100 books like The Greater Journey

I’ve always loved peculiar heroes and heroines. Characters with strange gifts and an equal number of challenges. It started with Sherlock Holmes, whose mind fascinated me. As a child, I gravitated to the unnatural protagonist, Tarzan, in the Edgar Rice Burroughs novels and Bilbo Baggins in The Lord of the Rings trilogy. I was never a big fan of Superman, I preferred people who adapted quickly to new surroundings and could think on their feet. Once I began my writing career, I kept those protagonists in my mind. Four novels in, I do my best to capture their spirit and determination to overcome whatever lands in front of them.

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history. 

My desire for food-related studies originates from my personal experience of starvation. Born in 1957 in rural China, I soon stepped into China’s Great Famine (1958-1962). During this famine, over 30 million people died of hunger, mostly peasants, including my grandpa (my mother’s father). As a growing child, I was hungry and today I still remember how my family struggled to feed us. After becoming a student at an agricultural university, I had the opportunity to think and started to ponder over food-related issues. After graduation, I became an academic and have since focused my energy on studies concerning food, chiefly, China’s food supply and food security. 

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history. 

I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history. 

I received my B.S. in geology and spent my career in commercial banking. How did I go from banking to becoming an author? I learned to write as a banker back in the “good old” days when the loan officer had to write their own credit memorandum. I enjoyed it so much I told myself, “One day, I'm going to write a book.” Then I found a book called Walks Through Lost Paris by Leonard Pitt. As my wife and I walked through the streets of Paris, I said, “I can write a book like this.” And so I did. We're about to publish our sixth book in an anticipated series of nine.

As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.