Here are 69 books that The Birth of Black America fans have personally recommended if you like
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I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Jennifer Potter’s The Jamestown Brides: The Story of England’s Maids for Virginia is a fascinating account of 56 young English women who left their homes to join the struggling Jamestown Colony in 1621. Though Jamestown is one of the most well-researched historical settlements in the New World, this book offers important new insights into the first permanent English settlement in the Americas and into daily life for women in 17th-century England.
The extraordinary story of the British women who made the perilous journey to Jamestown, Virginia, to become wives for tobacco planters in the New Colony.
In 1621, fifty-six English women crossed the Atlantic in response to the Virginia Company of London's call for maids 'young and uncorrupt' to make wives for the planters of its new colony in Virginia. The English had settled there just fourteen years previously and the company hoped to root its unruly menfolk to the land with ties of family and children.
While the women travelled of their own accord, the company was in effect selling…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Ilan Stavans’s edited volume, Becoming Americans: Four Centuries of Immigrant Writing demonstrates how immigration is central to the origin story of the United States. In compiling selections from over 400 years of first-generation immigrant accounts, Stavans is able to shed light on the immigration experience—starting at Jamestown—from the perspective of the immigrant, as opposed to those already living in the destination country.
Immigration is the essential American story. From London or Lvov, Bombay or Beijing, Dublin or Dusseldorf, people have come to America to remake themselves, their lives, and their identities. Despite political obstacles, popular indifference, or hostility, they put down roots here, and their social, cultural, and entrepreneurial energies helped forge the open and diverse society we live in. The history of American immigration has often been told by those already here. Becoming Americans tells this epic story from the inside, gathering for the first time over 400 years of writing—from seventeenth-century Jamestown to contemporary Brooklyn and Los Angeles—by first-generation immigrants…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Finally, Henry Spelman gets his own book! There is no shortage of Jamestown literature on John Smith, Pocahontas, John Rolfe, and Chief Powhatan, but Karen Ordahl Kupperman’s Relation of Virginia: A Boy’s Memoir of Life with the Powhatans and the Patawomecks offers the intriguing account of Henry Spelman, a 14-year-old English boy sent to live with the Chesapeake Algonquians during highly volatile times between Virginia’s indigenous population and the Jamestown colonists.
I find this book particularly compelling for multiple reasons: it reverses traditional narrative roles and details a member of colonial society who was placed in servitude to the Indigenous population, it was one of very few examples of first-hand historical testimony from an adolescent (none survive from 1580's Roanoke, and only Alonso de Olmos offered an eyewitness account of the annihilation of the Ajacan Jesuits in 1570), and it has often been glossed over by Jamestown scholars.
A memoir of one of America's first adventurers, a young boy who acted as a link between the Jamestown colonists and the Patawomecks and Powhatans.
"Being in displeasure of my friends, and desirous to see other countries, after three months sail we come with prosperous
winds in sight of Virginia." So begins the fascinating tale of Henry Spelman, a 14 year-old boy sent to Virginia in 1609. One of Jamestown's early arrivals, Spelman soon became an integral player, and sometimes a pawn, in the power struggle between the Chesapeake Algonquians and the English settlers.
Shortly after he arrived in the…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Acclaimed crime novelist Patricia Cornwell came and dug with us at Jamestown while doing research for The Last Precinct. For weeks, she immersed herself in every detail of our archaeological excavations and then produced this inspired murder mystery that transcends time. The novel is fun, thrilling, and has its roots deep in the clay subsoil of the Tidewater.
Physically and psychologically bruised by her encounter with the killer Chandonne, Dr Kay Scarpetta has to leave her home in the hands of the police team investigating the attack. She finds shelter with an old friend, Anna Zenner, but it is not the haven of security she needs when she discovers that Anna has been sub-poenaed to appear before a Grand Jury which is investigating Scarpetta for murder. Kay knows she is being framed and she also knows she can trust no-one. Meanwhile it appears that Chandonne killed a woman in New York before his murderous spree in Virginia, but…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Though I felt too raw after George Floyd’s death in the summer of 2020 to read about the shattered dreams of an enslaved woman, there was something about Pheby Brown’s story that I found intriguing.
