Here are 100 books that The Story of My Tits fans have personally recommended if you like
The Story of My Tits.
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My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
This book is brilliant and heartbreaking. I’ve read everything by Gabrielle Bell. I marvel at her artistry, her linework, her drawing and composition and incisive visual storytelling. If I sound like a fangirl it’s because I am. Everything is Flammable is a dark, funny, brutal, honest story, full of heart and originality. When Gabrielle’s mother loses everything in a fire, Gabrielle uproots her east coast life and heads west to rural California to help. But she has her own issues, and the trip pulls her back to her semi-feral childhood as she and her mother try to build a new home on top of the ashes. It’s a searing examination of a mother-daughter love, with illuminating artwork, immediate and poignant visuals, and mordant observations.
"Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."-- Alison Bechdel, Fun Home, Are You My Mother In Gabrielle Bell's much anticipated graphic memoir, she returns from New York to her childhood town in rural Northern California after her mother's home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
I'm a long-time journalist, wife, mother, and grandmother, who was diagnosed with GYN cancer at the beginning of the Covid pandemic in the spring of 2020. My usual subjects are the arts and trauma, but since I’m now one of the more than 600,000 American women with GYN cancer, I decided to write this report about my year of treatment.
This is a scholarly memoir by a co-author of The Madwoman in the Attic, the feminist literary classic, and a professor of English and women’s studies at Indiana University. She was diagnosed with late-stage ovarian cancer in 2008, then a virtual death sentence. Gubar describes several stages of treatment including "debulking" and chemotherapy and the importance of a loving support system.
The writing is sober, well-documented, comprehensive, and, though published ten years ago, all too relevant.
Diagnosed with ovarian cancer in 2008, Susan Gubar underwent radical debulking surgery, an attempt to excise the cancer by removing part or all of many organs in the lower abdomen. Her memoir mines the deepest levels of anguish and devotion as she struggles to come to terms with her body's betrayal and the frightful protocols of contemporary medicine. She finds solace in the abiding love of her husband, children, and friends while she searches for understanding in works of literature, visual art, and the testimonies of others who suffer with various forms of cancer.
I am an expert on being a cancer patient because I was diagnosed with breast cancer in the fall of 2017. I am also a former oncology and hospice nurse. A cancer diagnosis always feels like a calamity and my work with very sick cancer patients showed me how serious the disease can be. I also thought that our health care system would react to cancer with compassion, but I was wrong. I felt on my own as a patient, and that experience led me to reflect on my nursing work. Healing alternates between me being a nurse and a patient. The alteration shows the failings of our health care system, and how to make it more caring.
I found The Undying Project beautiful and bracing. Like me, the author of this book had breast cancer. Unlike me, she had an aggressive cancer that is difficult to treat and often deadly. Her fear and struggle get transformed into blocks of prose that loosely tell the story of her treatment, but also discuss more philosophical writing on suffering and its meanings. At times I found the book hard to take, but I am so glad I read it because it gave cancer a personal and intellectual context; I hadn’t realized I needed that. The Undying won the Pulitzer Prize in 2020.
WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION
"The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer,' Anne Boyer has produced a profound and unforgettable document on the experience of life itself." ―Sally Rooney, author of Normal People
"Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is…
When life’s experiences fall dismally short of expectations, many of us find ourselves lost at a crossroads. When my path to becoming a doctor began to exact an unacceptable toll, I had to find a way out; discharging myself from the hospital was the solution, and by far the best clinical decision of my brief medical career. As a result, I’m still fascinated by choices others make when faced with what seem like impossible obstacles, and where those decisions lead. Following the medical dream from age five, it wasn’t easy to change my life’s course, but that crucial choice allowed me to grow in ways I couldn’t imagine.
Sometimes when faced with impossible choices, the answer is to double down and keep going – even in the face of an existential threat.
As a visual humorist (I deliver my jokes on paper), I shared an immediate rapport with standup comedian Steve Mazan, who was pitching his book at an IdeaFestival, while still dealing with the lingering consequences of liver cancer. Steve’s answer was to say, “I’ve been dying to appear on David Letterman. Now I’m literally dying to do it!”
There’s something to be said of checking off the important boxes on your bucket list. Steve Mazan turned his list into a book, one that delivers a powerful punch line.
