Here are 24 books that Living with Leonardo fans have personally recommended if you like
Living with Leonardo.
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I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
The definitive account of Leonardo’s life and work by one of the world’s greatest Leonardo scholars, magnificently illustrated, clearly written, admirably objective.
Frank was very generous in his advice to me, as I wrote my own book about Leonardo, though he generally takes a more favourable view of the Saudi Salvator Mundi than I do. It’s a big book but easy to dip in and out of with its Catalogue Raisonée structure of an account of the artist's life followed by essays on each painting.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452-1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture-and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo's appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture-The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
As a performance psychologist, I’ve spent my career supporting high-performers on their path toward mastery. I founded Finding Mastery, a high-performance psychology consulting agency. Our primary focus is helping leaders, teams, and organizations solve the most dynamic and complex human performance challenges.
Walter Isaacson’s biography is not just a mere recounting of the life of a Renaissance genius; it is an exploration into the mind of a man whose curiosity knew no bounds.
Isaacson details how that curiosity, combined with his ability to observe and question the world around him, led to groundbreaking insights and inventions.
This resonates deeply with my own pursuit of understanding human potential and performance.
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is "a study in creativity: how to define it, how to achieve it...Most important, it is a powerful story of an exhilarating mind and life" (The New Yorker).
Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
This is a slim volume, which stands out amidst the thousands of books on aspects of Leonardo, for its focus and unusual team of authors. Written by two brothers, one a professor of drawing, the other of medicine, it walks the reader through Leonardo’s anatomical drawings and their far-reaching influence on both science and art.
The authors are particularly good at sorting out what Leonardo got from previous students of anatomy, from the Greeks onwards, and what was new that he brought to, or took away from the dissection table, where he claims to have examined over thirty corpses.
Leonardo da Vinci (1452-1519) created many of the most beautiful and important drawings in the history of Western art. Many of these were anatomical and became the yardstick for the early study of the human body.
From their unique perspectives as artist and scientist, brothers Stephen and Michael Farthing analyse Leonardo's drawings - which are concerned chiefly with the skeletal, cardiovascular, muscular and nervous systems - and discuss the impact they had on both art and medical understanding.
Stephen Farthing has created a series of drawings in response to Leonardo, which are reproduced with commentary by Michael, who also provides…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
Here’s the one to get to introduce your children to Leonardo da Vinci – a pop-up book with gloriously beautiful drawings and 3D models of Leonardo’s inventions, which included airplanes, a submarine, a parachute, helicopter, armoured vehicle, and a crossbow-machine gun.
Aside from the renovation of the sewers and plumbing of a Florentine church, none of Leonardo’s technological designs are ever known to have been built and tested, which leaves us with the question of whether he was more of a dreamer than a doer. I think this would work for 6-12-year-olds.
The most significant creations of Renaissance genius Leonardo da Vinci come to life in the pages of this lavishly illustrated pop-up book. Published to commemorate the 500th anniversary of Leonardo's death, this elaborate collectible reveals the intricacy and importance of his designs for robots, flying machines, and other timeless inventions. The 3-D models are based on the master's actual drawings and accompanied by his notes.
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
This book opened my eyes to a neglected strand of Early Renaissance architecture.
Stokes was a supreme stylist and his elegant, idiosyncratic prose is a delight to read. His insights into what he called the ‘carving tradition’ of art and architecture are posited as a counterpoint to the mainstream ‘modelling’ tradition.
For Stokes, the architecture and art he loved grew out of reverence for the inner life of stone, of marble above all. He described the results as ‘stone blossom’ and buildings as being ‘in bloom’. If this sounds obscure, please don’t be put off: The Quattro Cento is a revelation.
Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on modernism and ongoing acclaim. Tow of his most influential books, "The Quattro Cento" (1932) and "Stones of Rimini" (1934), are bought together in this volume, which includes all their original illustrations. The forward and introduction place Stokes's works in the context of early 20th-century culture and discuss their structure and relevance to today's experience of art and architecture. The books reproduced here mark a crossroads in the transition from late Victorian to modernist conceptions of…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015 WINNER OF THE GOLDSMITHS PRIZE 2014 WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless,…
I have studied creativity for 40 years and, along with the textbook I wrote, I am continually teaching my marketing students how to become more creative. I have unequivocally demonstrated that everyone who wants to become more creative can do so with the appropriate tutelage. This is why I get so much satisfaction from teaching creativity and it is why I wrote my book that I am highlighting here.
Leonardo da Vinci was arguably the most creative person who ever walked the earth. He is known by many as an artist but his most impressive contributions came in the form of inventions. Imagine in the fifteen hundreds conceptualizing tanks, automatic weaponry, and parachutes. He was so far ahead of his time that people thought he was crazy.
This inspiring and inventive guide teaches readers how to develop their full potential by following the example of the greatest genius of all time, Leonardo da Vinci.
Acclaimed author Michael J. Gelb, who has helped thousands of people expand their minds to accomplish more than they ever thought possible, shows you how. Drawing on Da Vinci's notebooks, inventions, and legendary works of art, Gelb introduces Seven Da Vincian Principles—the essential elements of genius—from curiosità, the insatiably curious approach to life to connessione, the appreciation for the interconnectedness of all things. With Da Vinci as your inspiration, you will discover an…
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Feisty female protagonists don’t come any better than Catriona Da Vinci. The Renaissance was a dangerous time for women when they were marginalized and bound by societal constructs. Not this lady, though. She was a brilliant, single mother—an alchemist and risk-taker. She devised a scheme that allowed her to be part of her illegitimate son, Leonardo’s life, which was nothing short of genius. She did what she had to do to protect him, no matter the cost to herself. She reminds me of my two amazing sisters and the lengths they would go to be there for their children, and for that—Catriona is my hero.
An enchanting novel on the life and origins of Leonardo da Vinci’s mother, as imagined by the author of the “absolutely superb” (Diane Haeger, author of The Secret Bride) Mademoiselle Boleyn.
A young woman named Caterina was only fifteen years old in 1452 when she bore an illegitimate child in the tiny village of Vinci. His name was Leonardo, and he was destined to change the world forever.
Caterina suffered much cruelty as an unmarried mother and had no recourse when her boy was taken away from her. But no one knew the secrets of her own childhood, nor could…
I’m a Virginia author who loves everything Italian! Artists like Michelangelo and Leonardo da Vinci have always inspired me with their genius. I’m very involved with the Virginia Museum of Fine Arts (VMFA) where I was a tour guide for many years. Now I’m on the VMFA’s Canvas Advisory Committee which helps guide programming and events. In addition, my articles for the Canvas newsletter give a robust behind-the-scenes look at the museum’s amazing exhibitions. In my books my main character schoolteacher Rose Maning fulfills her dream of buying an apartment in Florence and becoming an artist. It is a true joy to write about Rose’s adventures abroad.
Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael,…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
I don’t know if misery loves company but I’m convinced that failure does. When their projects fall flat, my kid likes nothing better than to hear about the wreckage of mine: romantic fiascos, flunked tests, athletic defeats. Joe Moran’s “book of solace,”If You Should Fail, is in part a compendium of stories like these, in part an effort to dislodge our tendency to think of human beings as winners or losers at all.“To call any life a failure, or a success, is to miss the infinite granularity, the inexhaustible miscellany of all lives,” Moran writes. “A life can’t really succeed or fail at all; it can only be lived.”
'There is an honesty and a clarity in Joe Moran's book If You Should Fail that normalises and softens the usual blows of life that enables us to accept and live with them rather than be diminished/wounded by them' Julia Samuel, author of Grief Works and This Too Shall Pass
'Full of wise insight and honesty. Moran manages to be funny, erudite and kindly: a rare - and compelling - combination. This is the essential antidote to a culture obsessed with success. Read it' Madeleine Bunting
Failure is the small print in life's terms and conditions.
