Here are 9 books that The Magic Mirror of M.C. Escher fans have personally recommended if you like
The Magic Mirror of M.C. Escher.
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Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
James McMullan is one of America’s preeminent illustrators, working consistently from the 60s to today. He may be most familiar for his long series of posters for Broadway shows at Lincoln Center, but he has also done magazine illustrations, children's books, record covers, and animation. Running parallel to his illustration work has been a long career in teaching, principally at New York’s School of Visual Arts (for which he also has done a series of subway posters). I was privileged to take his SVA illustration course– which had a stringent portfolio review – for two years early in my career, about the time this book appeared. No collection of greatest hits, or even a guide to achieving McMullan’s juicy watercolor style, this is a thoroughly candid tour through an illustrator’s work process, including a generous selection of preliminary sketches and reference photos.
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
British illustrator Patrick Woodroffe was an eclectic virtuoso, working with equal facility in oils, acrylic, pencil, pen and ink, silverpoint, and a unique technique of his own involving cutout drawings photographed in natural settings. Like McMullan’s, this book gives you a practical look inside one artist’s creative process. One remark of Woodroffe’s helped set me free artistically: “I don’t think strict accuracy is important, for if art is to offer us anything at all that is not to be found ‘out there’ or in photographs, then it can only come from those fortunate instances when the artist sees something not quite straight, when his visual memory fails him just a little. Getting it at least slightly wrong is I believe what art is all about.”
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
Gary Faigin is the guy I took my first and only perspective class from, back when he was teaching at the New York Academy of Arts. Eventually we became friends, and fortunately for me he never wrote a book on perspective. Instead, Gary channeled his considerable knowledge of anatomy and drawing into the indispensable book on facial expressions. In profusely illustrated chapters, Gary breaks down the daunting complexity of facial expressions into six basics: joy, anger, sadness, disgust, fear, and surprise. Like the primary colors, this basic palette yields the full spectrum of extreme to subtle, in-between, and mixed expressions.
Artists will love this book, the definitive guide to capturing facial expressions. In a carefully organised, easy-to-use format, author Gary Faigin shows readers the expressions created by individual facial muscles, then draws them together in a section devoted to the six basic human emotions: sadness, anger, joy, fear, disgust and surprise. Each emotion is shown in steadily increasing intensity and Faigin's detailed renderings are supplemented by clear explanatory text, additional sketches and finished work. An appendix includes yawning, wincing and other physical reactions. Want to create portraits that capture the real person? Want to draw convincing illustrations? Want to show…
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
I owe Francis D.K. Ching big time. What I learned about perspective in art school served me well enough during my first few years as a working illustrator, but there came a time when I faced a perspective problem beyond my experience on deadline, and I needed to pick up new skills fast. I knew the neighbor in the next apartment over was a graphic designer, so I knocked on her door to ask if she had any books on perspective, and this is what she had on the shelf. The perspective section is only a small part of this elegantly drawn and hand-lettered book, but the information in it was enough to solve my immediate problem and set me to exploring perspective on my own (and some thirty years later, I found my neighbor again on LinkedIn and returned her copy).
The bestselling guide to architectural drawing, with new information, examples, and resources Architectural Graphics is the classic bestselling reference by one of the leading global authorities on architectural design drawing, Francis D.K. Ching. Now in its sixth edition, this essential guide offers a comprehensive introduction to using graphic tools and drafting conventions to translate architectural ideas into effective visual presentations, using hundreds of the author's distinctive drawings to illustrate the topic effectively. This updated edition includes new information on orthographic projection in relation to 3D models, and revised explanations of line weights, scale and dimensioning, and perspective drawing to clarify…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
For me, this book was a real education. It provided insight into how the greatest artists strive to break the rules and find interest in juxtapositioning different versions of reality and fantasy. The perfect summation, to me, of what Escher strived to do is communicated in this quote, “My topics are often playful too. I cannot stop fiddling around with our incontestable certainty. It is a pleasure, for example, to deliberately mingle two- and three-dimensions, flat and spatial and to poke fun at gravity.” One of the main takeaways from this book is to always strive to reimagine reality, break rules, be playful, and never be afraid to fail.
