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I grew up watching Perry Mason on TV and have always enjoyed mysteries with a legal theme, what has become known as the legal thriller. My affection for this genre only increased when I became a lawyer and, later, a trial judge. I especially appreciate a novel that accurately depicts what lawyers and judges say and do and that highlights the tension between law and justice. Not surprisingly, that has been my goal for the four legal thrillers I have written.
Connally is not a lawyer, but he does a great job of accurately portraying the nitty gritty of the practice of street law, where the clients are usually on the lower economic rung of society. Mikey Haller is a lawyer who practices law from the back seat of a Lincoln Town Car, and these are his typical clients. Haller is a likable, memorable character who can sometimes sail close to the wind but has a solid inner moral compass.
In this novel, the first in the series, Haller takes on the defense of a rich playboy type. While he is happy to have a good fee, and it looks like he may, for a change, have an innocent client, things get complicated quickly, and Haller finds himself facing an ethical dilemma. How he resolves the conflict between his professional duty and his individual moral compass is clever and entertaining. And…
They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.
Mickey Haller has been in the business a long time, and he knows just how to work it, how to grease the right wheels and palms, to keep the engine of justice working in his favour. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years.…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs.
I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,…
In Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
The first time I talked to my New York agent, I told her my three favorite novels were The Spy Who Came in From the Cold, the Eye of the Needle, and, of course, the Day of the Jackal. She caught her breath. “I’ve just written an article,” she said, “saying those were the three best thrillers ever.”
Here’s a secret. Old City Hall is not the first book I’ve written. I spent ten years writing a thriller inspired by Jackal. Set in 1988, an assassin is on her way to Toronto to kill the G-7 world leaders meeting there. The manuscript never sold. Then, last year, I pulled out my “book-in-a-drawer” and updated it as a prequel. Now it’s my new novel. I’ve moved in my writing from legal thrillers to historical dramas (my last novel is based on a Nazi massacre in Italy in 1944) and…
The Day of the Jackal is the electrifying story of the struggle to catch a killer before it's too late.
It is 1963 and an anonymous Englishman has been hired by the Operations Chief of the O.A.S. to murder General De Gaulle. A failed attempt in the previous year means the target will be nearly impossible to get to. But this latest plot involves a lethal weapon: an assassin of legendary talent.
Known only as The Jackal, this remorseless and deadly killer must be stopped, but how do you track a man who exists in name alone?
From a young age, I read and watched everything about the Jack the Rippers, Black Dahlias, and Ted Bundys of the world. I think humans are fascinated by these killers, the worst of the worst, in the same way we are drawn to the best of the best. We want to know what makes them tick. One of the reasons I became a lawyer is at a young age I wanted to be a part of making sure justice is done—for everyone, regardless of their societal status. An empathetic person, I wanted to help others, even those who made horrific life choices. The law, true crime, and fighting for fairness are my passions!
I have probably read this book five times as a kid and three more times as an adult, and every time, I take away another life lesson.
As a kid, you are caught up in the story of Charlie going through the whimsical world of Willy Wonka, with its magical wonders of candy making.
But as an adult you see the other story—the story of Charlie, the underdog who grows up in a home impoverished financially but not emotionally or morally. He succeeds in winning it all in the end due to his respectfully showing self-restraint and honoring his high standards of what is right and wrong.
A splendiferous new hardback of Charlie and the Chocolate Factory, part of a collection of truly delumptious classic Roald Dahl titles with stylish jackets over surprise printed colour cases, and exquisite endpaper designs.
Mr Willy Wonka is the most extraordinary chocolate maker in the world. And do you know who Charlie is? Charlie Bucket is the hero. The other children in this book are nasty little beasts, called: Augustus Gloop - a great big greedy nincompoop; Veruca Salt - a spoiled brat; Violet Beauregarde - a repulsive little gum-chewer; Mike Teavee - a boy who only watches television. Clutching their…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
This book taught me how to write a thriller. I’ll admit I’m obsessive. I’ve not only read this book—and watched the movie—many times, but I read everything I could find about how Follet wrote this novel, his method of writing, etc.
As I do in my novels, he breaks some of the so-called rules. His “bad guys” are real and engaging characters. He paces his novels, intertwining characters and storylines. He builds tension. And he mixes real history and real locations with his fictional characters in a way that brings them to life.