Steve Mazan's someday was to perform on The Late Show with David Letterman. In his early thirties Steve was diagnosed with an incurable form of cancer that spread to his liver. Doctors told him he might have only five years left to live. So Steve did something strange: he started living. In a literal race against time, he decided to chase that childhood dream and turn someday into todayhe would perform his act live on The Late Show with David Letterman . . . even if it killed him. With his confidence in a rut and his healthcare bills mounting,…
Loren Mayshark is the author of three non-fiction books. His first book Death: An Exploration won the 2016 Beverly Hills Book Award in the category of Death & Dying and was selected as the honorable mention recipient for the book of the year in the 2016 Foreword INDIES Awards in the category of Grief/Grieving (Adult Nonfiction). Mayshark has a BA in World History with a minor in World Religion from Manhattanville College.
Hitchens was a man on a mission with a razor sharp intellect. These precious words written while Hitchens was losing a fatal battle with cancer are fascinating and he touches on some profound ideas. I was especially struck by the conviction of a man who was a staunch atheist unflinchingly prepared for a godless death. Hitchens was not only witty, but inspirational and courageous.
The starting point of this book was when Christopher Hitchens found he was being deported 'from the country of the well across the stark frontier that marks off the land of malady'. Over the next year he underwent the brutal gamut of cancer treatment, enduring huge levels of suffering and eventually losing the power of speech.
Mortality is at once an unsparingly honest account of the ravages of his disease and the climax of a lifetime's work of fierce debate and peerless prose. In this confrontation with mortality Hitchens writes eloquently of his fear of losing the ability to write,…
Life caught me by surprise when our youngest son was born with a birth defect that launched our family into the world of surgeries, and treatments. After experiencing the management of chronic care for our child firsthand, I realized how important it is to share personal stories and experiences. It enables empathy and a deeper understanding and appreciation of what patients and families go through. Autobiographical accounts of patients and families are still very limited. We need more people to come forward and share their own patient/family experiences in order to promote the betterment of healthcare and healing through relating with others and learning from others’ experiences.
Imagine being a medical school student in the best of health and full of spirit and ambition, and suddenly being engulfed by a strange and mysterious illness that even the best of doctors in the most renowned hospitals are unable to appropriately diagnose, let alone treat. This chilling story of a doctor who literally chases his own cure is a great example of the much-needed patient advocacy that may often be required to diagnose and treat rare and complex conditions effectively. The author’s passion for finding the underlying cause of his disease (Castleman’s disease) and experimenting with innovative unlikely combinations of drug therapies makes his story memorable and truly inspiring.
LOS ANGELES TIMES AND PUBLISHERS WEEKLY BESTSELLER • The powerful memoir of a young doctor and former college athlete diagnosed with a rare disease who spearheaded the search for a cure—and became a champion for a new approach to medical research.
“A wonderful and moving chronicle of a doctor’s relentless pursuit, this book serves both patients and physicians in demystifying the science that lies behind medicine.”—Siddhartha Mukherjee, New York Times bestselling author of The Emperor of All Maladies and The Gene
David Fajgenbaum, a former Georgetown quarterback, was nicknamed the Beast in medical school, where he was also known for…
I earned a Ph.D. in Modern Thought from Stanford and have been an award-winning professor of Women’s, Gender, and Sexuality Studies for over three decades. I've also lived with Crohn’s Disease for more than 50 years. At the intersection of these two experiences, I developed a therapeutic practice oriented towards those with chronic and life-threatening illnesses called Healing Counsel. As both a teacher and a counsellor, I ask people to reconsider the ways they make sense of their experiences. I try to assist people to open up new possibilities for healing, not only as individuals, but also as societies, maybe even as a species, or perhaps even as planetary beings.
This classic text by medical sociologist Arthur Frank was written in the wake of two life-threatening events: a heart attack at age 39 and a cancer diagnosis a year later.
Frank draws on both his scholarly and personal experiences to guide others who find themselves in similar circumstances. He helps us understand that when we place ourselves in medicine’s hands, we also subject ourselves to their ways of knowing. Their stories bleed into our stories, but they are never the same as our stories because what medicine knows as disease is not the same as what we experience as illness.
Thus, Frank teaches us: “These two stories, the story of medicine taking the body as its territory and the story of learning to wonder at the body itself, can only be told together, because illness is both stories at once.”
A medical sociologist who has been seriously ill twice (heart attack and cancer) explores his experiences and examines what they taught him about how to live. An important resource for caregivers and patients.
In this deeply affecting memoir, Arthur W. Frank explores the events of illness from within: the transformation from person to patient, the pain, the wonder, and the ceremony of recovery.
To illuminate what illness can teach us about life, Frank draws upon his own encounters with serious illness—a heart attack at age thirty-nine and, a year later, a diagnosis of cancer.
