Here are 100 books that How to Be Both fans have personally recommended if you like
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I’m not entirely sure how to describe myself other than as a committed writer and a devoted reader. Mine has been a fairly unconventional career. It has moved me from one spot on the globe to another and has placed me on both ends of the publishing equation—first, as a book publisher, and, next, as the author of a variety of books. I’m certain of a single shared fact: that no matter whether fiction or non-fiction, regardless of the subject, a story always rests on the success of engaging the reader.
How to begin? In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a beached whale with the intention of drawing its likeness. But this fact is only the starting-off point for a memorably vivid journey that straddles countless subjects. Each chapter is anchored in a particular image by Dürer. There is a seamlessness to Hoare’s prose in this book and I marveled at his gifts of insight and observation.
A NEW STATESMAN BOOK OF THE YEAR
AN OBSERVER BEST ART BOOK OF 2021
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022
'This is a wonderful book. A lyrical journey into the natural and unnatural world' Patti Smith
'Everything Philip Hoare writes is bewitching' Olivia Laing
An illuminating exploration of the intersection between life, art and the sea from the award-winning author of Leviathan.
Albrecht Durer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse - the first works mass produced by any artist - to his hyper-real images of animals and…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
This is a quirky, hilarious, autobiographical coming-of-age story about a lesbian who grows up in a repressive English Pentecostal community.
Winterson’s creation of the mother is the most unique mother I’ve ever encountered—damaged, oppressive, deeply misunderstanding of her genius daughter. I found lots of commonalities between the conflicts Jeanette had with her difficult mother and my own experience, even though we live countries apart.
Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
Written by a prominent British ceramicist, this memoir is remarkable for its research and depth into the background of the writer’s forgotten Jewish heritage and five generations of his ancestors, the Ephrussis, who immigrated to Paris where, in the Nineteenth Century, they built a banking dynasty from Vienna to Paris.
After inheriting a collection of 264 netsuke—Japanese wood and ivory carvings—de Waal starts digging into the past to uncover the mystery behind the netsuke and why they survived when most of the family perished at the hands of the Nazis.
This is another WWII story that illuminates the tragic events of the period and the life of wealthy patrons of the arts and their interaction with artists in Paris.
264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined.
From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century.
I’m not entirely sure how to describe myself other than as a committed writer and a devoted reader. Mine has been a fairly unconventional career. It has moved me from one spot on the globe to another and has placed me on both ends of the publishing equation—first, as a book publisher, and, next, as the author of a variety of books. I’m certain of a single shared fact: that no matter whether fiction or non-fiction, regardless of the subject, a story always rests on the success of engaging the reader.
The subject of this book is featured in a large portrait by John Singer Sargent, painted in 1881 and entitled “Dr. Pozzi at home.” It would be an understatement to say that the good doctor cut a fascinating figure. Julian Barnes does a wonderful job regaling us with Pozzi’s escapades and explaining how, by the time Pozzi died of a gunshot wound inflicted by a crazed patient, his fame had become international. Barnes is a wonderful raconteur, and he invites us into Pozzi’s colourful life with infectious charm, while offering his own erudite first-person ruminations.
'A bravura performance, highly entertaining' Evening Standard
The Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi.
In the summer of 1885, three Frenchmen arrived in London for a few days' shopping. One was a Prince, one was a Count, and the third was a commoner, who four years earlier had been the subject of one of John Singer Sargent's greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and…
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
Here is a story of persistence and justice that inspired the movie Woman in Gold. By taking on the Austrian government, the portrait painted by Gustav Klint is eventually returned to its rightful owner. Once more we witness the reluctance of authorities to acknowledge what was perpetrated during Nazi times.
Taking place in Vienna, the events coincide with the experiences of the protagonist in my own book. The mother fled Germany in late 1937 and lived in Vienna until early 1941. She met her husband there, married him while he was in prison, heard that the Jewish children in her orphanage were killed, and witnessed her mother’s death. “It was the worst experience in my life,” she says.
