100 books like Tap Dancing on Everest

It is powerful to take “I can’t” and turn it into “I can.” There are so many things we all can’t do because of a lack of resources, skills, time, or desire. But, if we focus on what we can do, we can still make progress. Even as an adult, I love reading picture books like this as a gentle reminder to keep going, keep trying, and keep living courageously. 

Braving the Wilderness sparked a shift in my perspective on self and relationships.

What struck me most was the separation of belonging and fitting in. I realized how much energy I had put into fitting in, all the while betraying what was true to me. Not only did Braving the Wilderness get me thinking, but it also provided practical steps on how to do things differently.

Since reading the book I have changed how I interact with others, steering away from connection through shared enemies, and instead moving towards connection through authenticity and vulnerability.

My favorite quote: “We can spend our entire life betraying ourself and choosing fitting in over standing alone. But once we've stood up for ourself and our beliefs, the bar is higher. A wild heart fights fitting in and grieves betrayal.”

Another perspective of the Trojan War from a minor player’s perspective, Daughter of Yesterday, is the first mythology retelling I read as a child, and it still holds up. A series of unfortunate events puts the protagonist in Helen of Troy’s household as a companion for her young daughter.

I’d never read a version of the myth that views Helen as a mother, an often-forgotten fact in retellings. Myths are so often taught in isolation that this was the first time I realized these mythological characters like Helen and Cassandra knew each other.

The fact that the main character is a completely powerless child trying her best to survive the chaos around her ramps up the tension and highlights the tragedy of the war. 

The ‘crime’ in Animal Dreams is a legal technicality, and this is a literary contemporary novel rather than a crime one, but its narrative drive comes from the same need to untangle the past to set the characters free (or as free as they can be) in the present.

The writing is glorious – rich, deep, surprising, layered – reaching levels of technical mastery that few other writers even glimpse. There are several point-of-view characters and, unlike most books with this structure, Kingsolver wrings every last drop of drama and interest from the nuances this offers.

Instead of longing to get back to a preferred perspective, the reader revels in how vivid, how real, each character feels in turn. If you love LP Hartley’s The Go-Between, you’ll probably adore this.

This book has one of my favorite covers which only accentuates the story of Diante overcoming his fears of swimming. With the help of his wise grandmother, Diante learns breathing techniques to help settle his mind in order to put his face in the water and learn to swim.

This book, first published in 1987, was (and is) harshly attacked by some scholars including James McPherson who blasted the book for its overreliance on postwar, published sources. Yet Linderman’s central thesis, that war negatively affected Civil War soldiers and for some, alienated them from families and communities at home, remains valid. It is not true that all Civil War soldiers were negatively affected by war, but many were, and Linderman was one of the first to challenge the mythology of the all-heroic and stoic Civil War soldier. For a book that makes you think differently about the war and the mythologies that continue to linger about it, I’d still go back to Linderman.

This engaging book presents three young children being brave in three scary situations—a thunderstorm, the first day of school, and getting a shot at the doctor’s office. Using very simple rhyming text, Karla Clark captures the fear of these events and shows the children overcoming that fear. This is a great book for parents to use with preschoolers in discussing ways to deal with being frightened. Jeff Őstberg’s artwork effectively portrays the children’s fear, as well as their pride in overcoming it. The cover art is especially striking.

An under-recognised gem of a novel, The Testament… showcases Jane Roger’s character-building talents and has at its core a troubled moral position about how to deal with the calamity humanity is faced with, owing to some bio-engineered terror that has been unleashed.

There is no middle ground for this book. You will either love it or hate it. Same goes for the main character, Jessie. She will strike you as the epitome of heroic self-sacrifice, else the height of stupid, navel-gazing, teenage self-indulgence.

Yes, I know that Kennedy didn’t really write the book but it was meaningful to me when I was younger as it speaks to moral courage in the political arena–a trait I find often lacking in today’s America.

This book reminds me that people can speak truth to power, can do the right thing, and do so at personal risk. This is a book that more of our US politicians should read or re-read as a reminder.

This book feels profoundly important to understanding the crisis of church culture. KJ forced me to look at the church and understand the implicit ways that power and control can be misused by leadership. I think KJ’s story is not unique, and yet it is rarely talked about in Christian circles. 

I do believe we need to be willing to look at our motivations when in roles of leadership, especially how we can inadvertently misuse our power and control. KJ’s use of scripture to help us see the servant heart behind leadership is truly magnificent.