I had spent the last few weeks reading various novels about wives. Enslaved at birth, Pheby is promised her freedom on her 18th birthday but instead is forced to become the mistress to the jailer at a place where slaves are broken, tortured, and sold every day.
I loved how Phebe’s ability to create these beautiful designs with her sewing enabled her to protect her heart and those she loved. I was inspired by her strength and perseverance in the face of the brutality of slavery.
A Best Book of the Year by NPR and Christian Science Monitor
Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this “fully immersive” (Lisa Wingate, #1 bestselling author of Before We Were Yours) story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.
Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation,…
I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.
I’ve always been an avid reader despite not having peer-aged characters who resembled or represented me when I was a child. Fast forward to when my children were little: suddenly, there existed a plethora of African-American children’s literature. With pure delight, I indulged my little ones in magnificent books featuring characters that reflected them. Want to know a secret? I read those books for myself as well as for them. Recently, when finding a young African American girl at the center of Looking for Hope, I felt a delightful connection with my inner child. Make no mistakes. The young protagonist, Hannah “Mouse” Maynard, endures a horrific life event that alters her existence, interrupts her innocence, and thrusts her into a perilous, mature journey that fails to diminish her abiding sweetness.
“Grief has a way of cementing our feet to the ground wherever we’re standing when it hits us. It takes hard work to get unstuck from that place, but we have to be willing to dig in.”
In this coming of age tale, Mbinguni weaves a narrative about Hannah “Mouse” Maynard and her transformation from a shy, quiet, girl into a strong and assertive woman.
At 7-years-old, Mouse encounters a tragedy that forces her to face the evils of the world and leave behind everything she’s ever known. With their home destroyed, Mouse and her father travel from Maplewood, Georgia…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
In researching my graphic novel, I read many comics on slavery.
This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.
Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.
The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.
The story of Nat Turner and his slave rebellion-which began on August 21, 1831, in Southampton County, Virginia-is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster-a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. Find teaching guides for Nat Turner…
I love books. All kinds of books. Growing up, I didn’t have many friends outside of books. It’s no wonder that as an adult reader/writer/editor/book coach, I still read widely and voraciously. I believe all stories are magical, but I’m especially drawn to books that contain emotionally engaging characters and fun magical elements. I’m also a huge fan of good KidLit and getting a chance to see and explore other cultures and worlds, both real and imagined. (I even co-host a podcast: Coaching KidLit.) So, I read a ton of magical stories and a lot of KidLit. That’s how I discovered the books on this recommended reading list.
This is such a fun book, filled with fascinating characters, unusual creatures, and a camera that can freeze time. I loved hanging out with the main characters, Otto and Sheed. They are smart, fun, and relatable. Their adventure is both exciting and humorous, and their relationship is realistic and heartwarming. I love a good adventure, especially one where the characters are forced to set aside their differences to work together toward a single goal.
The Hardy Boys meets The Phantom Tollbooth, in the new century! When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected. Otto and Sheed are the local sleuths in their zany Virginia town, masters of unravelling mischief using their unmatched powers of deduction. And as the summer winds down and the first day of school looms, the boys are craving just a little bit more time for fun, even as they bicker over what kind of fun…
Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience.
Nikki Baker is the first African-American writer of lesbian mysteries and her character Virginia Kelly—who works as a financial analyst in Chicago—is the first African-American lesbian sleuth. This makes it important, but what makes the book outstanding is the writing, especially the voice of the protagonist. The plots are slick and entertaining, but it is Virginia’s internal musings and interpersonal relationships that make this—and the other 3 books in the series—a clear 5-star winner.
When businesswoman Virginia Kelly meets her old college chum Bev Johnson for drinks late one night, Bev confides that her lover, Kelsey, is seeing another woman. Ginny had picked up that gossip months ago, but she is shocked when the next morning's papers report that Kelsey was found murdered behind the very bar where Ginny and Bev had met. Worried that her friend could be implicated, Ginny decides to track down Kelsey's killer and contacts a lawyer, Susan Coogan. Susan takes an immediate, intense liking to Ginny, complicating Ginny's relationship with her live-in lover. Meanwhile Ginny's inquiries heat up when…
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