I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
A young mother intrudes into the life of an older woman, thinking she knows what’s best. An academic becomes convinced that he is haunted by his double. Two children spy on their supposedly criminal neighbors. A man enables his cousin’s predatory impulses out of loyalty, and a circus performer dreams of a perfect wedding. These characters fail despite their best intentions and continue on despite their failures.
Rose grows up in a working-class family in a town in Southern Ontario between the wars. She is good in school, makes it to university, marries the son of a department store owner, moves to Vancouver, divorces, becomes an actor, teaches acting, grows older, and returns to the town to take care of her stepmother.
These connected stories give us a picture of Rose’s life, but each is a masterpiece by itself. The Beggar Maid, about her marriage, has the most devastating yet subtle ending I have ever read: a precise flick with a small, very sharp knife. I read this first when I was fourteen and too young to comprehend it. Now, I reread it every few years and probably will for the rest of my life.
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
Previously published as 'The Beggar Maid', Alice Munro's wonderful collection of stories reads like a novel, following Rose's life as she moves away from her impoverished roots and forges her own path in the world.
Born into the back streets of a small Canadian town, Rose battled incessantly with her practical and shrewd stepmother, Flo, who cowed her with tales of her own past and warnings of the dangerous world outside. But Rose was ambitious - she won a scholarship and left for Toronto…
This book is an outlier in the sense that most of the stories dwell in the fantastic. Women shed their skins. A girl becomes hypnotized by a circle of light. An apparently ordinary vintage shop in Toronto’s Kensington Market has something unnerving in the back room.
But I love this book so much that I take every opportunity to recommend it. It’s still (in a heightened mode) expressing the deep strangeness of domestic life—what happens in the spaces we live in, what tensions or tragedies or irreconcilable conflicts result from small clashes between closely related people—in a way that seems to me like one of the things that fiction is for. This book is a hidden gem, like finding a secret compartment in an old desk.
Surreal, ambitious and exquisitely conceived, The Doll's Alphabet is a collection of stories in the tradition of Angela Carter and Margaret Atwood. Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark. In 'Unstitching', a feminist revolution takes place. In 'Waxy', a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In 'Agata's Machine', two schoolgirls conjure a Pierrot and an angel in a dank attic room. In 'Notes from a Spider', a half-man,…
A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. That’s it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because she’s busy living.
The kind of book that’s not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here.
An indelible story of one woman’s life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain’s leading literary lights—Tessa Hadley.
“Clever Girl is…what could be called a ‘sensibility’ novel—a story that doesn’t overreach, about a character who feels real, told in prose that isn’t ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power.”—Meg Wolitzer, New York Times Book Review
Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the…
This is Li’s first collection, a series of stories mostly exploring the lives of Chinese immigrants to the US, though some of the stories are set in China, where Li was born. Li is one of the greatest short story writers alive today, period. Part of her greatness is her profound understatement: the prose is disarmingly simple, hiding how brilliant it is.
Reading this collection is like a conjuring trick in which a familiar room becomes unfamiliar, but you aren’t sure how; you only know that the interior has altered. A standout: The Princess of Nebraska, in which a Chinese woman studying in the US goes for abortion care, supported by an older man. I use the opening paragraph of this story when I teach as a demonstration of how to convey, apparently without effort, every significant detail within the first page, except one crucial detail, which you could never guess.
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.
Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is a brilliant novel about being alone, how generative that can be, and how fruitful it is.
Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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