Here are 79 books that Miracle Creek fans have personally recommended if you like
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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
This book is on my list of all-time favorites. I read it more than a decade ago, but I still can’t get the ending out of my head. The book is intriguing and fast-paced, and I found the characters so relatable–normal, middle-class people, much like my own family.
Maybe that is why the ending hit me so hard. I didn’t see it coming, but I should have. Maybe I didn’t want to believe it could happen or even consider the possibility. Who would? What a twist. All the evidence is there. The motive is there. It is the only ending that makes sense. It’s perfect.
If your son was on trial for murder, what would you do?
Andy Barber's job is to put killers behind bars. And when a boy from his son Jacob's school is found stabbed to death, Andy is doubly determined to find and prosecute the perpetrator.
Until a crucial piece of evidence turns up linking Jacob to the murder. And suddenly Andy and his wife find their son accused of being a cold-blooded killer.
In the face of every parent's worst nightmare, they will do anything to defend their child. Because, deep down, they know him better than anyone.
While I appreciate a variety of genres, my love of psychological suspense and thriller novels has only intensified over time. I often devour these books in one sitting—eyes darting across each page as my mind tries to guess the next pivotal twist! As an author, I aspire to create the same electrifying rush for my readers that my favorite stories give me. My debut novel, Swearing Off Stars, was inspired by my travels and received an Independent Press Award, a Benjamin Franklin Award, and an International Book Award. My writing has appeared in Harper’s Bazaar, HuffPost, PopSugar, and Writer’s Digest. I hope you enjoy the recommendations on this list!
While this novel is a suspenseful psychological thriller in its own right, the story also tackles racial tensions and contemporary family dynamics. I admire the way Steph Cha explores grief, revenge, violence, racism, and justice over the course of Your House Will Pay’s fast-paced plot. This is absolutely a must-read.
Two families. One desperate to remember, the other to forget.
Winner of the LA Times Book Prize, Best Mystery/Thriller Winner of the California Book Awards' Gold Medal for Fiction Shortlisted for the John Creasey (New Blood) Dagger Shortlisted for the Macavity Awards, Best Mystery Novel Shortlisted for the Anthony Awards, Best Novel Finalist for the NYPL Young Lions Fiction Award
'Masterful.' Ruth Ware
'A searing examination of racial and family politics that is also an immaculately constructed whodunit.' Daily Telegraph, Summer Reads
'Writing a page-turner about racial politics in the U.S. is a delicate enterprise fraught with pitfalls, but Cha…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
There are some writers I read purely for the pleasure of a well-written sentence. Don is one of those, because he is a Literary Writer™ – he edited one of the premier literary journals for many years. But here’s the thing – he is also one hell of a plotter. This first novel of his caught the letters community by surprise, but not me; the intricate construction of his short stories could only lead to a tale as labyrinthine as this one. Featuring classic mystery tropes, Country of Origin is a missing person case that leads our hero, an American Embassy officer in Tokyo, to seedy strip clubs, dangerous love affairs, and the CIA, all delivered with surgical prose that would make Raymond Chandler blush.
In this "poignant story of prejudice, betrayal and the search for identity" (Newsweek International), the trials and tribulations of these three remarkable characters are "at turns trenchantly funny and heartbreakingly sad" (Publishers Weekly). "[An] elegant and haunting debut" (Entertainment Weekly), Country of Origin is a "swirl of action, a whirl of love and sex and race and politics, local and international" (Chicago Tribune)-a "quiet literary triumph" (Booklist)
Lisa Countryman is a woman of complex origins. Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes,…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
For me, one of the greatest feats a writer can achieve is to make an unpleasant character eminently readable. Susan’s A Person of Interest is just that book – the lead here, an Asian math professor simply named Lee, is never exactly identified. We don’t know what country he comes from, and we don’t even learn his first name. A prickly sort, when a colleague of his gets blown to bits by a bomb (echoes of the Unabomber), it’s no wonder that he eventually becomes the title of the novel to the police. Also a literary writer like Don Lee, this novel is alive with character and brims with one dazzling line after another.
A compelling story of a mad bomber, a suspect scientist, and paranoia in the age of terror from the National Book Award-winning author of Trust Exercise and My Education
Professor Lee, an Asian-born mathematician near retirement age would seem the last person to attract the attention of FBI agents. Yet after a colleague becomes the latest victim of a serial bomber, Lee must endure the undermining power of suspicion and face the ghosts of his past. With its propulsive drive, vividly realized characters, and profound observations about soul and society, Pulitzer Prize-finalist Susan Choi's third novel is as thrilling as…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
Imagine for a moment that you receive an email that states the following: “Liquidate everything and return immediately.” Now imagine you are a North Korean spy who has lived in South Korea for almost twenty years, and after your handler disappeared more than a decade ago, you’ve heard nothing. Until this email. Is it real? Or has the South Korean CIA found you out and is trying to trick you? What about your wife and your daughter, both completely unaware of your true identity? Your Republic Is Calling You takes place entirely in a single day of this unfortunate spy’s life, and now you’ll have to read it to see how it ends: does he stay or does he go?
