Here are 26 books that The Magic of M.C. Escher fans have personally recommended if you like
The Magic of M.C. Escher.
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I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
My sister read the Lord of the Rings trilogy to me when I was a kid while we were on holiday in Scotland and it was hugely inspiring. Growing up I thought I would like to illustrate the books - until Alan Lee did it so perfectly. No one can better his interpretation, as Peter Jackson will agree. His delicate pencil work and subtle use of colour have always, for me, set the bar for illustration. A highlight of my career has been having my own work exhibited alongside his.
Alan Lee, the Oscar-winning conceptual designer for the Lord of the Rings movie trilogy, discusses his approach to depicting Tolkien’s imaginary world. The book presents more than 150 of Lee’s celebrated illustrations to show how his imagery for both the illustrated Lord of the Rings and the films progressed from concept to finished art. In addition, the book contains 20 full-color plates and numerous examples of the conceptual art produced for Peter Jackson’s film adaptation.
The Lord of the Rings Sketchbook provides a wealth of background information and will be of interest to those who know and love Tolkien’s work,…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
A fascinating in-depth insight into the personality, career, and work of Rackham, who I view as the king of the golden age of illustration. His fine draughtsmanship and ability to create fantastical worlds and characters that range from the grotesque to the beautiful inspired me from an early age. The pages are packed with artwork done in his trademark pen and ink and watercolour.
A fascinating insight into the personality, career and work of one of the world's most collectable illustrators
Filled with enchanting pictures and authoritative text
In this fascinating book, art historian James Hamilton examines the work and life of the illustrator Arthur Rackham. Rackham's illustrations for works such as Rip Van Winkle, Peter Pan in Kensington Gardens, Alice in Wonderland and A Midsummer Night's Dream have attained the classic status of the writings themselves - indeed, in some cases they have become synonymous with them. Rackham himself, however, has previously remained a shadowy figure. As well as featuring exquisite illustrations and…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
This book contains exquisite pencil and ink drawings by Dr. Sarah Simblet who teaches at The Ruskin and Christ Church, at Oxford University. Her observational work is second to none and through it, she explores the relationship between science, history, and art. She is dedicated to sharing visual intelligence and promoting understanding through art. This is complemented perfectly with the text by Gabriel Hemery who gives an in-depth insight into the value of one of our most treasured assets – the trees of our land.
"Beautiful, useful, inspirational" BBC Wildlife Book of the Month
"A delight on every page" Evening Standard
In 1664, the horticulturist and diarist John Evelyn wrote Sylva, the first comprehensive study of British trees. It was also the world's earliest forestry book, and the first book ever published by the Royal Society. Evelyn's elegant prose has a lot to tell us today, but the world has changed dramatically since his day. Now authors Gabriel Hemery and Sarah Simblet, taking inspiration from the original work, have masterfully created a contemporary version - The New Sylva. The result is a fabulous resource that…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
Doré was a prolific artist who illustrated editions of the Bible, Dante's Inferno, Poe's The Raven, and The Adventures of Don Quixote. He was a veritable ‘dream machine’ with multi-disciplinary skills. His depictions of London never cease to amaze me with the intricacy of his observation. The fact that he also turned to sculpture and not to mention his influence on early cinema are all aspects that fill me with awe especially when considering his life was cut short at 51. The epic quality of his work inspires me hugely and this big book encompasses his whole career with lots of well-reproduced images, and the photograph of him on page 17 always makes me laugh.
The diverse oeuvre of Gustave Doré—illustrations, paintings, sculpture—combines with biography and critical essays and attests to the artist’s enduring impact on contemporary culture. Proclaimed "the most illustrious of illustrators," Gustave Doré is best known for his engravings, which appeared in editions of the Bible, Dante’s Inferno, Poe’s The Raven, The Adventures of Don Quixote, and even in Hollywood, from King Kong to Seven. Yet the extent of his genius remains largely unknown. Here, along with his renowned illustrations, his paintings and sculptures are also examined, bringing to light the rich diversity of his talent. Using watercolor, vivid oil paint, or…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
I bought this book twenty years ago and still love this book. It is such a clear and beautifully illustrated book with a very strong explanation of the different elements of drawing the human figure and how to render with powerful volume and gesture. It is a great learning tool for artists of all ages and experiences to learn from, be inspired by or just review basic principles of drawing the human figure. The way that Anthony Ryder uses colored paper as the midtone is one of the easiest and most visually powerful ways to add character and depth to any drawing.
Many of us want to learn "how to draw." But as artist Anthony Ryder explains, it's much more important to learn what to draw. In other words, to observe and draw what we actually see, rather than what we think we see. When it comes to drawing the human figure, this means letting go of learned ideas and expectation of what the figure should look like. It means carefully observing the interplay of form and light, shape and line, that combine to create the actual appearance of human form. In The Artist's Complete Guide to Figure Drawing, amateur and experienced…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Dalí. The Paintingsis one of the most complete compilations of works I’ve seen, and it includes the examination of one of the most prolific and controversial figures in art. Salvador Dali is a genius. He took his artistic skill and vision across so many different genres of the arts. The book is a fascinating journey into his mind and work. I learned a tremendous amount regarding composition, palette and tone decisions, and of course realism. I loved the idea that you can inspire the mind, leading it into new thought patterns by presenting something that is different or strange.
Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.
This publication presents the artist's painted oeuvre. After many years of research, Robert Descharnes and Gilles Neret finally located the paintings of this highly prolific artist. Many of the works had been inaccessible for years-in fact so many that almost half the illustrations in this book had…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work.
Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition.…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period. Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
Legendary artist and printmaker M.C. Escher wrote very little about his working method, but fortunately, he gave writer and longtime friend Bruno Ernst full access to his creative process. Ernst does a superb job unpacking the reasoning and revealing the secrets of this always logical but sometimes opaque master. After I read Ernst's chapter explaining the cylindrical perspective in Escher’s classic prints "House of Stairs" and "High And Low", I went right to work drawing my own cylindrical grid, which eventually appeared in my second instructional book Extreme Perspective!
Although I loved studying mathematics in school, I have since learned that mathematics is so much more than school mathematics. My enthusiasm for all areas of mathematics has led me to conduct original mathematical research, to study the history of mathematics, to analyze puzzles and games, to create mathematical art, crafts, and activities, and to write about mathematics for general audiences. I am fortunate that my job—I am a professor of mathematics and the John J. & Ann Curley Faculty Chair in the Liberal Arts at Dickinson College—allows me the freedom to follow my passions, wherever they take me, and to share that passion with my students and with others.
They say that Plato was not a mathematician but was a maker of mathematicians. The same could be said of Martin Gardner, a prolific author who wrote, among many other things, the “Mathematical Games” column forScientific American for a quarter of a century. Although all his books are excellent, The Colossal Book of Mathematics is a great entry point to Gardner’s oeuvre. It consists of what Gardner viewed as his 50 best Scientific Americancolumns along with addenda containing updated material on each topic. With topics like topology, geometry, recreational mathematics, the infinite, and probability, each article is an informative, playful, well-written gem.
Whether discussing hexaflexagons or number theory, Klein bottles or the essence of "nothing," Martin Gardner has single-handedly created the field of "recreational mathematics." The Colossal Book of Mathematics collects together Gardner's most popular pieces from his legendary "Mathematical Games" column, which ran in Scientific American for twenty-five years. Gardner's array of absorbing puzzles and mind-twisting paradoxes opens mathematics up to the world at large, inspiring people to see past numbers and formulas and experience the application of mathematical principles to the mysterious world around them. With articles on topics ranging from simple algebra to the twisting surfaces of Mobius strips,…
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