100 books like Bernini

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books are Teresa de Ávila, Lettered Woman and Women Religious and Epistolary Exchange in the Carmelite Reform. 

Growing up in what was becoming Silicon Valley, I escaped to San Francisco on weekends and, through it, fell in love with what other great cities have to offer. However, as an environmental writer and TV producer there in the 1980s, I became aware of how cities exploit the territories on which they rely. A winter sojourn in the most lovely, fragile, and ingenious of all towns—Venice—in 1985 focused my too-diffuse thought on what might otherwise seem a contradiction. The lagoon city is, as John Ruskin said, the finest book humanity has ever written; I owe it my life and the book it inspired. 

I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.

Folk-singing was my first vocation, but I made a sudden left turn into comedy, becoming one-half of The Times Square Two. After a few years touring the world, I settled in Hollywood and became an actor, writer, and director. I was inspired to write The Food Taster by the maître d’ of a famous restaurant in Los Angeles. When I complained that my meal had made me ill, he smiled and said I should get myself a food taster.

Doing the research for The Italian Party meant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.

Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.