I’m an award-winning science journalist at Falmouth University, UK, and have written for just about every major science magazine going. When I’m not teaching, I try and emulate Indiana Jones by going off on incredible adventures – so far, my hunt for stories in the name of science has taken me to 75 countries and every continent. Science writing doesn’t have to be dull: I adore the weird, quirky stories of science history, about humans being brilliant idiots and somehow making our world a better place.
Ever heard about the founder of NASA who ran a devil-worshiping sex cult? Strange Angelis a story that, when you read it, you think it has to be fiction. John Whiteside Parsons was an eccentric who, in his short life (spoiler alert: he blew himself up) helped create the Jet Propulsion Laboratory, became a cult leader and summoned a demon woman, got into a court battle with L. Ron Hubbard, and was accused of spying for both the Communists and the Israelis. His life was so astonishing it was made into a HBO TV show: it ran for two seasons and it didn’t even get to the best bits.
'Forget geek stereotypes. Parsons' life seems straight out of a Hollywood thriller ... Pendle's book leaves us with a taste of genius's energy and fragility' Los Angeles Magazine
'You couldn't make it up' Physics World
'As a history of space travel, STRANGE ANGEL is a cornerstone ... Highly recommended' Ray Bradbury
BRILLIANT ROCKET SCIENTIST KILLED IN EXPLOSION screamed the front-page headline of the Los Angeles Times on 18 June 1952. John Parsons, a maverick rocketeer whose work had helped transform the rocket from a derided sci-fi plotline into a reality, was at first mourned as a tragically young victim of…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
Here we shift the focus to what it’s like being a Leonardist. Yes, that is a word! Oxford professor Martin Kemp is one of the world’s most in-demand Leonardo scholars. His inbox is full of emails from strangers who think they have an undiscovered Leonardo in their attic. He rebuilds Leonardo’s flying machines for museum exhibitions. And when a stolen Leonardo da Vinci painting is recovered, he gets a call from the police.
Somehow Kemp manages to be self-regarding and self-deprecating, accessible, and a little superior at the same time, as he whisks you along on his adventures in Leonardoland.
Living with Leonardo is a set of highly focused memoirs, a personal journey interwoven with historical research that encapsulates the author's relationship with Leonardo da Vinci over more than half a century.
We learn of his encounters with the vast population that surrounds Leonardo: great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors and pseudohistorians and fantasists; but also how he has grappled with swelling legions of 'Leonardo loonies', walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Kemp…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is my favorite book on drawings by Leonardo, with the best from his broad œuvre of head studies, figures, children, anatomy, plants, horses, mechanics, buildings, water dynamics, and aerial landscapes. The quality of the color reproductions is superb. The text is insightful with quotes from Leonardo. I love the silverpoint figure drawings with white chalk highlights on blue paper that Leonardo prepared himself. Leonardo’s understanding of anatomy, combined with the flesh-colored line of oxidized metal, make the figures leap from the page.
I was astonished to learn that Leonardo used black chalk under-drawing in his anatomical ink studies. The correlation between Leonardo’s studies and his paintings is enlightening – in drawings forThe Last Supper, Leonardo expresses the anguish in the head of St Philip with a few skillful lines and captures the look of disdain in the head of Judas in red chalk on red ground. I…
The full range of Leonardo's genius is revealed in this elegant book, which reproduces for the first time many unfamiliar drawings from the masters hand as well as more widely known works.
Leonardo da Vinci (1452-1519) was arguably the greatest draftsman in the history of Western art. Best known as a painter, he also excelled as sculptor, architect, musician, anatomist, botanist, engineer, geologist, and mapmaker. But since he completed few of his projects, most of his work is known to us only through his drawings and notes. This selection of 100 sheets from the collection at Windsor Castle are presented…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
The definitive account of Leonardo’s life and work by one of the world’s greatest Leonardo scholars, magnificently illustrated, clearly written, admirably objective.
Frank was very generous in his advice to me, as I wrote my own book about Leonardo, though he generally takes a more favourable view of the Saudi Salvator Mundi than I do. It’s a big book but easy to dip in and out of with its Catalogue Raisonée structure of an account of the artist's life followed by essays on each painting.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452-1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture-and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo's appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture-The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
Every Renaissance fan loves a bit of Leonardo, don’t they? And I was intrigued by the relationship between the older, established artist Leonardo and the hot-headed Michelangelo.
This is a brilliantly written book with lots of glorious details about art and painting. These are two giants of their time, and it was a brave subject to tackle–Storey manages to convey their intellect as well as their art.
Reading about the sheer labour involved in carving a block of stone into something human was really awe-inspiring, and Stephanie Storey does a great job of getting inside the heads of these two men.
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all…
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Feisty female protagonists don’t come any better than Catriona Da Vinci. The Renaissance was a dangerous time for women when they were marginalized and bound by societal constructs. Not this lady, though. She was a brilliant, single mother—an alchemist and risk-taker. She devised a scheme that allowed her to be part of her illegitimate son, Leonardo’s life, which was nothing short of genius. She did what she had to do to protect him, no matter the cost to herself. She reminds me of my two amazing sisters and the lengths they would go to be there for their children, and for that—Catriona is my hero.
