Here are 99 books that Elizabeth and After fans have personally recommended if you like
Elizabeth and After.
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I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
This is a quirky, hilarious, autobiographical coming-of-age story about a lesbian who grows up in a repressive English Pentecostal community.
Winterson’s creation of the mother is the most unique mother I’ve ever encountered—damaged, oppressive, deeply misunderstanding of her genius daughter. I found lots of commonalities between the conflicts Jeanette had with her difficult mother and my own experience, even though we live countries apart.
Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015 WINNER OF THE GOLDSMITHS PRIZE 2014 WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless,…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
Still Life is a glorious book set in London and Florence, giving a fascinating insight into the worlds of History of Art and globe making. Reading it is like eating wonderful food, you will want to savour every mouthful. The characters are extraordinary and yet believable – I fell in love with every one of them.
A captivating, bighearted, richly tapestried story of people brought together by love, war, art, flood, and the ghost of E. M. Forster, by the celebrated author of Tin Man.
Tuscany, 1944: As Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of a deserted villa. There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
All of Solnit’s writings have been an inspiration but this book’s oscillations between the intimacy of her relationship with her dying mother, the poignant degradation of apricots, and the many little-known and fascinating histories that she miraculously weaves into a truly magical book. Solnit has a way of offering hope in the darkness of some of life’s most challenging times, by swinging from details of her own life to those of others she knows or has studied. It’s a remarkable read as it takes you along on the nimble journey of her mind and heart.
From the author of Orwell's Roses, a personal, lyrical narrative about storytelling and empathy-a fitting companion to Solnit's A Field Guide to Getting Lost
Finalist for the National Book Critics Circle Award
In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories-of her mother and her decline from memory loss, of a trip to Iceland, of an illness-Solnit revisits fairytales and entertains other…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
I have rarely encountered a book that captures the local impacts of mining as well as Lianne Leddy’s Serpent River Resurgence. I was impressed with how the author, a Serpent River First Nation member, used oral history and family stories to document how the uranium rush at Elliot Lake, Ontario, irrevocably altered the ability of Serpent River members to hunt, fish, and gather off the land.
To me, the book's real strength was the author’s refusal to depict her fellow community members as victims, highlighting their successful campaign for environmental cleanup of the toxic legacies that remained long after the uranium mines had closed.
Serpent River Resurgence tells the story of how the Serpent River Anishinaabek confronted the persistent forces of settler colonialism and the effects of uranium mining at Elliot Lake, Ontario. Drawing on extensive archival sources, oral histories, and newspaper articles, Lianne C. Leddy examines the environmental and political power relationships that affected her homeland in the Cold War period.
Focusing on Indigenous-settler relations, the environmental and health consequences of the uranium industry, and the importance of traditional uses of land and what happens when they are compromised, Serpent River Resurgence explores how settler colonialism and Anishinaabe resistance remained potent forces in…
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I grew up in upstate New York near the Canadian border, and one of the crucial battles of this war was fought there. When I was growing up, we were told this war was a successful one for the United States, and Taylor shows how this was true in some ways but not very true at all in others.
This is a sprawling tale with a huge cast of characters, and it includes the perspectives of ordinary people from various groups.
In the early nineteenth century, Britons and Americans renewed their struggle over the legacy of the American Revolution, leading to a second confrontation that redefined North America. Pulitzer Prize-winning historian Alan Taylor’s vivid narrative tells the riveting story of the soldiers, immigrants, settlers, and Indians who fought to determine the fate of a continent. Would revolutionary republicanism sweep the British from Canada? Or would the British contain, divide, and ruin the shaky republic?
In a world of double identities, slippery allegiances, and porous boundaries, the leaders of the republic and of the empire struggled to control their own diverse peoples.…
I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me.
I absolutely love Blunt’s writing in this series. It is nuanced and beautifully paired with the troubled, multi-faceted characters. The books are set in the fictional town of Algonquin Bay, based in North Bay in Northern Ontario, a part of the country I know well having grown up a bit farther north and west. The setting permeates the stories—small town, dead of winter, lots of bush and conifer trees. The discovery of a body in a mine shaft fits perfectly. John Cardinal, lead cop, is struggling to help his clinically depressed wife and has recently been demoted. He’s a compelling character and so well drawn as is his new partner Lise Delorme. The books have been made into a gritty television series with superb acting, but I’d say read the books first because the writing is just that good.
"One of the best novels of [the year]. . . Giles Blunt has a tremendous talent." -Tony Hillerman
"Forceful . . . surprising . . . [Blunt's] insights into suffering and madness give his characters their true voice." -The New York Times
In the quiet Canadian town of Algonquin Bay, a frozen body has been found in an abandoned mine shaft. She is quickly identified as Katie Pine, a teenager who had disappeared months ago. At the time, Detective John Cardinal insisted that Katie was no ordinary runaway. His relentless pursuit and refusal to give up on the case got…
I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
This is both a memoir and the story of a crime. I was interested in this book because the crime happened in the town where I went to university. A crime so close to home seems more frightening, more real.
The author writes a sincere, honest story about how you can be fooled by the person you most want to trust—your husband. I found this book hard to put down.
A remarkably compelling and harrowing story of love and betrayal and one woman’s pursuit of justice, redemption, and healing.
“One month into our marriage, my husband committed horrific violent crimes. In that instant, the life I knew was destroyed. I vowed that one day I would be whole again. This is my story.”
An impassioned, harrowing, and ultimately hopeful story of one woman’s pursuit of justice, forgiveness, and healing.
When Shannon Moroney got married in October 2005, she had no idea that her happy life as a newlywed was about to come crashing down around her. One month after her…
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.
I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.
No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.
In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.
"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit…
Even though I have not lived in the Midwest for fifty years, I remain a Midwesterner. It is in how I speak (adding an “r” to wash), what I like to eat (Cincinnati chili), and explains my favorite smell (the inside of a barn). Both as a reader and writer, I want to know where the story is “from.” What does this place look like? Smell like? What is the cadence of the characters’ speech? All this translates into an immersive experience and that is something I look for both in a book I pick up and in one I write.
Hazel Micaellef, 62, a police officer in a small town in Ontario, is divorced, overweight, has back problems, and drinks too much. I am from a small town and divorced. Liquor is not my vice. I am, however, completely at home in the fictional and slightly seedy Port Dumas where locals have long memories. When human bones are found on land that formerly housed orphans, many of the town’s ugly secrets bubble up.The plot is complex and the setting immersive. I would not necessarily want to live in a place like Port Dumas…but I have.
The new novel in this acclaimed series is brilliantly paced, addictively suspenseful—the author's best yet. Hazel Micallef (played by Susan Sarandon in the recent film of the series' debut, The Calling) has become one of crime writing's most memorable detectives. The Night Bell moves between the past and the present in Port Dundas, Ontario, as two mysteries converge. A discovery of the bones of murdered children is made on land that was once a county foster home. Now it's being developed as a brand new subdivision whose first residents are already railing against broken promises and corruption. But when three…
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