Here are 100 books that The Unfortunates fans have personally recommended if you like
The Unfortunates.
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I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Alphonse Daudet’s notebooks on pain are among the most explicit, honest, and consoling treatments of chronic illness ever written. Daudet was a contemporary of Flaubert, admired as a novelist of provincial France by such luminaries as Charles Dickens and Henry James. Like Flaubert, Daudet suffered from syphilis and he planned to write a book about his experience. He died before he could do that, but his notebooks survive. As someone who lives with chronic pain, I cherish Daudet’s frank but never saccharine advice and his commitment to compassion for others in the teeth of his own suffering.
A “startling [and] splendid” book (The New York Times Book Review) from one of the greatest writers of the nineteenth century on his years of enduring severe illness—a classic in the literary annals of human suffering. • Edited and translated by the bestselling, Booker Prize winning author of The Sense of an Ending.
“Pain, you must be everything for me. Let me find in you all those foreign lands you will not let me visit.” —Alphonse Daudet
Daudet (1840–1897) was a greatly admired writer during his lifetime, praised by Dickens and Henry James. In the prime of his life, he…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Wittgenstein’s Mistress is a novel by David Markson that takes the form of a journal written by a woman living on a beach who believes she is the only person left on earth. It is made up of short paragraphs—often no more than a sentence—that record her lonely travels, like a surrealist Robinson Crusoe. At the risk of spoiling a conceptual twist, what begins as a metaphysical examination of language and the self turns out to be a study of grief and betrayal. If you are lonely, Wittgenstein’s Mistress is wonderful company: captivating, playful, intellectually rich, and unexpectedly moving.
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
I don’t know if misery loves company but I’m convinced that failure does. When their projects fall flat, my kid likes nothing better than to hear about the wreckage of mine: romantic fiascos, flunked tests, athletic defeats. Joe Moran’s “book of solace,”If You Should Fail, is in part a compendium of stories like these, in part an effort to dislodge our tendency to think of human beings as winners or losers at all.“To call any life a failure, or a success, is to miss the infinite granularity, the inexhaustible miscellany of all lives,” Moran writes. “A life can’t really succeed or fail at all; it can only be lived.”
'There is an honesty and a clarity in Joe Moran's book If You Should Fail that normalises and softens the usual blows of life that enables us to accept and live with them rather than be diminished/wounded by them' Julia Samuel, author of Grief Works and This Too Shall Pass
'Full of wise insight and honesty. Moran manages to be funny, erudite and kindly: a rare - and compelling - combination. This is the essential antidote to a culture obsessed with success. Read it' Madeleine Bunting
Failure is the small print in life's terms and conditions.
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Although it is more academic than the others I’ve recommended, this book is both practical and urgent: it asks how we’re responsible for facing up to the structures of injustice in which we are implicated—the legacies of colonialism and slavery, the ongoing catastrophe of climate change. Young’s answer is that responsibility here is not about guilt or shame but the obligation to work for change, an obligation we can only meet through collective action, working with others to transform the systems around us. Young’s argument is rich, provocative, and inspiring.
When the noted political philosopher Iris Marion Young died in 2006, her death was mourned as the passing of "one of the most important political philosophers of the past quarter-century" (Cass Sunstein) and as an important and innovative thinker working at the conjunction of a number of important topics: global justice; democracy and difference; continental political theory; ethics and international affairs; and gender, race and public policy.
In her long-awaited Responsibility for Justice, Young discusses our responsibilities to address "structural" injustices in which we among many are implicated (but for which we not to blame), often by virtue of participating…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I’m a YA writer who likes to tackle difficult subject matter. My books cover things like euthanasia, drug abuse, coming out, and accessing sex as someone with a disability. If my books are found by even just one person who needs to see themselves in a story, then I feel like my job is done.
This book deals with two different experiences of being a cancer survivor which is not something I've seen in a book before.I liked the way the book explored the idea of visible and invisible disabilities and how people view them differently. It's not a subject I've seen covered often in YA books and it's something so many people deal with every day. Jase was a jerk through a lot of the book, but I felt like this behavior was realistic given his past and his desire not to be seen through the cancer lens. His growth through the book was the most significant and it was gratifying to see the way his friendship with Mari changed his perspective on the world and his place in it.
