Here are 100 books that The Art of the Print fans have personally recommended if you like
The Art of the Print.
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I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.
An exploration of echoes and resonances across two millennia of visual culture, celebrating ten years of The Public Domain Review.
Gathering a remarkable collection of over 500 public domain images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, the book has been assembled from a vast array of sources: from manuscripts to museum catalogues, ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence which unfurls according to a dreamlike logic, through a…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
Ellcock curated a remarkable selection of images that are provocative, transformative, and universal – an anthology of archetypes, scanning the world’s vast catalog of visual images from cultures, religions, time periods, political viewpoints, and media. I don’t know a more comprehensive anthology of moral, political, environmental, social, and cultural images, all vivid, challenging, and eternally relevant.
Stephen Ellcock, one of the world's most beloved digital curators, presents a collection of radically beautiful and provocative images designed to inspire reflection, revelation, and transformation.
Stephen Ellcock pairs hundreds of images, icons, and symbols spanning three thousand years of artistic creation with quotes from activists and writers to provoke reflection, revelation, and transformation. This eye-opening compendium highlights the environmental challenges facing our planet and the social injustice rampant in our societies, while offering hope that a better world is within our grasp. The artwork includes archival images from prominent and obscure artists, Renaissance paintings, counter-cultural iconography, documentary photography, and…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
This book brilliantly revives the concept of cosmography, the visual depiction of the universe, from the beginnings of Romanticism to images from the Hubble telescope. By intermingling images from art and science, the book underscores the powerful visual parallels between the two disciplines, their discoveries equally strange, wondrous, and insightful.
From Galileo to Yves Klein the cosmos has been the inspiration for generations of artists, architects and designers. Their multifacetted cosmic visions are the subject of this original volume.
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht Dürer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves.
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Durer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy. Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions…
I am a children’s book illustrator who has been passionate about illustration and art from a young age, and I am fortunate to have illustrated over 30 books for publishers worldwide. I have always believed drawing is for everyone and that you should not stop after childhood. Drawing can improve your mental health, enhance your way of visually communicating ideas, or just be a new way to have fun. I hope that my book and the books I have recommended inspire at least one person to pick up a pencil and have a go!
I have had a copy of this book since I was a teenager. It is now slightly worn with a ragged sleeve from all of the rereads in my stages of life.
I wanted a career in art, and I just didn’t know how to make it happen. Martin Salisbury is a well-known and hugely respected lecturer of children’s book illustration and founded the MA in Children’s Book Illustration in Cambridge, UK. This course has produced a large list of incredible talent, whose work you will find everywhere in book shops.
This book talks about different mediums and methods of creating illustrations in a way that not many other books discuss, such as printmaking and collage. Although I am a big doodler myself, there is such a rich tapestry of mediums for everyone to try!
This book is brilliant for those looking to learn more about children’s illustration as a…
Learn how to create effective illustrations to match children's stories for different age groups.
The art of illustration for children has a long and rich tradition, and for generations has been loved by countless readers. Illustrating Children's Books shows you how to create beautiful artwork for children, examines the approaches taken by advanced-level students and leading artists and describes how their ideas evolve from start to finish through step-by-step sketches.
- Identify the techniques used by successful children's illustrators and get advice on how to tackle fantasy, fairy tale, realism and nature drawings
- Learn tips on working in a…
I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Gwen Frostic overcame disability as a child to become one of the most famous nature artists. Through her engaging art and writing, Frostic reminded people to stop and revel in the wonder and beauty of the natural world which is all around. The colorful illustrations highlight the informative and lyrical text.
2019 Green Earth Book Awards - Long List The art and writing of Gwen Frostic are well known in her home state of Michigan and around the world, but this picture book biography tells the story behind Gwen's famous work. After a debilitating illness as a child, Gwen sought solace in art and nature. She learned to be persistent and independent--never taking no for an answer or letting her disabilities define her. After creating artwork for famous Detroiters and for display at the World's Fair and helping to build WWII bombers, Gwen moved her printmaking business to northern Michigan. She…
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
Legendary artist and printmaker M.C. Escher wrote very little about his working method, but fortunately, he gave writer and longtime friend Bruno Ernst full access to his creative process. Ernst does a superb job unpacking the reasoning and revealing the secrets of this always logical but sometimes opaque master. After I read Ernst's chapter explaining the cylindrical perspective in Escher’s classic prints "House of Stairs" and "High And Low", I went right to work drawing my own cylindrical grid, which eventually appeared in my second instructional book Extreme Perspective!
I am a printmaker and book artist and author who is interested in visual narratives. I wrote a book about how to make woodcuts, linocut and engravings titled The Woodcut Artists’ Handbook. My hand-printed limited edition books and art can be found in many collections from the Fisher Rare Book Library, University of Toronto, The Morgan Library & Museum, New York City, and The Museum of Modern Art (MoMa), New York City. I am an Associate Professor of book arts and printmaking at OCAD University in Toronto, Canada.
David Beronä was a friend and fellow collector whose interest in this form of graphic storytelling was our shared passion. In his book Beronä examines the history of and art of pioneers of this form of narrative. The works of Frans Masereel, Lynd Ward, Otto Nückel, William Gropper, Milt Gross, Giacomo Patri Laurence Hyde, and lesser known artists like Helena Bochořáková-Dittrichová and István Szegedi Szüts. The woodcut images in these works are powerful and as relevant today as they were when they were first produced.
"Wordless books" were stories from the early part of the twentieth century told in black and white woodcuts, imaginatively authored without any text. Although woodcut novels have their roots spreading back through the history of graphic arts, including block books and playing cards, it was not until the early part of the twentieth century that they were conceived and published. Despite its short-lived popularity, the woodcut novel had an important impact on the development of comic art, particularly contemporary graphic novels with a focus on adult themes.Scholar David A. Berona examines the history of these books and the art and…
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
In a travelogue which spends much of its time in the Alps, Twain delivers anecdotes of haplessness that will make readers smile, if not laugh out loud. Twain portrays himself as an American naif who thinks he understands everything while actually understanding nothing at all.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I’m a science researcher and writer living in London. My research field is astrobiology and the possibility of life on other planets – it brings together lots of different areas of science with engineering and space exploration and so is deeply ‘interdisciplinary’. And as a science writer, I try to bring this same broad perspective and unifying approach to other profound questions. My fascination with understanding our own origins was sparked by my childhood growing up in East Africa, the cradle of humanity. In Origins I explored different ways that planet Earth has influenced our human story across the millennia - it’s an example of ‘Big History’.
Guns. Germs and Steel is an absolutely thrilling ride through world history in pursuit of the deepest answers to the question: why was it that European powers came to dominate those of the Americas from the sixteenth century, and not vice versa. The book was awarded the Pulitzer Prize and is a cracking example of what has come to be known as ‘Big History’.
