100 books like England on Fire

This book expanded how I thought about time and about the landscape we take for granted.

It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.

Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’

I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!

What do we mean by landscape? What do we mean by Britain?

Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.

It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.

Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.

I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.

This task was a little overwhelming and Digging Up Britain taught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.

Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.

It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout. 

I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.

Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.

She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier book Spirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.

Eye-opening and beautifully written.

I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.

Gary Faigin is the guy I took my first and only perspective class from, back when he was teaching at the New York Academy of Arts. Eventually we became friends, and fortunately for me he never wrote a book on perspective. Instead, Gary channeled his considerable knowledge of anatomy and drawing into the indispensable book on facial expressions. In profusely illustrated chapters, Gary breaks down the daunting complexity of facial expressions into six basics: joy, anger, sadness, disgust, fear, and surprise. Like the primary colors, this basic palette yields the full spectrum of extreme to subtle, in-between, and mixed expressions. 

This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.

Although all the other books on this list feature American artists this pick is by an astonishing Welsh artist. As a young illustrator in London, I was aware of Jim's incredible work and still own a well-worn copy of his first art book from that period. Unlike his American counterparts, Jim worked mostly in acrylics with some airbrush, and he greatly influenced me with his sense of atmosphere and the scale of his imagination. The fact that we both worked in London at the same time, In the same field, and never met until recently makes me a little melancholy. They say you shouldn't meet your heroes; I find this not to be true. Once again Nice big full-page images, as all art books should be!

This book is a great choice for anyone looking to dive deeper into the creative process and find inspiration for their own artistic journey. The book, written by the well-known art critic and historian Jerry Saltz, offers practical advice and thought-provoking insights into the nature of art and the role of the artist in society. One of the key themes in the book is the idea that every piece of art you create has the potential to make an impact, no matter how big or small, and that it is your responsibility as an artist to keep creating, even if your work may not always be perfect. Overall, this book is a must-read for anyone looking to deepen their understanding of the creative process and find the motivation to keep pursuing their passions.

If you read one book on the psychology of art, make it this one. Winner gives us a book that celebrates the importance of art even as she remains grounded in experimental data and avoids hyperbole. She asks deceptively simple questions. What is art? Why do we make art? Does art make us better people? The clarity of her logic and the elegance of her prose as she answers these and other incisive questions make this book a delight to read.