Jase Ellison doesnt remember having acute lymphocytic leukemia when he was three years old. His cancer diagnosis only enters his mind twice a year. Once at his yearly checkup at the oncology clinic and one when he attends Camp Chemo in the summer. No one in his real life knows about his past, especially his friends at Atlanta West Prep. Mari Manos has never been able to hide her cancer survivorship. She wakes every morning, grabs her pink forearm clip crutches, and starts her day. Mari loves Camp Chemowhere shes developed a healthy crush on fellow camper Jase. At Camp,…
Having practically grown up at the hospital where my dad worked as a medical photographer, I wanted to be a nurse from the age of ten. I worked in ICU for five years and then retired to become a stay-at-home mom and later a homeschool mother. But once a nurse, always a nurse. I continued to care for friends and family, including my one-hundred-year-old mother-in-law, through health crises and long-term illnesses. My book and the others listed here tell stories of God’s healing—physically, mentally, and spiritually—a theme I’m passionate about and hope you are, too!
As a registered nurse, South African writer Shirley Corder knew cancer from a medical standpoint, but she didn’t really know the disease until she heard the words “you have cancer.” In her book, she walks readers from diagnosis through surgery and cancer treatments to recovery, shedding God’s light along the path. Her subtle humor and genuine faith lighten a heavy subject. Though she never sugarcoats reality or implies that we should “just trust God and everything will turn out all right,” her book provides a shot of needed encouragement at a critical time.
Nothing can sap a person's strength and hope quite like a cancer diagnosis--unless it is the energy-stealing chemotherapy and surgeries faced in the fight against cancer. But one can find hope and strength in the pages of Scripture and in the experience of someone who has been there.
Strength Renewed is an encouraging devotional for those living in the valley of cancer. Meditations combine Scripture and stories from the author's own experience and can be read in sequential order to move the reader through a typical cancer journey from diagnosis through treatment. Each devotion also stands on its own, so…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
I’ve long been fascinated by how life unfolds from a single fertilized egg cell containing just one set of DNA, whether it’s a human, mouse, frog, worm, or anything else. While studying for my PhD in the Gurdon Institute in Cambridge, which combines brings together researchers working on development and cancer, and spending twelve years in science communication at Cancer Research UK, the world’s largest cancer research charity, I came to see cancer and development as two sides of the same coin: one process unfolding healthy life as egg becomes embryo, and the other ultimately bringing disease and death as a single cell grows into a deadly tumor.
I worked alongside Henry at Cancer Research UK for many years and was devastated by the news that his partner Zarah had developed bladder cancer. Part memoir, part scientific odyssey, Cross Everything captures the story behind her treatment and why it ultimately failed to save her life, and what lessons can be learned to help others in the future.
An extraordinary memoir that explores the further reaches of today's cancer science - alongside a deeply tender story of loss, grief and love.
'A moving, compelling and vital book, that sheds much needed light on the very latest understanding of cancer.' Siddhartha Mukherjee, author of The Emperor of All Maladies
'A gripping, heartbreaking, accessible personal journey through love and cancer' Charles Graeber, New York Times bestselling author of The Breakthrough
'Sensitive and informed. Essential reading for anyone supporting a loved one through cancer. Heartbreaking, emotional - and totally and utterly uplifting and hopeful.' Deborah James (@bowelbabe), writer and broadcaster
I’ve been passionate about animals, the environment, and social justice since I was a child. As an adult I have been frustrated—even enraged—that so many products and practices are considered safe and “normal” even though they harm wildlife, pets, and people. I think it's bizarre that people imagine themselves as separate from the chemicals they spray in their homes and their yards, even as they breathe in the toxins. I hope that the concept of “transcorporeality,” which urges us to see our own bodies as literally part of the environment, will convince people that environmentalism isn’t optional but is a vital part of human health and social justice.
Like everything Audre Lorde wrote, this slim book is powerful and revolutionary. Lorde refuses to see her breast cancer as just a personal problem, and instead, as a Black lesbian feminist, traces its origins to larger economic, industrial, and political forces, including food additives and air pollution. Her activist research is impressive, but it is her fierce, bold critiques that I find most inspiring. She calls out the medical establishment, “We live in a profit economy and there is no profit in the prevention of cancer; there is only profit in the treatment of cancer.” She condemns psychological “causes” of cancer, “It is easier to demand happiness than clean up the environment.” Lorde calls us to understand ourselves within a matrix of social and environmental forces and to make change.
Moving between journal entry, memoir, and exposition, Audre Lorde fuses the personal and political as she reflects on her experience coping with breast cancer and a radical mastectomy.
A Penguin Classic
First published over forty years ago, The Cancer Journals is a startling, powerful account of Audre Lorde's experience with breast cancer and mastectomy. Long before narratives explored the silences around illness and women's pain, Lorde questioned the rules of conformity for women's body images and supported the need to confront physical loss not hidden by prosthesis. Living as a "black, lesbian, mother, warrior, poet," Lorde heals and re-envisions herself…