I wish that the perseverance and outcome shown in this story could be mirrored in my own book, but rules introduced by West Germany in the 1950s make this impossible.…
The true story that inspired the movie Woman in Gold starring Helen Mirren and Ryan Reynolds. The Award-Winning Nazi Art Theft Saga Winner of the Marfield National Award for Arts Writing Winner of a California Book Award Library Journal Top 10 Book of 2012 Christian Science Monitor Top 15 Nonfiction of 2012 Best Huffington Post Art Book 2012 Top 12 Nonfiction 2012 of Examiner.com
The spellbinding story, part fairy tale, part suspense, of Gustav Klimt's Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it;…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
Still Life is a glorious book set in London and Florence, giving a fascinating insight into the worlds of History of Art and globe making. Reading it is like eating wonderful food, you will want to savour every mouthful. The characters are extraordinary and yet believable – I fell in love with every one of them.
A captivating, bighearted, richly tapestried story of people brought together by love, war, art, flood, and the ghost of E. M. Forster, by the celebrated author of Tin Man.
Tuscany, 1944: As Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of a deserted villa. There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
All of Solnit’s writings have been an inspiration but this book’s oscillations between the intimacy of her relationship with her dying mother, the poignant degradation of apricots, and the many little-known and fascinating histories that she miraculously weaves into a truly magical book. Solnit has a way of offering hope in the darkness of some of life’s most challenging times, by swinging from details of her own life to those of others she knows or has studied. It’s a remarkable read as it takes you along on the nimble journey of her mind and heart.
From the author of Orwell's Roses, a personal, lyrical narrative about storytelling and empathy-a fitting companion to Solnit's A Field Guide to Getting Lost
Finalist for the National Book Critics Circle Award
In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories-of her mother and her decline from memory loss, of a trip to Iceland, of an illness-Solnit revisits fairytales and entertains other…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
I was moved by the profound look into a young man’s grief and guilt and confusion that Canadian author Matt Cohen offered us in this, his last novel. Carl’s mother is dead, killed at the age of 51 in a car accident for which Carl is (mostly) responsible. After the funeral, Carl fled. Now, three years later, he’s back in his hometown, population 684, attempting to start over and reconnect with his seven-year-old daughter. It’s a long, hard fight for redemption in a town where the habitants—a grand cast of them—have long memories of who Carl was and what he did. Matt Cohen died a few weeks after the book won the Governor General’s Prize for English-Language Fiction.
A touching and resonant story of a man who returns to the small town of West Gull, Ontario, to mend his family's legacy of alcohol and violence, to reconnect with his young daughter, and to reconcile himself with the spirit of his beautiful mother, killed several years earlier in a tragic accident. Elizabeth and After masterfully wraps us up in the lives of Carl and his family, and the other 683 odd residents of this snowy Canadian hamlet.
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Feisty female protagonists don’t come any better than Catriona Da Vinci. The Renaissance was a dangerous time for women when they were marginalized and bound by societal constructs. Not this lady, though. She was a brilliant, single mother—an alchemist and risk-taker. She devised a scheme that allowed her to be part of her illegitimate son, Leonardo’s life, which was nothing short of genius. She did what she had to do to protect him, no matter the cost to herself. She reminds me of my two amazing sisters and the lengths they would go to be there for their children, and for that—Catriona is my hero.
An enchanting novel on the life and origins of Leonardo da Vinci’s mother, as imagined by the author of the “absolutely superb” (Diane Haeger, author of The Secret Bride) Mademoiselle Boleyn.
A young woman named Caterina was only fifteen years old in 1452 when she bore an illegitimate child in the tiny village of Vinci. His name was Leonardo, and he was destined to change the world forever.
Caterina suffered much cruelty as an unmarried mother and had no recourse when her boy was taken away from her. But no one knew the secrets of her own childhood, nor could…
I’m a Virginia author who loves everything Italian! Artists like Michelangelo and Leonardo da Vinci have always inspired me with their genius. I’m very involved with the Virginia Museum of Fine Arts (VMFA) where I was a tour guide for many years. Now I’m on the VMFA’s Canvas Advisory Committee which helps guide programming and events. In addition, my articles for the Canvas newsletter give a robust behind-the-scenes look at the museum’s amazing exhibitions. In my books my main character schoolteacher Rose Maning fulfills her dream of buying an apartment in Florence and becoming an artist. It is a true joy to write about Rose’s adventures abroad.
Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael,…
