I’m a home cook, not a restaurant chef. I add a pinch of this and splash of that. As a chronicler of other people's culinary habits, I need to understand why we cook the way we do. At its simplest and most basic, what goes into the ancestral cooking-pot depends on who we are, where we live, and where we come from. Which is why whenever we want to remind ourselves who we are, we look for traditional recipes in culinary bibles produced at moments of change. I was born at a moment of change myself, in bombed-out London in 1941, at the height of the Blitz.
Ada Boni's culinary bible, Il talismano della felicità, first saw the light of day in 1928, six years after Benito Mussolini had succeeded in uniting Italy's quarrelsome regions under the banner of fascism.
Specifically targeted at the nation's housewives - ordinary folk on whose support El Duce rose to power in 1922 - this collection of nearly a thousand simple, practical traditional recipes for regional dishes became the dictator's favourite cookbook, as it did for generations of Italian women (still does).
I first came across it on an Italian friend's recommendation while researching European Peasant Cookery and attempting to unravel the complicated traditions of a land that remains as fiercely partisan in the kitchen now as then.
Il Talismano is and has been for over 50 years the one great standard Italian cookbook. It is to Italians what Joy of Cooking is to Americans. Containing in simple and clear form the best recipes for all the foods that we associate with Italian cuisine, it covers all the regional variations of Italian cooking: Milanese, Bolognese, Venetian, Neapolitan, Sicilian, Veronese, and Florentine.
Appetizers range from the simply elegant, like Cantaloupe and Prosciutto and Artichoke Hearts in Olive Oil, to the sublime, like Tunnied Veal and Crostini of Mozzarella and Anchovies. Soups include Stracciatella, Fish Brodetto Rimini Style, and Tuscan…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
Immersed me into the world of 1930's Italy in particular Naples. And the character of Commissario Ricciardi. Plus for paperbacks the books are beautifully produced.
The eighth Commissario Ricciardi historical mystery from the author of The Bottom of Your Heart “will surprise readers at every turn” (La Repubblica).
In the abyss of a profound personal crisis, Commissario Ricciardi feels unable to open himself up to life. He has refused the love of both Enrica and Livia and the friendship of his partner, Maione. Contentment for Ricciardi proves as elusive as clues to the latest crime he has been asked to investigate. The beautiful, haughty Bianca, countess of Roccaspina, pleads with Ricciardi to investigate a homicide that was officially closed months ago. In the tense, charged…
I am a retired professor of kinesiology at North Central College in Naperville, Illinois. I am the former president of the North American Society for Sport History and vice-president of the International Society for the History of Physical Education and Sport, as well as a Fulbright Scholar. I have presented my research in more than three dozen countries and have over 250 publications, including 31 books, most of which pertain to sports history and sociology. I draw on my own history for inspiration and believe that sport has inspirational lessons for life.
This is one of my favorite books. Gramsci was an Italian philosopher imprisoned by Italian fascists in 1928. Although not physically imposing (he measured only five feet in height and was a hunchback); but Mussolini considered him to be the most dangerous man in Italy due to his intellect.
Gramsci's hegemony theory states that in any society, a dominant group has the power to define and shape society by establishing particular values and practices that become accepted as social norms. All other subordinate groups (of which there may be several) can accept, reject, adopt, or adapt such dictates, which can produce a continual power struggle in the production of popular culture.
I was exposed to this theory in graduate school, and it enabled me to make sense of the world around me for the first time, as I came from a working-class family seemingly mired in poverty in the capitalist…
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
This was the first book I read about Basilicata, and it is essential for anyone interested in Southern Italian roots. Written in staggeringly poetic language, it offers a sad but beautiful introduction to the culture and history of the region, which is hardly ever written about and barely even visited, even by Italians.
During WWII, Levi was sent as a prisoner to Basilicata as punishment, to work as a doctor among the peasants there. The book taught me about the feudal farm system still in place there well into the 20th century, about its inhospitable landscape, and its isolated, poverty-stricken population – my ancestors.
It set the bar high for me to write my own memoir and continues to inspire me. The title refers to the fact that the train line only went as far as Eboli – that Christianity and civilization stopped short of Basilicata.
'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.'
So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war,…
Hodder and IVP had already published two of my earlier books—during my three decades as a Royal Air Force pilot and another one leading a conflict resolution NGO—when my journey as a WW2 author began. It all started with my wife's book about her German mother and British Intelligence Corps father (The Bride's Trunk). That got me interested in the links between 'the Corps' and the Special Operations Executive. Three SOE books later, I’m following the organisation into Austria. I've barely scratched the surface of undercover operations and I’m always finding new niches to discover.