As beautiful and rigorous as an Escher work itself, this book is the classic study of a great maverick who so memorably linked the world of imagemaking with geometry and paradox. Escher's works, from the great master prints to numerous drawings, are brilliantly arranged to form a cinematic journey of discovery that reveals the magical world of the artist's mind, an uncharted realm lush with exotic conceptions and inventions.
Although I loved studying mathematics in school, I have since learned that mathematics is so much more than school mathematics. My enthusiasm for all areas of mathematics has led me to conduct original mathematical research, to study the history of mathematics, to analyze puzzles and games, to create mathematical art, crafts, and activities, and to write about mathematics for general audiences. I am fortunate that my job—I am a professor of mathematics and the John J. & Ann Curley Faculty Chair in the Liberal Arts at Dickinson College—allows me the freedom to follow my passions, wherever they take me, and to share that passion with my students and with others.
They say that Plato was not a mathematician but was a maker of mathematicians. The same could be said of Martin Gardner, a prolific author who wrote, among many other things, the “Mathematical Games” column forScientific American for a quarter of a century. Although all his books are excellent, The Colossal Book of Mathematics is a great entry point to Gardner’s oeuvre. It consists of what Gardner viewed as his 50 best Scientific Americancolumns along with addenda containing updated material on each topic. With topics like topology, geometry, recreational mathematics, the infinite, and probability, each article is an informative, playful, well-written gem.
Whether discussing hexaflexagons or number theory, Klein bottles or the essence of "nothing," Martin Gardner has single-handedly created the field of "recreational mathematics." The Colossal Book of Mathematics collects together Gardner's most popular pieces from his legendary "Mathematical Games" column, which ran in Scientific American for twenty-five years. Gardner's array of absorbing puzzles and mind-twisting paradoxes opens mathematics up to the world at large, inspiring people to see past numbers and formulas and experience the application of mathematical principles to the mysterious world around them. With articles on topics ranging from simple algebra to the twisting surfaces of Mobius strips,…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
As a printmaker and student of the history and techniques of printmaking, this is my “desert island” volume, the most comprehensive, literate, knowledgeable, and articulate statement on this influential, historically significant, and often overlooked art form. Eichenberg, himself a brilliant and trenchant wood engraver, book illustrator, and political commentator, shows himself to be an eloquent historian, scholar, and interpreter of various printmaking media, not only in Europe and the Americas, but throughout the world, in its long history.
I am a former book editor turned writer and a lover of literature in all forms. Young adult literature will forever be my favorite. Though I’m no longer “young,” I have two teenagers who love YA as much as I do and we bond over these stories. Since one prefers contemporary & urban fantasy, and the other likes dystopian & epic fantasy, I read a lot of everything! I particularly enjoy books with characters who triumph over extreme adversity, and if you do too, then you'll like the books on this list.
This book was written in the mid-70s and “set in a dystopian America in the near future.”
Fortunately, our present isn’t quite like this. Five 16-year-old orphans awaken
to find themselves in a building with no ceiling, walls, or floor—only endless
flights of stairs in every direction. It’s a story about human nature and the
human condition, as well as a cautionary tale about government control.
Supposedly written for young readers (what we’d consider “middle grade” today),
I believe it’s better suited for teens and adults.
This chilling, suspenseful indictment of mind control is a classic of science fiction and will haunt readers long after the last page is turned.
One by one, five sixteen-year-old orphans are brought to a strange building. It is not a prison, not a hospital; it has no walls, no ceiling, no floor. Nothing but endless flights of stairs leading nowhere--except back to a strange red machine. The five must learn to love the machine and let it rule their lives. But will they let it kill their souls?
I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Gwen Frostic overcame disability as a child to become one of the most famous nature artists. Through her engaging art and writing, Frostic reminded people to stop and revel in the wonder and beauty of the natural world which is all around. The colorful illustrations highlight the informative and lyrical text.
2019 Green Earth Book Awards - Long List The art and writing of Gwen Frostic are well known in her home state of Michigan and around the world, but this picture book biography tells the story behind Gwen's famous work. After a debilitating illness as a child, Gwen sought solace in art and nature. She learned to be persistent and independent--never taking no for an answer or letting her disabilities define her. After creating artwork for famous Detroiters and for display at the World's Fair and helping to build WWII bombers, Gwen moved her printmaking business to northern Michigan. She…
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