Here are 69 books that Wish You Were Here fans have personally recommended if you like
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Gwen Cooper is the New York Times bestselling author of the memoirs Homer's Odyssey: A Fearless Feline Tale, or How I Learned About Love and Life with a Blind Wonder Cat, as well as the novel Love Saves the Day (narrated from a rescue cat's perspective) and The Book of PAWSOME: Head Bonks, Raspy Tongues, and 101 Reasons Why Cats Make Us So, So Happy--among numerous other titles. The first book in her forthcoming "Homer Whodunit" Cozy Mystery Series, You Only Live Nine Times, will be released in Summer 2022. Gwen's work has been published in more than two-dozen languages, and she is a frequent speaker at shelter fundraisers across the U.S. and Europe.
The original, and still unsurpassed! First published in Japan in 1906, this gleeful skewering of the foibles of Japan’s upper-middle-class during the Meiji era—told in first-person narration from the perspective of an eminently observant and sardonic housecat—manages to feel fresh and modern more than 100 years later and reads like something that could have been published last week. When I first set about writing my own novel from a cat’s perspective, Love Saves the Day, this was the first book I turned to for inspiration. It was so good, it almost left me too intimidated to write mine. Almost.
"A nonchalant string of anecdotes and wisecracks, told by a fellow who doesn't have a name, and has never caught a mouse, and isn't much good for anything except watching human beings in action..." -The New Yorker
Written from 1904 through 1906, Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him.
A classic of Japanese literature, I Am a Cat is one…
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.
While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
The seventh child of a seventh son of a seventh son. Mother spoke of my sleeping nights and alert days…felt I was curious, observant. She was convinced I’d be the writer in the family. Named me Jerome after the librarian St. Jerome and Mark after Mark Twain, her favorite author as a child. Mother read to us daily, during high school time, a chapter a night. My brother Fred mailed me a word a week to look up. My freshman year in college I earned money writing compositions. And so it began. I sat on the floor and listened to the world war from Pearl Harbor to D-Day and Hiroshima.
I heard Marilyn Monroe in everything Holly Golightly said. I heard her witticisms. Turned out Truman Capote wrote it using Marilyn’s voice.
Holly, a hooker, her protagonist (apartment neighbor) was an in-the-closet gay man. Holly would climb the fire escape and crawl into his room and snuggle in bed with him as if they were lovers. She never denied she was a hooker – but never hid that she had standards and would expect fifty-dollar tips for washroom attendants.
This novella, as does Grapes and Old Man, demonstrates to me the stage play of life we choose to be in is in acts—we know our assets, limitations and to survive we follow them—in Grapes pickers followed a dream to orange groves—in Old Man—a fisher needed to prove he could get his luck back—and in Tiffany—if she could find playgrounds of the rich, she’d survive.
A beautifully designed edition of Truman Capote's dazzling New York novel Breakfast at Tiffany's, which inspired the classic 1961 film starring Audrey Hepburn
'What I've found does the most good is just to get into a taxi and go to Tiffany's. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits...'
Meet Holly Golightly - a free spirited, lop-sided romantic girl about town. With her tousled blond hair and upturned nose, dark glasses and chic black dresses, Holly is…
Liddy-Jean Marketing Queen and the Matchmaking Scheme
by
Mari SanGiovanni,
Introducing the irrepressible Liddy-Jean Carpenter, a young woman who has learning disabilities but also has a genius plan.
While Liddy-Jean spends her days doing minor office tasks with nobody paying attention, she sees how badly the wand-waving big boss treats the Marketing Department worker bees. So, she takes lots of…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
I’ve been addicted to reading and writing mystery novels since I picked up my first Nancy Drew. But in addition to a good puzzle, I also love a good laugh and grew up watching classic screwball comedies. I’ve written a dozen funny cozy mysteries now with more in the works. I hope you enjoy the books on this list as much as I have!
