100 books like If You Should Fail

Alphonse Daudet’s notebooks on pain are among the most explicit, honest, and consoling treatments of chronic illness ever written. Daudet was a contemporary of Flaubert, admired as a novelist of provincial France by such luminaries as Charles Dickens and Henry James. Like Flaubert, Daudet suffered from syphilis and he planned to write a book about his experience. He died before he could do that, but his notebooks survive. As someone who lives with chronic pain, I cherish Daudet’s frank but never saccharine advice and his commitment to compassion for others in the teeth of his own suffering.

Wittgenstein’s Mistress is a novel by David Markson that takes the form of a journal written by a woman living on a beach who believes she is the only person left on earth. It is made up of short paragraphs—often no more than a sentence—that record her lonely travels, like a surrealist Robinson Crusoe. At the risk of spoiling a conceptual twist, what begins as a metaphysical examination of language and the self turns out to be a study of grief and betrayal. If you are lonely, Wittgenstein’s Mistress is wonderful company: captivating, playful, intellectually rich, and unexpectedly moving.

One of the most profound attempts to capture grief in prose is due to the British experimental novelist B. S. Johnson. Published in 1969, The Unfortunates is a book in a box: twenty-seven booklets to be read in any order, except for “First” and “Last.” Its narrator is a journalist returning to a city he last knew seven years ago, visiting an old friend, Tony, who later died of metastatic cancer. The visit triggers memories that arrive in random order, scattered through the day’s events as chance dictates. Grief has no narrative order, the book in a box seems to warn; and any closure is temporary. Grief can be opened and reshuffled again and again. 

Although it is more academic than the others I’ve recommended, this book is both practical and urgent: it asks how we’re responsible for facing up to the structures of injustice in which we are implicated—the legacies of colonialism and slavery, the ongoing catastrophe of climate change. Young’s answer is that responsibility here is not about guilt or shame but the obligation to work for change, an obligation we can only meet through collective action, working with others to transform the systems around us. Young’s argument is rich, provocative, and inspiring.

This book, by Kirk Wallace Johnson tells the story of a bizarre heist that took place at the British Museum of Natural History in 2009.

The thief, Edwin Rist, was a 20-year-old American flute student who broke into the museum to steal hundreds of priceless, exotic bird specimens, many of which were collected by the naturalist Alfred Russel Wallace in the 19th century.

What first drew me to the book was that I knew Edwin’s dad back when I was in grad school. But what kept me turning the pages was the writing and story. The book explores the world of Victorian-era fly-tying and the obsession that collectors have with rare feathers.

Rist, who was also an avid fly-tier, had planned the heist to obtain feathers for his own collection, which he intended to sell to other collectors. Many of the collectors and fly-tying enthusiasts knew that the feathers probably… show more.

This infamous child killers work remains banned in my home country (UK) but is widely available online. Brady and Hindley (his partner) were child killers, both incarcerated for life and both died in prison.

This book was read for curiosity only, whilst writing my own ‘inside the mind of a psychopathic killer’ narrative, I wanted to understand how a ‘real serial killer’ would really think. He wrote The Gates of Janus whilst incarcerated at Ashworth high-security psychiatric hospital.

Brady’s intention was that it be published anonymously, however, this could never be allowed to happen. It is in 2 parts 1) He describes his involvement in the 6 murders from the perspective of ‘understanding himself’ and part 2) His advice as offered to law enforcement in solving such future cases (in this it falls flat).

I recommend it only if you want to understand his thought process – just as Hitler’s Mein… show more.

I was looking for books on the history of emotions and this is one of the best!

Dixon demonstrates that the infamous British “stiff upper lip” is a lot more recent and a lot less timeless than most people think. I learned that until the late 1800s men could cry—in public no less—without anyone thinking less of them! Food for thought.

John Le Carré, the undisputed master of espionage, shifts gears in The Night Manager as the Cold War ends and an unsteady detente emerges in Europe, creating a power vacuum quickly filled by mercenaries, arms dealers, and drug smugglers who accumulate vast fortunes in the black markets that spring forth.

This book rekindles the flame for Le Carré readers who thought his best storytelling days were behind him.

The Peasants' Revolt was one of the most pivotal events of the fourteenth century, for it turned society upside-down and threatened the powers-that-be in a way they could never have imagined. Poor King Richard was only fourteen years old, and he discovered that he could rely on no one but himself to put a stop to the rampaging. Much of London went up in flames, and fatalities included the Archbishop of Canterbury! What caused this terrible uprising? This book gives us a thorough explanation as to what happened—and why. Dan Jones is at his usual best in making it interesting to the general reader. I was so taken with the whole scenario that it played a major part in the first third of my novel. 

Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.