Here are 100 books that The Artist's Complete Guide to Figure Drawing fans have personally recommended if you like
The Artist's Complete Guide to Figure Drawing.
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I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
For me, this book was a real education. It provided insight into how the greatest artists strive to break the rules and find interest in juxtapositioning different versions of reality and fantasy. The perfect summation, to me, of what Escher strived to do is communicated in this quote, “My topics are often playful too. I cannot stop fiddling around with our incontestable certainty. It is a pleasure, for example, to deliberately mingle two- and three-dimensions, flat and spatial and to poke fun at gravity.” One of the main takeaways from this book is to always strive to reimagine reality, break rules, be playful, and never be afraid to fail.
As beautiful and rigorous as an Escher work itself, this book is the classic study of a great maverick who so memorably linked the world of imagemaking with geometry and paradox. Escher's works, from the great master prints to numerous drawings, are brilliantly arranged to form a cinematic journey of discovery that reveals the magical world of the artist's mind, an uncharted realm lush with exotic conceptions and inventions.
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Dalí. The Paintingsis one of the most complete compilations of works I’ve seen, and it includes the examination of one of the most prolific and controversial figures in art. Salvador Dali is a genius. He took his artistic skill and vision across so many different genres of the arts. The book is a fascinating journey into his mind and work. I learned a tremendous amount regarding composition, palette and tone decisions, and of course realism. I loved the idea that you can inspire the mind, leading it into new thought patterns by presenting something that is different or strange.
Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.
This publication presents the artist's painted oeuvre. After many years of research, Robert Descharnes and Gilles Neret finally located the paintings of this highly prolific artist. Many of the works had been inaccessible for years-in fact so many that almost half the illustrations in this book had…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work.
Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition.…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period. Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.
I grew up in a family of artists and then went to art school, so I have been thinking visually my entire life. I have always collected random, inspiring books with both words and images. I love being able to pick up a book and read a chapter at a time or flip through it for visual inspiration. I keep some of my favorite books at my bedside just because they give me comfort. There are so many more books I could recommend in the category I have chosen!
Be sure not to let the title deceive you, though. It is useful for artists at all levels because it is a place to refresh basic skills. To see in a very clear way how to draw a man standing is super helpful no matter where you are in your art practice.
If you aim to draw fantastical caricatures or very realistically, this book breaks it all down for you so that you can hit the ground running in your own personal style.
This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined!
Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all-from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds...not with Mark and Mary as your guide!)
At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes-24 mini-demos lead up to…
I am a children’s book illustrator who has been passionate about illustration and art from a young age, and I am fortunate to have illustrated over 30 books for publishers worldwide. I have always believed drawing is for everyone and that you should not stop after childhood. Drawing can improve your mental health, enhance your way of visually communicating ideas, or just be a new way to have fun. I hope that my book and the books I have recommended inspire at least one person to pick up a pencil and have a go!
365 Days of Drawing is such a positive and personal book. It feels like an art diary that I can take in my bag for whenever I get a quiet moment between hectic moments of life. You can look back on your year through the prompts and see how much you have improved, whilst taking some time to practice your craft and to do something that you enjoy.
It is perfect for those who want to draw more but don’t know where to begin.
Get lost in your creativity with 365 Days of Drawing, a thoughtful and inspiring art journal designed to help you carve out moments of self-expression.
Lorna shows you that drawing does not have to be scary - it can be done with any materials, in any colour, in any style and can be done anywhere.
Each activity has been given a loose category: imagination, tutorial, relaxation, colour theory, and observational, so that you can practice a broad range of drawing skills. Each 'theme' is designed to expand your creative skills and spark the artist within.
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
This book is a good one to consult when one needs a reminder that not all trees look the same. Cole draws upon the Victorian tradition of close observation of nature, and he analyzes trees at the level of roots, branches, stems, blossoms, leaves, and foliage masses. The book transcends the limits of a botanical treatise by exploring artistic issues, such as the grouping of masses and the simplification of contours. The text is profusely illustrated with black-and-white explanatory drawings, as well as compositions by early masters.
"Monumental book . . . Mr. Vicat Cole is a born teacher." — Contemporary Review "Mr. Vicat Cole's ability as a landscape painter is well known, and he unites to his executive talents the qualifications of an accomplished teacher." — Connoisseur "The name of the author is itself a guarantee that the subject is adequately treated. It is handled in a systematic and lucid way, which the novice . . . can follow with ease." — Studio For years greatly admired and widely used, this excellent text by one of Britain's foremost art instructors has achieved the status of a…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist.
Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts. In this…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Long out of print and expensive, this classic of illustration techniques has been republished. Although it was first published over 70 years ago, the sections on color and painting will prove useful for any artist, whether they work for concept art, galleries, or illustration. Loomis was a top magazine illustrator and devoted his later years to writing encouraging and practical guides that covered all the key topics.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
I’ve been sketching the world around me since 2014 after discovering one or two of the books on this list and feeling inspired to do the same. I have travelled and sketched my way through many countries and in 2020, started a blog called Urban Sketching World, sharing tips and tricks I have learnt along the way. This expanded to a YouTube channel called Taria’s Sketchy Adventures, and I am proud to say I have taught hundreds (possibly thousands) of people how to pick up a sketchbook and start recording their own sketchy adventures. I now have my own book published called The Beginners Guide to Urban Sketching.
This is another book I got early on in my sketching career. I love James Hobbs's sketching style. He uses a thick black pen for the most part, and his style is simple–the perfect inspiration for a beginner.
He also includes examples of many other sketchers’ work–all of which emphasise that you do not need to have perfect drawing skills to capture the world around you. As someone who did not do very well in art at school myself, I found this book to be my permission slip to draw anyway.
I learned from this book that drawing is a way to record and understand the world in your own way, not a test on how accurately you can copy it in your sketchbook.
Breathe the air and hear the sounds, and experience the freshness and energy that working on location brings to your work...a quality that says "I was here." And transports your viewer there, too.
In Sketch Your World, top artists take you back to the scene--be it a bustling cafe, town square, or quiet park--to share the subjects that caught their eye and how they captured them on paper.
Showcases the work and approaches of more than 20 contemporary urban artists.
Covers topics such as how to hone observation skills, sketch moving subjects, and…