A foreign film importer, Gi-yeong is a family man with a wife and daughter. An aficionado of Heineken, soccer, and sushi, he is also a North Korean spy who has been living among his enemies for twenty-one years.
Suddenly he receives a mysterious email, a directive seemingly from the home office. He has one day to return to headquarters. He hasn’t heard from anyone in over ten years. Why is he being called back now? Is this message really from Pyongyang? Is he returning to receive new orders or to be executed for a lack of diligence? Has someone in…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
I always wanted to be a writer, but after university and a year of traveling and trying to write a book, I went to law school. A fish out of water there, all I did was criminal law. To me, this novel was a beacon. Turow was a criminal lawyer and a novelist—I could do the same one day.
I loved everything about the book, from the first line to the complex and ambiguous ending. In my first novel, I ended it in the same way. One of the wonderful things about being a published author is meeting writers whose books I’ve read and loved. When I met Turow, we mostly talked about baseball: Cubs versus Blue Jays. (Writers I’ve learned don’t like to talk about writing with each other). What was unspoken but clear was my admiration and thanks for his inspiration.
Rusty Sabich is a prosecuting lawyer in Chicago who enters a nightmare world when Carolyn, a beautiful attorney with whom he has been having an affair, is found raped and strangled. He stands accused of the crime.
This 'insider' book by a Chicago lawyer was one of the great novels of the 1980s, selling more than nine million copies, and was made into a famous film starring Harrison Ford. It's a supremely suspenseful and compelling courtroom drama about ambition, weakness, hypocrisy and American justice.
I come by my love of legal thrillers honestly – when I’m not writing them, I’m living them as a full-time practicing lawyer. The cases in my real-life legal practice are far less exciting than those experienced by the lawyers in my books (or the books I’ve recommended here), but the throughline that connects them is that in reality and in fiction, the stakes are very high, the people involved have a motivation for what they’ve done, and the outcome is always in doubt until that last page.
I first met Alafair Burke after my first book was accepted for publication (at a book reading she was giving) and she was extremely generous with her time and advice about being a crime-fiction writer. I’ve read most of her books, but this is my favorite, combining first-rate knowledge of the legal system with long-hidden family secrets and resentments.
Bestselling author of The Ex and The Wife *The Girl She Was, available to pre-order now* 'Highly addictive' KARIN SLAUGHTER 'A major talent' HARLAN COBEN
Keep your enemies close and your sister closer...
For a while, it seemed like both Taylor sisters had found happiness. Chloe landed a coveted publishing job in New York City. Nicky got married to a promising young attorney named Adam McIntosh and became a mother to a baby boy named Ethan.
But now, fourteen years later, it is Chloe who is married to Adam. When he is murdered at the couple's beach house, she has…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
Cara Romero’s unique and vibrant voice stayed with me long after I finished the book. Like all immigrants, she’s caught between two worlds. She’s bound to the parents she left behind in her native Dominican Republic, and she cares for her family and friends in Washington Heights, New York. She’s a flawed character who grows during the story because, as she explains, she doesn’t want to hurt anyone. As a parent, I felt for Cara and her estranged son Fernando, separated by vast cultural differences. This is a heartwarming story, where Cara’s compassionate voice is juxtaposed with the bureaucratic lingo of government forms, emphasizing her humanity and the complex lives of immigrants everywhere.
Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
This riveting whodunit captures the tension between native and naturalized citizens, something I’m familiar with. A Moroccan American man is killed in a hit-and-run in a small desert town in California. His daughter Nora returns home to the Mojave, determined to find the killer. The story is told through multiple voices, some of them immigrants: Nora’s mom, who still dreams of her old life in Casablanca; an undocumented man who witnessed the incident but is afraid to come forward; and the victim himself in the days before dying, when his future looked bright. The secrets Nora discovers about her family and her town, heartbreaking as they are, help her find love and also a sense of home that immigrants like me spend our entire lives trying to reach.
Finalist for the National Book Award 2019
An Observer, Literary Review and Time Book of the Year
'One of the most affecting novels I have read. Subtle, wise and full of humanity' The Times
Late one spring night, Driss Guerraoui, a Moroccan immigrant in California, is walking across a darkened intersection when he is killed by a speeding car. The repercussions of his death bring together a diverse cast of characters, deeply divided by race, religion and class. As the characters tell their stories and the mystery unfolds, Driss's family is forced to confront its secrets, a town faces its…