Oxford academic Dr. Roderick Bailey is an expert on the Special Operations Executive who made helpful comments to improve my first WW2 book. I love the little-known stories of Italian and British secret agents that populate this book, which is the official history of SOE’s undercover war against Mussolini's Italy. I enjoy tracing the strategic impact of relatively minor actions. Some efforts succeeded, many failed. There were the attempts to make common cause with the Sicilian Mafia. There was the agent paid and supplied by SOE who was really working for Italian Counter-Intelligence. And there was the SOE agent who parachuted into Lake Como, was immediately captured and expected execution, but survived to provide the secret radio link that enabled Italy to surrender and change sides.
Drawing on long-classified documents, Target: Italy is the official history of the war waged by Britain's Special Operations Executive on Benito Mussolini's Fascist Italy. It is the first full account of SOE's clandestine efforts to strike at Italy and sever its alliance with Nazi Germany, uncovering missions as remarkable as a plot to assassinate Mussolini and plans to arm the Mafia. It is also the first in-depth history of SOE's attempts at causing trouble inside an enemy country as opposed to an enemy-occupied one, issuing a sobering reminder of the terrible dangers that foreign agencies can encounter when trying to…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
An American journalist, expelled from Italy in 1925, traces roots, rise, and rule ofIl Duce in this 1935 book, which is as vivid as its title.
Mussolini appears as a cheap showman, who, “acting the Hero,” revived ancient Roman pomp and spectacles. He was also aware of the power of mass media, especially the cinema, “posing before men and moviemen.”
One of the virtues of Seldes’ book are the extensive quotations, which unmask Mussolini and others in their own words. Fascist documents, quoted at length, include “The Fascist Decalogue” (note its VIII. Commandment!) and the “Fascist Catechism,” which must be read to be (dis)believed.
Seldes’ book has become valuable again in the current age of assorted domestic and foreign media- and image-obsessed demagogues, autocrats, and dictators.
I’m a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one you’ve been given.
This is a dazzling mix of theory, sociology, and history. Falasca-Zamponi is attentive to the myths, rituals, festivals and ceremonies, symbols, and recurring images of Italian fascism—and she is attentive, too, to the political power that Mussolini relentlessly drew from such cultural forms.
With tremendous analytical imagination, Falasca-Zamponi unpacks the significance of the fascist salute, Mussolini’s balcony poses, all the axe-and-bundle imagery, those omnipresent black shirts, and the fascists’ distinctive “passo romano” marching style. For me, the heart of the book is its intense analysis of fascist violence as spectacle. Not just spectacle, though. Falasca-Zamponi also makes the case that for the early fascists violence—“great, beautiful, inexorable violence,” in Mussolini’s words—was sublime, regenerative, glorious, salvific.
The early fascists made violence, Falasca-Zamponi suggests, as if it were art.
A cultural history of Italian fascism, this work traces the narrative path that accompanied the making of a regime and the construction of Mussolini's power. The author reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi aregues that an aesthetically founded notion of politics guided fascist power's historical unfounding…
I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Oakley is a master at writing historical fiction. This novel takes place in Norway during the Nazi occupation.
Based on her thorough study of documents and extensive interviews with relevant individuals in Norway, she has created characters who are patriots (jøssing), characters who go over to the German side and are as cruel as if not crueler than the Nazis, and characters who try to appear neutral so as not to put themselves or their families in harm’s way.
The protagonist is the leader of a vast resistance network in Norway with strong ties to the British military. The fear is palpable. The reader is in constant dread that the jøssings will be caught, tortured, and killed.
British-trained Norwegian intelligence agent, Tore Haugland, is a jøssing—a patriot—sent to a fishing village on Norway’s west coast to set up a line to receive weapons and agents from England via the “Shetland Bus.” Posing as a deaf fisherman, his mission is complicated when he falls in love with Anna Fromme, a German widow. Accused of betraying her husband, she has a young daughter and secrets of her own. Although the Allies have liberated France, the most zealous Nazis hang on in Norway, sending out agents to disembowel resistance groups. If Haugland fails, it could cost him his life and…
The Second World War featured prominently in comics and conversations with adults when I was a boy. Knowing about the war and its origins was a way to make sense of the world. As an undergraduate, my history professor insisted I also study economics. That has helped my study of strategy, which is also concerned with choices between alternative uses of scarce resources. However, dry analysis is not enough for a historian. It mattered that Churchill and Chamberlain had different personalities. I try to recapture the political passions of the past and the uncertainty people felt then about the future.
British policy can only be fully understood in the context of what other powers were doing, and Joe Maiolo’s comprehensive study of the arms race is the best place to start. I have admired his work since I examined his doctoral thesis, but in this book, based on sources in five languages, he takes the international history of the period to a new level.
Did the arms race of the 1930s cause the Second World War? In Cry Havoc , historian Joseph Maiolo shows, in rich and fascinating detail, how the deadly game of the arms race was played out in the decade prior to the outbreak of the Second World War. In this exhaustively researched account, he explores how nations reacted to the moves of their rivals, revealing the thinking of those making the key decisions,Hitler, Mussolini, Chamberlain, Stalin, Roosevelt,and the dilemmas of democratic leaders who seemed to be faced with a choice between defending their nations and preserving their democratic way of…