An enchanting novel on the life and origins of Leonardo da Vinci’s mother, as imagined by the author of the “absolutely superb” (Diane Haeger, author of The Secret Bride) Mademoiselle Boleyn.
A young woman named Caterina was only fifteen years old in 1452 when she bore an illegitimate child in the tiny village of Vinci. His name was Leonardo, and he was destined to change the world forever.
Caterina suffered much cruelty as an unmarried mother and had no recourse when her boy was taken away from her. But no one knew the secrets of her own childhood, nor could…
To me, curiosity is an essential ingredient for a well-lived life. I love to ask questions and spent years collecting odd, weird, and intriguing facts and studying outdoor survival, art history, historical puzzles, and poetry to write Smack Dab in the Middle of Maybe. Curiosity also led me to found Outdoorosity.org as a free resource for information and inspiration about nature and to research ways that time in nature increases focus and creativity. One of my favorite parts of being an author is visiting with students and exploring things that they are curious about. Curiosity keeps life interesting for us all.
I love how The Maze of Bones, the first in a set of series written by acclaimed and award-winning children’s authors, transports readers across the globe to explore historical connections that still resonate today. The book takes readers along with sister and brother Amy and Dan Cahill as they compete against talented and treacherous members of their own family to try to solve a series of thirty-nine clues that will make the finders “the most powerful, influential human beings on the planet.”
I admire how The Maze of Bones explores the complex connections among family and across time and weaves in real-life historical figures such as Benjamin Franklin and lesser-known facts such as that Franklin used the pseudonym Richard Saunders to publish Poor Richard’s Almanac. The Maze of Bones takes readers from Boston to Philadelphia’s Franklin Institute and Independence Hall and to the catacombs of Paris and it…
What would happen if you discovered that your family was one of the most powerful in human history? What if you were told that the source of the family's power was hidden around the world in the form of 39 clues? What if you were given a choice - take a million dollars and walk away ...or get the first clue and begin the search? At the reading of their grandmother's will, Dan and Amy are given this choice - and they take the clue. Immediately, they are caught in a dangerous race against their own family members. The hunt…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
This is a slim volume, which stands out amidst the thousands of books on aspects of Leonardo, for its focus and unusual team of authors. Written by two brothers, one a professor of drawing, the other of medicine, it walks the reader through Leonardo’s anatomical drawings and their far-reaching influence on both science and art.
The authors are particularly good at sorting out what Leonardo got from previous students of anatomy, from the Greeks onwards, and what was new that he brought to, or took away from the dissection table, where he claims to have examined over thirty corpses.
Leonardo da Vinci (1452-1519) created many of the most beautiful and important drawings in the history of Western art. Many of these were anatomical and became the yardstick for the early study of the human body.
From their unique perspectives as artist and scientist, brothers Stephen and Michael Farthing analyse Leonardo's drawings - which are concerned chiefly with the skeletal, cardiovascular, muscular and nervous systems - and discuss the impact they had on both art and medical understanding.
Stephen Farthing has created a series of drawings in response to Leonardo, which are reproduced with commentary by Michael, who also provides…
My
novel about World War II Italy depicts only one of the many times when the
peninsula was a battleground from the Alps to Sicily. This book is narrative
nonfiction that recounts medieval history with three extraordinary
personalities that came together in 1502: Leonardo DaVinci, Niccolo
Machiavelli, and Cesare Borgia.
Borgia
was the son of Pope Alexander VI, and in his brutal campaign to forge dozens of
warring states into a unified empire, he employed Leonardo to design and build
seige engines, while negotiating with Machiavelli for the freedom of Florence.
Borgia later became The Prince in Macchiavelli’s book on the realities of power
politics.
Again:
this book assures me that no matter how dark the tapestry history weaves for
us, there is always “a thread of grace.”
In the autumn of 1502 three giants of the Renaissance period - Cesare Borgia, Leonardo da Vinci and Niccolo Machiavelli - set out on one of the most treacherous military campaigns of the period. Cesare Borgia was a ferocious military leader whose name was synonymous with brutality and whose reputation was marred with the suspicion of incest. Niccolo Machiavelli was a witty and subversive intellectual, more suited to the silken diplomacy of royal courts than the sodden encampments of a military campaign. And Leonardo da Vinci was a visionary master and the most talented military engineer in Italy. What led…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
At times, it may seem apparent that successive generations of artists reinvent the wheel and explore performance drawing across a range of disciplines; it was in particular, Tania Kovat’s writing in The Drawing Book, that gave us the broad contextualization of things – it seemed to reach into diverse yet significantly relevant references of historical predecessors that excited us. The book is complete with brilliant replications of artworks and quotes by a collection of artists.
The works in "The Drawing Book", by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout,…
