Fans pick 100 books like The Artist's Complete Guide to Facial Expression

James McMullan is one of America’s preeminent illustrators, working consistently from the 60s to today. He may be most familiar for his long series of posters for Broadway shows at Lincoln Center, but he has also done magazine illustrations, children's books, record covers, and animation. Running parallel to his illustration work has been a long career in teaching, principally at New York’s School of Visual Arts (for which he also has done a series of subway posters). I was privileged to take his SVA illustration course– which had a stringent portfolio review – for two years early in my career, about the time this book appeared. No collection of greatest hits, or even a guide to achieving McMullan’s juicy watercolor style, this is a thoroughly candid tour through an illustrator’s work process, including a generous selection of preliminary sketches and reference photos.

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British illustrator Patrick Woodroffe was an eclectic virtuoso, working with equal facility in oils, acrylic, pencil, pen and ink, silverpoint, and a unique technique of his own involving cutout drawings photographed in natural settings. Like McMullan’s, this book gives you a practical look inside one artist’s creative process. One remark of Woodroffe’s helped set me free artistically: “I don’t think strict accuracy is important, for if art is to offer us anything at all that is not to be found ‘out there’ or in photographs, then it can only come from those fortunate instances when the artist sees something not quite straight, when his visual memory fails him just a little. Getting it at least slightly wrong is I believe what art is all about.”

Legendary artist and printmaker M.C. Escher wrote very little about his working method, but fortunately, he gave writer and longtime friend Bruno Ernst full access to his creative process. Ernst does a superb job unpacking the reasoning and revealing the secrets of this always logical but sometimes opaque master. After I read Ernst's chapter explaining the cylindrical perspective in Escher’s classic prints "House of Stairs" and "High And Low", I went right to work drawing my own cylindrical grid, which eventually appeared in my second instructional book Extreme Perspective!

I owe Francis D.K. Ching big time. What I learned about perspective in art school served me well enough during my first few years as a working illustrator, but there came a time when I faced a perspective problem beyond my experience on deadline, and I needed to pick up new skills fast. I knew the neighbor in the next apartment over was a graphic designer, so I knocked on her door to ask if she had any books on perspective, and this is what she had on the shelf. The perspective section is only a small part of this elegantly drawn and hand-lettered book, but the information in it was enough to solve my immediate problem and set me to exploring perspective on my own (and some thirty years later, I found my neighbor again on LinkedIn and returned her copy).

This book is so fun! It invites the reader to create art in response to a truth about who you are! The activity book engages its reader in creativity and artistic expression after reading a devotion and scripture verse. Personally, I adore any book where its sole purpose is to remind the reader who God created them to be! It is an empowering read and is really hands-on. I would recommend this book for any girl who is creative at heart, and wants to grow their faith with Jesus! It's another great resource to have on you so that your child can do the activities with a group of their closest girlfriends. 

Teachable Monuments is an expensive book, but it is also a book useful for integrating the work of scholars with teachers, using monuments to examine and create new meanings from monument culture via curriculum and classroom activities. The book comes after the murder of George Floyd in 2020, a seismic event in the United States and abroad which hastened the removals of many Confederate and Columbus monuments, as well as monuments in Europe and beyond.

This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.

Sarah Urist Green's You Are an Artist is a beacon of inspiration filled with engaging and thought-provoking assignments that push the boundaries of conventional art-making.

Each challenge in this book compels you to explore uncharted territories, urging you to experiment with novel ideas and mediums. Far more than just prompts, Urist Green guides you on a journey into the heart of contemporary art, inspiring a renaissance of thought and technique in every artist willing to embrace its teachings.

The book instantly transported me back to art school, with assignments that truly spawn productive growth. I found myself eagerly anticipating each new page, propelled Green’s warm, encouraging, yet daringly innovative approach. This book is a must-have for anyone seeking to break free from creative blocks and embark on a journey of artistic discovery.

This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.

If any book can explain why there’s always more than one way to solve a visual problem, this is it. The book shares a compendium of 13 experimental projects, each designed to teach conceptual thinking and problem solving to art and design students.