Zany family members and weddings gone wrong provide page-turning laughs in the first book in the Meg Lanslow series. The heroine is smart, funny, and… a blacksmith. The small-town shenanigans just keep coming in this laugh-out-loud mystery, but the heart comes from the familial relationships. (No peacocks are harmed in the making of this mystery, but they do provide plenty of laughs.)
I'm an herbalist dedicated to teaching people practical approaches to herbalism and creativity. I do this on my Substack, in clinical intakes with my herbal clients (I work mostly with artists), and in workshops and classes. My life and herbal practice revolve around food. I’ve cooked professionally for over 15 years, worked on organic farms, and grow food at home for myself and pollinators in my region. The best bet we have at caring for ourselves and our communities is through the food we grow, buy, prepare, and eat. I like to say most people are already doing herbalism, they just don’t know it's happening in their kitchens at breakfast, lunch, and dinner every day.
Who doesn’t love a cookbook that includes A Thermos of Hot Virginia Country-Style Beef Consommé as the first item on a picnic list?
The Taste of Country Cooking is a cookbook and narrative of life in Freetown, Virginia where Lewis grew up. I feel comforted and assured reading Lewis’ stories and recipes. Here is an expert relating a way of life where eating is seasonal, healthful, and communal.
Recipes are directions on how to prepare and serve food, sure, they’re also medicinal formulas (lemonade is technically medicinal!), ethnobotanical records, and historical documents intimately tied to how humans all over the world live lives. I am a sucker for cookbooks tied to seasons, foodways, and history.
Lewis’ recipes are presented seasonally and organized into menus linked to events: Emancipation Day Dinner, A Cool Evening Supper, Morning-After-Hog-Butchering Breakfast. Food is what we eat but also who we are.
In this classic Southern cookbook, the “first lady of Southern cooking” (NPR) shares the seasonal recipes from a childhood spent in a small farming community settled by freed slaves. She shows us how to recreate these timeless dishes in our own kitchens—using natural ingredients, embracing the seasons, and cultivating community. With a preface by Judith Jones and foreword by Alice Waters.
With menus for the four seasons, Miss Lewis (as she was almost universally known) shares the ways her family prepared and enjoyed food, savoring the delights of each special time of year.
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Though I felt too raw after George Floyd’s death in the summer of 2020 to read about the shattered dreams of an enslaved woman, there was something about Pheby Brown’s story that I found intriguing.
I had spent the last few weeks reading various novels about wives. Enslaved at birth, Pheby is promised her freedom on her 18th birthday but instead is forced to become the mistress to the jailer at a place where slaves are broken, tortured, and sold every day.
I loved how Phebe’s ability to create these beautiful designs with her sewing enabled her to protect her heart and those she loved. I was inspired by her strength and perseverance in the face of the brutality of slavery.
A Best Book of the Year by NPR and Christian Science Monitor
Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this “fully immersive” (Lisa Wingate, #1 bestselling author of Before We Were Yours) story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.
Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation,…
Nearly 200 years passed between the first English settlements and the American Revolution. Yet Americans today have a static view of women’s lives during that long period. I have now published four books on the subject of early American women, and I have barely scratched the surface. My works—Liberty’s Daughters was the first I wrote, though the last chronologically—are the results of many years of investigating the earliest settlers in New England and the Chesapeake, accused witches, and politically active women on both sides of the Atlantic. And I intend to keep researching and to write more on this fascinating topic!
A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s development.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
For centuries, Virginians have told, retold, and embellished terrific stories of their history, some based on truth, others more folklore than reality. As someone who has written her own myths and legends book, it was refreshing to read about them from another author’s viewpoint. Plus, I got to learn some new angles about the lore of Virginia.
For centuries, Virginians have told, retold and embellished wonderful stories of their history. Legends such as the "wild Spanish ponies" of Chincoteague, General Braddock's lost gold, the Mount Vernon Monster and the Richmond Vampire tug at the imagination. Revolutionary War heroes, Annandale's Bunny Man, the enslaved woman who became a Union spy in the White House of the Confederacy and many others left imprints on the Commonwealth of Virginia. Explore secret societies, hidden knowledge and the mysteries of the universe with author Chuck Mills.