100 books like Bernini

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books are Teresa de Ávila, Lettered Woman and Women Religious and Epistolary Exchange in the Carmelite Reform. 

A yearning for a happy and meaningful life, as well as struggles with fear, guilt, and unfulfilled wishes, are common to mankind of all ages. My books combine historical and fictional characters to address such timeless spiritual issues from a Christian perspective. During a hiking tour of the Isle of Elba, I discovered the cave where the saintly 6th-century hermit San Cerbone lived in exile. Researching his life inspired me to write a work of historical fiction about that colourful character’s interactions with Silvanus, an unhappy local lad who longs to escape but finds new priorities.

I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.

I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023). 

I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction. I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.

Doing the research for The Italian Party meant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.