My favorite books that capture the magic and history of Paris

I was mesmerized by Doerr’s exquisite, lyrical writing and his interweaving of WWII stories and characters.

Though a lengthy book nearly 600 pages, it reads like a page turner. On the surface it is a beautiful story about a friendship between a blind but highly perceptive French girl, Marie-Laure, and an orphaned German boy with a genius knack for building shortwave radios. Having gone blind at six, Marie-Laure negotiates her neighborhood thanks to a model built by her father.

When the Germans occupy Paris, Marie-Laure and her father take refuge at an uncle’s house at Saint-Malo. Although it is fiction, it captures the sense of Paris and France before and during occupation. It is also a tale of infinite love between father and child. 

Written by a prominent British ceramicist, this memoir is remarkable for its research and depth into the background of the writer’s forgotten Jewish heritage and five generations of his ancestors, the Ephrussis, who immigrated to Paris where, in the Nineteenth Century, they built a banking dynasty from Vienna to Paris.

After inheriting a collection of 264 netsuke—Japanese wood and ivory carvings—de Waal starts digging into the past to uncover the mystery behind the netsuke and why they survived when most of the family perished at the hands of the Nazis.

This is another WWII story that illuminates the tragic events of the period and the life of wealthy patrons of the arts and their interaction with artists in Paris.

One of the photographs in my book, One Thousand Buildings of Paris, was the first apartment that Hemingway and his wife, Hadley, shared when they moved to Paris.

Hemingway’s description of the apartment and the period is illuminating and introduces the reader to the famous and infamous and the life they led after the end of WWI and during the Roaring 20s when Paris was the center of artistic life.

Hemingway also reveals his likes and dislikes and his writing life there, and, notwithstanding their friendship, his jealousy of F. Scott Fitzgerald. I’m not a great fan of Hemingway’s writing. I actually prefer Fitzgerald and especially The Great Gatsby, but I digress. 

A Moveable Feast reveals Paris as indeed a moveable feast to savor.

Despite a keen interest in Paris, its history and arts, reading straight history books isn’t my thing.

I prefer to learn by reading narrative nonfiction that draws on historical events as does McCullough’s. He focuses on the period in Paris (1830-1900) when the City of Light was the center of culture, the time when American artists, doctors, writers, musicians, and politicians among others ventured across the Atlantic to gain inspiration and knowledge from living in Paris.

McCullough highlights stories of the famous such as Mary Cassatt, Samuel Morse, Harriet Beecher Stowe, Mark Twain, Oliver Wendell Holmes, as well as lesser-known folks, interweaving their lives with historical events. One surprise was how American physicians benefited greatly from their Parisian colleagues. Other remarkable accounts await you.

If you are a fan of Medieval history and Paris, Hugo’s novel is for you. Hollywood, of course, turned it into The Hunchback of Notre Dame.

Before I wrote the text for my book published after the fire, in 2019, I read this story and discovered Hugo was a great fan of Medieval architecture, incorporating chapters on the construction of Notre Dame throughout his book. This was invaluable research for me, but it also saved Notre Dame in the 1830s which had been in terrible condition after the Revolution and was almost sold.

Thanks to his novel, which the public loved but the critics dismissed, an arts competition was established to repair Notre Dame to its former glory.