Here are 100 books that Your House Will Pay fans have personally recommended if you like
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As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.
While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
I’ve always loved a good Gothic novel, but Moreno-Garcia raised the bar with this book.
Part mystery, part romance, part haunted house story—this novel runs the gamut from eerie to enchanting. The menacing secrets of High Place, set against the backdrop of glamorous 1950s Mexico, drew me into an intriguing plot that was as captivating as it was frightening.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
Psychological manipulation is a special interest of mine. In my “day job,” I am a psychotherapist with a focus on survivors of narcissistic abuse. I understand this dynamic well; I seek to understand it better; and I continue to be fascinated by it, both in my therapy practice and in my writing.
If, like me, and like the White Queen in Alice through the Looking Glass, you can believe six impossible things before breakfast, then you will certainly love this book. What you think is going on—is not. This is a book that turns all your assumptions upside down. You won’t be able to predict the ending: it’s beyond anything you could have guessed. And the characters are complex, enigmatic, yet real. You’re in for a wild journey. Highly recommend.
Don't Trust This Book
Don't Trust These People
Don't Trust Yourself
And whatever you do, DON'T give away that ending...
Louise
Since her husband walked out, Louise has made her son her world, supporting them both with her part-time job. But all that changes when she meets...
David
Young, successful and charming - Louise cannot believe a man like him would look at her twice let alone be attracted to her. But that all comes to a grinding halt when she meets his wife...
Adele
Beautiful, elegant and sweet - Louise's new friend seems perfect in every way. As she…
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
D.J. Waldie elegantly captures the essence of the ordinary in this beautiful collection of essays. He has lived and worked in Lakewood, California his entire life and he doesn’t drive, which is remarkable in Southern California. Instead, he walks, he observes, and he writes about the kinds of Southern California neighborhoods that I know. I wish that I could describe the sky and the light as accurately and poetically as Waldie does. He has taught me to walk slower and pay attention. His stories of the history of Los Angeles are equally compelling. Waldie says he writes “about sacred and humanizing Los Angeles because I find myself there.” How fortunate for us all!
Best-selling author and beloved chronicler of Los Angeles D.J. Waldie reconsiders the city in a collection of contemporary essays.
Nobody sees Los Angeles with more eloquence than D. J. Waldie. – Susan Brenneman, Los Angeles Times Deputy Op-Ed Editor
Becoming Los Angeles, a new collection by the author of the acclaimed memoir Holy Land, blends history, memory, and critical analysis to illuminate how Angelenos have seen themselves and their city. Waldie’s particular concern is commonplace Los Angeles, whose rhythms of daily life are set against the gaudy backdrop of historical myth and Hollywood illusion. It’s through sacred ordinariness that Waldie…
I am a historian of the American West and a professor at the University of Southern California. I also direct the Huntington-USC Institute on California and the West. I love the way very smart and ambitious family histories illuminate the fascinating (or sometimes mundane) lives of people in the past and, at the same time, use those stories to help us understand bigger-picture issues, eras, and all the turbulence of American life. That little-girl-in-the-well book I wrote is the first time I’ve attempted family history. It was so hard to try to get it right but, at the same time, exhilarating to think that maybe I did.
Novelist as genealogist, genealogist as novelist. A fiercely loyal portrait of a range of amazing women whose lives feel as if they were fictional, but they were and are not. A tender portrait of several generations of smart and loving mothers, wives, and daughters whose California is not the place of wealth and glamor but rather of making do, getting by, and loving your people and landscapes.
“Straight’s memoir is a lyric social history of her multiracial clan in Riverside that explores the bonds of love and survival that bind them, with a particular emphasis on the women’s stories . . . The aftereffect of all these disparate stories juxtaposed in a single epic is remarkable. Its resonance lingers for days after reading.” —San Francisco Chronicle
In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women. In inland Southern California, near the desert and…
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
Flower, Grand, First is a collection of poems about Santa Ana, California and Jalisco, Mexico. The title comes from three streets in Santa Ana, where my husband’s family has lived for more than one hundred years. Hernandez’s poems are about place and displacement and examine what it feels like to be an outsider trying to make sense of life in a strange land, always searching for home. In the wonderful poem “My Father Shows Me Catalina” Hernandez writes: “Smile so you both know it’s okay that you are different. But once-in-a-while, the division is so clean it’ll cut into you.”