Most of all, as do I, he loves plot, conflict, and storytelling.
The worldwide phenomenon from the bestselling author of The Pillars of the Earth, World Without End, A Column of Fire, and The Evening and the Morning
His code name was "The Needle." He was a German aristocrat of extraordinary intelligence-a master spy with a legacy of violence in his blood, and the object of the most desperate manhunt in history. . . .
But his fate lay in the hands of a young and vulnerable English woman, whose loyalty, if swayed, would assure his freedom-and win the war for the Nazis. . . .
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
This book is on my list of all-time favorites. I read it more than a decade ago, but I still can’t get the ending out of my head. The book is intriguing and fast-paced, and I found the characters so relatable–normal, middle-class people, much like my own family.
Maybe that is why the ending hit me so hard. I didn’t see it coming, but I should have. Maybe I didn’t want to believe it could happen or even consider the possibility. Who would? What a twist. All the evidence is there. The motive is there. It is the only ending that makes sense. It’s perfect.
If your son was on trial for murder, what would you do?
Andy Barber's job is to put killers behind bars. And when a boy from his son Jacob's school is found stabbed to death, Andy is doubly determined to find and prosecute the perpetrator.
Until a crucial piece of evidence turns up linking Jacob to the murder. And suddenly Andy and his wife find their son accused of being a cold-blooded killer.
In the face of every parent's worst nightmare, they will do anything to defend their child. Because, deep down, they know him better than anyone.
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
In this gripping courtroom drama, an explosion in Miracle Creek, Virginia, destroys the business of South Korean immigrants Pak and Young Yoo and puts their daughter Mary into a monthslong coma. As arguments mount against the woman accused of starting the fire, Young struggles with a question many immigrants must face. Maybe she shouldn’t have brought her child to the US, where Mary struggles as a teenager and where she was almost killed. The tension between the two generations resonated with me as a parent and immigrant. As Young hopes to discover who caused the explosion that killed two other people, she must also help Mary imagine a future in their adoptive country.
'That wonderful, brilliant sort of book you want to shove at people as soon as you've finished so they can experience it for themselves' Erin Morgenstern
A thrilling debut novel for fans of Liane Moriarty and Celeste Ng about how far we'll go to protect our families - and our deepest secrets.
In rural Virginia, Young and Pak Yoo run an experimental medical treatment device known as the Miracle Submarine - a pressurised oxygen chamber that patients enter for "dives", used as an alternative therapy for conditions including autism and infertility. But when the Miracle Submarine mysteriously explodes, killing two…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.
I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.
______________________________ THE MULTI-MILLION COPY BESTSELLER
John Grisham's first and most shocking novel, adapted as a film starring Samuel L. Jackson and Matthew McConaughey
When Carl Lee Hailey guns down the violent racists who raped his ten-year-old daughter, the people of the small town of Clanton, Mississippi see it as justice done, and call for his acquittal.
But when extremists outside Clanton - including the KKK - hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice. A national media circus descends on Clanton.
I come by my love of legal thrillers honestly – when I’m not writing them, I’m living them as a full-time practicing lawyer. The cases in my real-life legal practice are far less exciting than those experienced by the lawyers in my books (or the books I’ve recommended here), but the throughline that connects them is that in reality and in fiction, the stakes are very high, the people involved have a motivation for what they’ve done, and the outcome is always in doubt until that last page.
I first met Alafair Burke after my first book was accepted for publication (at a book reading she was giving) and she was extremely generous with her time and advice about being a crime-fiction writer. I’ve read most of her books, but this is my favorite, combining first-rate knowledge of the legal system with long-hidden family secrets and resentments.
Bestselling author of The Ex and The Wife *The Girl She Was, available to pre-order now* 'Highly addictive' KARIN SLAUGHTER 'A major talent' HARLAN COBEN
Keep your enemies close and your sister closer...
For a while, it seemed like both Taylor sisters had found happiness. Chloe landed a coveted publishing job in New York City. Nicky got married to a promising young attorney named Adam McIntosh and became a mother to a baby boy named Ethan.
But now, fourteen years later, it is Chloe who is married to Adam. When he is murdered at the couple's beach house, she has…
