Fans pick 71 books like Heroines of Mercy Street

This masterpiece is a story of the Grimké sisters, Sarah and Angelina—path-breakers in the abolitionist and women’s rights movements—interwoven with the story of Hetty, a young slave girl given to Sarah on her 11th birthday.

Hetty and Sarah find their way through the prejudice and barriers of a patriarchal society that views them as less than. Both learn to soar.

This book affected me deeply as a writer. Kidd is simply a master of words. But the story itself stripped away my naivety about what our society would look like had these women not taken on the patriarchal system. It is jolting to realize that the fight for women’s rights is not over, but ongoing.

We owe such a debt to those who struggled through the painful and sometimes deadly slings and arrows of culture to stand up for what was right. And we are not done.

Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.

Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.

Beyond the usual five stages of grief—denial, anger, bargaining, depression, and acceptance—a sixth stage of heavy responsibility may develop when someone dies in the service of a great cause. As the Battle of Franklin played out in the yard of her Carnton Plantation, Carrie MccGavock felt that sense of obligation to the 9000 soldiers who died in that battle. It is in that sense that Carrie called herself the “Widow of the South.” She disinterred over 1000 anonymous bodies, identified them, reburied them in her own cemetery, and sought to give their families a sense of closure. This moving novel, based on a true story, reminds us that the Civil War was more than maps and casualty statistics. It is a story of heartbreak and devotion.

When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.

I loved how this book blended the experience of Cadet William Hugh McDowell, a cadet from the Virginia Military Institute who fought in the Battle of New Market during the Civil War, with fictional modern-day Benjy, a 20th-century boy who is visiting his grandmother in New Market during his summer vacation. This book blends Benjy’s fictional story with Hugh’s historic and nonfiction life experience.

As a teaching tool, I was able to clarify the difference between fact and fiction for my students in our study of the Civil War. I was later amazed to learn that an element of the story that Elaine had created to tie the two boys together turned out to really exist–the boy’s watch.

Catton was one of the Civil War’s great historians, best known for bringing the stories of individual soldiers into otherwise sweeping accounts of the American Iliad. Amid this work, he also wrote this little-known short novel, published in 1955, which today probably would be filed in the “young adult” section of your favorite bookstore. It tells the tale of Bob Hayden, a Michigan boy who lies about his age to join a volunteer company and rises to manhood while serving in Virginia with Gen. “Fighting Phil” Sheridan.

Who doesn’t love a cookbook that includes A Thermos of Hot Virginia Country-Style Beef Consommé as the first item on a picnic list?

The Taste of Country Cooking is a cookbook and narrative of life in Freetown, Virginia where Lewis grew up. I feel comforted and assured reading Lewis’ stories and recipes. Here is an expert relating a way of life where eating is seasonal, healthful, and communal.

Recipes are directions on how to prepare and serve food, sure, they’re also medicinal formulas (lemonade is technically medicinal!), ethnobotanical records, and historical documents intimately tied to how humans all over the world live lives. I am a sucker for cookbooks tied to seasons, foodways, and history.

Lewis’ recipes are presented seasonally and organized into menus linked to events: Emancipation Day Dinner, A Cool Evening Supper, Morning-After-Hog-Butchering Breakfast. Food is what we eat but also who we are.

You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure. 

I especially like this page-turning book because it vividly describes the effects of viral hemorrhagic fever on patients. The reader can more effectively convey the signs and symptoms experienced by the victims than most writers can. 

This engaging book is even more relevant today, as our world has become smaller, allowing the possibility of airline travel to spread killer viruses from one continent to another in a single day.

As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.