sometimes called the female version of Tom Jones, Moll loses her mother (who is a convict) and eventually suffers the complications of being female when she falls in love and becomes pregnant by someone who can’t marry. Things go from bad to worse when she marries someone she doesn’t love, and faces instability all over again when she becomes a widow.
Thus begins her adventuring to find a husband who will give her the security she needs to survive. She burns through a bevvy of men who disappoint her on many accounts and has—and abandons—children at a remarkable rate as she learns the tricks of a con artist’s ways.
This book would be interesting to read in tandem with Tom Jones to consider why Moll is a less enamouring character than Tom.
Daniel Defoe's bawdy tale of a woman's struggle for independence and redemption, Moll Flanders is edited with an introduction and notes by David Blewett in Penguin Classics.
Born in Newgate prison and abandoned six months later, Moll Flanders' drive to find and hold on to a secure place in society propels her through incest, adultery, bigamy, prostitution and a resourceful career as a thief ('the greatest Artist of my time') before her crimes catche up with her, and she is transported to the colony of Virginia in the New World. If Moll Flanders is on one level a Puritan's tale…
People sometimes say that the purpose of anthropology is to make the familiar strange and the strange familiar. I think the same about history. As these books demonstrate, apparently normal early Americans have complex and unique inner lives, while those who seem bizarre, remote, or august, in fact, have wholly relatable human experiences. I usually write about complicated systems, like insurance and law. But I cherish these books about outcasts, oddballs, and one-of-a-kinds. They remind me that our society comprises individuals whose life experiences, worldviews, and decisions are unique—and ultimately unpredictable. Whenever I write, I try to remember that.
Landon Carter was a fearsome Virginia tobacco planter, politician, and patriarch, with hundreds of slaves laboring under the lash on his plantation. As I learned from this book, he was also a total headcase. This book is based on the diaries that Carter wrote compulsively, alone, because he didn't have anyone to confide in. (It's lonely at the top.)
The diaries reveal Carter as an anxious pessimist, constantly going into tailspins because his slaves, his children, and his fellow Virginia gentlemen constantly defied his authority. The icing on this lousy cake was the outbreak of the American Revolution, which upended Carter's world for good. I don't feel sorry for him, but I learned much about power by reading about his struggles and panics.
Landon Carter, a Virginia planter patriarch, left behind one of the most revealing of all American diaries. In this astonishingly rich biography, Rhys Isaac mines this remarkable document-and many other sources-to reconstruct Carter's interior world as it plunged into revolution. The aging patriarch, though a fierce supporter of American liberty, was deeply troubled by the rebellion and its threat to established order. His diary, originally a record of plantation business, began to fill with angry stories of revolt in his own little kingdom. Carter writes at white heat, his words sputtering from his pen as he documents the terrible rupture…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Originally published in 1977, this book has inspired four, maybe five, generations of archaeologists and enthusiasts of early American history. It is a model for how to write elegant stories based on groundbreaking research. And it has yet to be surpassed. I count myself a "granddaughter" of Jim Deetz, a founding figure of historical archaeology – that hybrid of history and archaeology focused on the "modern" world, from the invention of the printing press to the present. If you are curious about what everyday life was like in colonial America for regular people, start here. In Small Things offers a tangible history of human experiences that would otherwise be forgotten.
A fascinating study of American life and an explanation of how American life is studied through the everyday details of ordinary living, colorfully depicting a world hundreds of years in the past.
History is recorded in many ways. According to author James Deetz, the past can be seen most fully by studying the small things so often forgotten. Objects such as doorways, gravestones, musical instruments, and even shards of pottery fill in the cracks between large historical events and depict the intricacies of daily life. In his completely revised and expanded edition of In Small Things Forgotten, Deetz has added…