Gustavo Hernandez’s debut poetry collection, Flower Grand First, moves through the complex roads of immigration, sexuality, and loss. These poems are points plotted on maps both physical and emotional—the rural landscapes of Jalisco, the glimmering plains of memory, the busy cities of California, and the circular paths of grief. Hernandez’s stunning elegies float along a timeline spanning three decades, honoring family, recording a personal history, and revealing a vulnerable but resilient voice preoccupied with time, place, and what is left behind out of necessity.
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
Stacy Russo is a librarian, professor, artist, poet, novelist, children’s book writer, vegan baker, punk rock historian, dog whisperer, and a friend. Her novel told in stories is a close observation of modern life in Santa Ana, California where her protagonist, Stella Peabody runs a bakery and bookstore. The lives of her customers intertwine and create an enviably close community. The sense of place is vivid, and the characters are finely drawn. I wish this bookstore was real and in my neighborhood. Recipes included.
Welcome to the magical world of Stella Peabody's Wild Librarian Bakery and Bookstore!
Stella Peabody, an independent and free-spirited "Wild Librarian," follows her dream and opens a vegan bakery/bookstore where she and her literary-inspired baked goods form the heart of a diverse community full of beloved characters, including Robert Gonzales, a romance novel devotee and loving husband, who finds solace in Stella's "Poet's Beer Bread" when his wife goes missing under mysterious circumstances; solitary psychologist Mary Chin who leans upon her experiences with Stella's "Women Who Run With the Wolves" Book Club to find comfort and meaning following a life-changing…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
In this gripping courtroom drama, an explosion in Miracle Creek, Virginia, destroys the business of South Korean immigrants Pak and Young Yoo and puts their daughter Mary into a monthslong coma. As arguments mount against the woman accused of starting the fire, Young struggles with a question many immigrants must face. Maybe she shouldn’t have brought her child to the US, where Mary struggles as a teenager and where she was almost killed. The tension between the two generations resonated with me as a parent and immigrant. As Young hopes to discover who caused the explosion that killed two other people, she must also help Mary imagine a future in their adoptive country.
'That wonderful, brilliant sort of book you want to shove at people as soon as you've finished so they can experience it for themselves' Erin Morgenstern
A thrilling debut novel for fans of Liane Moriarty and Celeste Ng about how far we'll go to protect our families - and our deepest secrets.
In rural Virginia, Young and Pak Yoo run an experimental medical treatment device known as the Miracle Submarine - a pressurised oxygen chamber that patients enter for "dives", used as an alternative therapy for conditions including autism and infertility. But when the Miracle Submarine mysteriously explodes, killing two…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
There are some writers I read purely for the pleasure of a well-written sentence. Don is one of those, because he is a Literary Writer™ – he edited one of the premier literary journals for many years. But here’s the thing – he is also one hell of a plotter. This first novel of his caught the letters community by surprise, but not me; the intricate construction of his short stories could only lead to a tale as labyrinthine as this one. Featuring classic mystery tropes, Country of Origin is a missing person case that leads our hero, an American Embassy officer in Tokyo, to seedy strip clubs, dangerous love affairs, and the CIA, all delivered with surgical prose that would make Raymond Chandler blush.
In this "poignant story of prejudice, betrayal and the search for identity" (Newsweek International), the trials and tribulations of these three remarkable characters are "at turns trenchantly funny and heartbreakingly sad" (Publishers Weekly). "[An] elegant and haunting debut" (Entertainment Weekly), Country of Origin is a "swirl of action, a whirl of love and sex and race and politics, local and international" (Chicago Tribune)-a "quiet literary triumph" (Booklist)
Lisa Countryman is a woman of complex origins. Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes,…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
For me, one of the greatest feats a writer can achieve is to make an unpleasant character eminently readable. Susan’s A Person of Interest is just that book – the lead here, an Asian math professor simply named Lee, is never exactly identified. We don’t know what country he comes from, and we don’t even learn his first name. A prickly sort, when a colleague of his gets blown to bits by a bomb (echoes of the Unabomber), it’s no wonder that he eventually becomes the title of the novel to the police. Also a literary writer like Don Lee, this novel is alive with character and brims with one dazzling line after another.
A compelling story of a mad bomber, a suspect scientist, and paranoia in the age of terror from the National Book Award-winning author of Trust Exercise and My Education
Professor Lee, an Asian-born mathematician near retirement age would seem the last person to attract the attention of FBI agents. Yet after a colleague becomes the latest victim of a serial bomber, Lee must endure the undermining power of suspicion and face the ghosts of his past. With its propulsive drive, vividly realized characters, and profound observations about soul and society, Pulitzer Prize-finalist Susan Choi's third novel is as thrilling as…
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