66 books like We Are the Water People

Madhuri Shekar’s groundbreaking psychological thriller helped show new ways that audiobooks could plunge listeners into a story. I’m sure I wasn’t the only author who took note. Evil Eye follows a mother who immigrated to the U.S. from India as she prepares to accept her daughter’s partner into the family. But she is troubled by an old crime. The tale is told almost entirely through phone calls and voice messages. That meticulously constructed delivery heightens the suspense as we discover how trauma can span oceans and overlap generations.

Greg Donahue uses a trove of archival audio to dive into how David Hardy, a Pulitzer-Prize-nominated reporter who was instrumental in integrating newsrooms, struck up an unlikely friendship with his most mysterious source, David Friedland—a lawyer, fraudster, and government witness whose pastimes include chess and hand-feeding sharks. After faking his own death in the Bahamas to avoid arrest, Friedland also became one of the FBI’s most-wanted fugitives. The dynamism of these two real-life characters kept drawing me in. As did the revealing, decades-old recordings and the author’s impressive framing of history.

Adapted from a one-woman performance at the Minetta Lane Theater by the talented stage actor Carey Mulligan, Girls & Boys is a gripping and sometimes painful examination of domestic violence. The writer Dennis Kelly, who is acclaimed for his work in British television and film, creates a strikingly realistic narrator and an unforgettable storyline to examine how relationships can go horribly wrong. It’s a sad story, well-written and with brilliant acting. Kelly and Mulligan left a lasting mark on me. 

Unspooled as an episodic series, Danielle Elliot traces the true story of one woman’s long-running nightmare in Vancouver. Police received hundreds of complaints about a stalker and then repeatedly arrived at shocking scenes. But authorities began to doubt the victim’s claims—until she was found dead. I’ve long admired the hard-boiled writing of Ross Macdonald and Margaret Millar, and I don’t think it is only the Canadian setting that makes Death by Unknown Event remind me of their work, but rather the psychological intrigue. Except the twisting plot of these 12 episodes is no work of fiction—sometimes life just can be that strange.

Yusuf is a young boy, an indentured servant to an Arab trader, living in a cloistered environment amidst much he doesn’t understand. On a trading trip from the Swahili coast, through the foothills of Kilimanjaro, and on to Lake Victoria, he has the opportunity to see foreign wonders, learn how the trader negotiates, and see the attitudes of the Swahili traders toward the people from the interior, the relatively new Indian immigrants, and the German colonizers. The trip is brutal; descriptions are straightforward and realistic but the author never sensationalizes events. This is an important piece of the incredible variety in the mosaic of African culture and history. The honesty and authenticity the author provides make it clear what he has to offer the literary world and why he was awarded a Nobel prize. 

Tanzania is a country I have fallen in love with over the past few years and my most recent book is about the Tanzanian half of Lake Victoria.

Vassanji’s book tells the story of his upbringing in Dar es Salaam as well as his travels around the country, from Lake Victoria to Zanzibar. It’s particularly interesting on the subject of East Africa’s South Asian communities, which the author grew up in, and their interactions with both European colonisers and black Africans.

I lived in Dar es Salaam for a while and loved observing this ancient community’s traditions (and eating at the city’s excellent Indian restaurants). Vassanji’s novel, The Gunny Sack, is also worth a read.

Even the simplest jobs can turn out to be horrible. George and Lou are the nicest, most amiable underworld thugs you could meet. They just want to get their delivery job done and then go out for some beers and bowling. Except, the thing they don’t know is that their delivery consignment is a very angry werewolf. When it escapes, they are forced into a cat-and-mouse chase across Florida. No paycheck can be worth the horror and torment that Jeff Strand’s bloody comedy puts them through.

Just about any of Leonard’s several dozen suspense novels could have a top spot in this reckoning, including the better known Get Shorty, Freaky Deaky, and Glitz. My vote for the best goes, however, to Killshot, his dark, deftly plotted, highly comedic 1989 thriller about two bumbling killers and a ballsy middle-aged married couple the killers mistake for easy marks. Armand Degas, a soulful Ojibway known as the Blackbird, has grown tired of being a hit man for the Detroit mob. He’s befriended by a moronic thug named Richie Nix, whose bucket list includes robbing a bank in every state. When they decide that Carmen, a real estate agent, and her steelworker husband Wayne Colson hold the keys to a fortune, they learn that, like the Bible says, the wages of sin is death.  

I couldn't get enough of the character, Rocco Schiavone, from the TV series Ice Cold Murders, so I decided to check out the original novels by Antonio Manzini. They are equally good—or better.  Rocco is a police inspector from Rome who gets transferred to Aosta, an alpine ski resort town. In Black Run, Rocco instructs his provincial team in big-city police techniques, including cutting corners and avoiding superiors. He contrives useless errands to get his two dumbest cops out of the office. And he introduces his classification of Things That Are a Pain in the Ass, with "sand in your clams" at Level Seven and "unsolved homicide" at Level 10. Black Run begins on the slopes, at Level 10, with the discovery of an unidentified corpse mangled by a snowcat.

As I’d ended up enjoying Eeny Meeny I didn’t hesitate to pick up The Players.

Following a similar vein of psychological manipulation and exploitation of secrets, the game in this novel refers to a series of dangerous activities orchestrated by ‘The Host’ who carefully chooses two ‘players’ to fight to the death. And if that’s not twisted enough, the fights are posted to social media. This gives a modern edge to the novel and plays on fears about the far-reaching implications of the internet.

I felt a sense of unease all the way through and particularly enjoyed the underlying dilemma of whether you would be able to live with the guilt of killing someone to protect your family or make the decision to sacrifice yourself for another’s sake.