The best crime stories you can only listen to as audiobooks

Madhuri Shekar’s groundbreaking psychological thriller helped show new ways that audiobooks could plunge listeners into a story. I’m sure I wasn’t the only author who took note. Evil Eye follows a mother who immigrated to the U.S. from India as she prepares to accept her daughter’s partner into the family. But she is troubled by an old crime. The tale is told almost entirely through phone calls and voice messages. That meticulously constructed delivery heightens the suspense as we discover how trauma can span oceans and overlap generations.

Greg Donahue uses a trove of archival audio to dive into how David Hardy, a Pulitzer-Prize-nominated reporter who was instrumental in integrating newsrooms, struck up an unlikely friendship with his most mysterious source, David Friedland—a lawyer, fraudster, and government witness whose pastimes include chess and hand-feeding sharks. After faking his own death in the Bahamas to avoid arrest, Friedland also became one of the FBI’s most-wanted fugitives. The dynamism of these two real-life characters kept drawing me in. As did the revealing, decades-old recordings and the author’s impressive framing of history.

Adapted from a one-woman performance at the Minetta Lane Theater by the talented stage actor Carey Mulligan, Girls & Boys is a gripping and sometimes painful examination of domestic violence. The writer Dennis Kelly, who is acclaimed for his work in British television and film, creates a strikingly realistic narrator and an unforgettable storyline to examine how relationships can go horribly wrong. It’s a sad story, well-written and with brilliant acting. Kelly and Mulligan left a lasting mark on me. 

We Are the Water People is an eerie tale about how a community – human and supernatural – tries to process an unspeakable calamity on the shores of Lake Victoria. The telling is as deep and mysterious as the murky waters on which the story is set. I quickly became immersed in the poetry of the language and the moody atmosphere filling my headphones. 

Unspooled as an episodic series, Danielle Elliot traces the true story of one woman’s long-running nightmare in Vancouver. Police received hundreds of complaints about a stalker and then repeatedly arrived at shocking scenes. But authorities began to doubt the victim’s claims—until she was found dead. I’ve long admired the hard-boiled writing of Ross Macdonald and Margaret Millar, and I don’t think it is only the Canadian setting that makes Death by Unknown Event remind me of their work, but rather the psychological intrigue. Except the twisting plot of these 12 episodes is no work of fiction—sometimes life just can be that strange.