Here are 69 books that Over Easy fans have personally recommended if you like
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My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Sheila, a playwright, is trying to figure out how to be in the world, and she’s using her best friend Margaux, a visual artist, to help get her there. This book is filled with trenchant observations, sharp dialogue, and the twists and turns of a female friendship with all the emotional intimacy, creative cross-pollination and cannibalization, rupture and reconciliation that happen during the formative years of young women in their mid-twenties trying to be somebodies. But that doesn’t begin to describe the pleasure of reading this astute and hilarious story that begins with the idea of an ugly painting contest. It will make you examine your own world anew.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
This book is brilliant and heartbreaking. I’ve read everything by Gabrielle Bell. I marvel at her artistry, her linework, her drawing and composition and incisive visual storytelling. If I sound like a fangirl it’s because I am. Everything is Flammable is a dark, funny, brutal, honest story, full of heart and originality. When Gabrielle’s mother loses everything in a fire, Gabrielle uproots her east coast life and heads west to rural California to help. But she has her own issues, and the trip pulls her back to her semi-feral childhood as she and her mother try to build a new home on top of the ashes. It’s a searing examination of a mother-daughter love, with illuminating artwork, immediate and poignant visuals, and mordant observations.
"Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."-- Alison Bechdel, Fun Home, Are You My Mother In Gabrielle Bell's much anticipated graphic memoir, she returns from New York to her childhood town in rural Northern California after her mother's home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
I had been married for many years when I read this book and still found it to be funny, funny, funny. More than just a romance, I love the way she incorporates issues with family and job and life always in a humorous way. Written at the height of the chick-lit era ( a genre I love) the book follows Ashely Stockingdale, a successful 31-year-old woman wondering if she will ever find true love.
Ever felt like the last item left on the clearance rack?
As a successful patent attorney, Ashley Stockingdale has all the makings of a perfect catch: the looks, the brains, even a convertible. But at 31, she's beginning to wonder if she's been passed over for good.
Deciding to adopt a new attitude, Ashley suddenly becomes the romantic interest of three men within a matter of days. While her heart enjoys turning the tables on the dating game, the rest of her previously predictable world is being turned upside down. Is it more than Ashley can handle? Or is it…
I was a teenager in the late sixties, born into a conservative household, with a huge rebellious streak. Starting with Woodstock, I was obsessed with hippie culture. Communes in particular held a special fascination for me, and later, as places of potential depravity. My sister-in-law lived in a commune in Oregon in the late 60s/early 70s. Many of the details in my novel are pulled from her life, and though she is no longer alive, her adult children shared stories from their childhoods. Her oldest daughter, whom I fictionalized as Shoshanna, became the character and voice I used to recount the family’s escape and eventual safe landing. The story still feels like uncovered family history.
I love The Age of Miracles because I was so taken with Walker’s scientific premise, that by the “slowing” of rotation, the world would come to its inevitable end. This scientifically grounded plot point was something I found arresting; it fascinated me immediately. I also loved Walker’s eleven-year-old protagonist, Julia. Julia is genuine, believable, set in her strange but also eerily recognizable nearing-the-apocalypse world. Julia also has a rich, and I felt very authentic, inner life. Her emotions rang true, and the plot not only riveted me, it broke my heart.
'It is never what you worry over that comes to pass in the end. The real catastrophes are always different - unimagined, unprepared for, unknown...'
What if our 24-hour day grew longer, first in minutes, then in hours, until day becomes night and night becomes day? What effect would this slowing have on the world? On the birds in the sky, the whales in the sea, the astronauts in space, and on an eleven-year-old girl, grappling with emotional changes in her own life..?
One morning, Julia and her parents wake up in their suburban home in California to discover, along…
All of the books on my list are about characters who—either due to their own failings and character flaws, or bad luck, or the body blows that life has thrown their way, or a combination of all those things—have hit rock bottom (though as it sometimes turns out, there’s a bottom below that bottom). I think because of my own struggles, and because I’ve often been my own worst enemy, I’ve found comfort in reading stories of this sort. Like many of the writers on my list, I’ve also found that, more often than not, the only way out was to start writing about what I was going through.
This tale of Arturo Bandini, a young would-be writer living on the edge in 1930s Los Angeles, is the book that Charles Bukowski discovered in a local library and was purportedly his inspiration for becoming a writer himself. Like Henry Chinaski in Buk’s autobiographical works, Bandini is a stand-in for Fante, and his personal disasters are mined for their comic gold. He falls in love with a waitress named Camilla, only to watch her fall in love with another man and eventually suffer a nervous breakdown. In the end, Bandini realizes he can't help Camilla and must focus on his writing instead—a conclusion that I, as a young writer, totally identified with.
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer’s life he fought so hard to attain.
When I was a youngster, my parents took me on 6-week journeys across the United States by car. We'd stop in a small town each night, and I would explore on foot and meet other kids at the swimming pool or ice cream shop. That slow mode of travel has become my default, and I've spent years exploring back roads, small towns, and bywaters by car, bicycle, and sailboat. I write about the strangers I've found and the "candy" I've gotten from them: strangers have lessons for all of us and are not as dangerous as we've been told.
In this novel, a pregnant teenager gets abandoned in a small town where she doesn't know anyone. She begins connecting with strangers, one at a time, studying them and deciding which ones are safe to talk to. Eventually, the main character has built a complete support network for herself and her child. I love the way author Billie Letts describes the process of talking to strangers and connecting with them until they become some of our closest friends. It's the same way I get candy from strangers in real life.
A 17-year-old pregnant girl heading for Califonia with her boyfriend finds herself stranded at a Wal-Mart in Oklahoma, with just $7.77 in change. But she's about to be helped by a group of down-to-earth, deeply caring people, including a bible-thumping nun and an eccentric librarian.
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.
As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”
Joan Didion's savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were
In her non-fiction work, Joan Didion not only describes the subject at hand - her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
This is a classic account of the rebellious souls of the counterculture who attempted to disentangle themselves from a society they found stifling and parasitic.
Coyote’s memoir is sometimes bleak, sometimes funny, almost always endearing even through the worst of unintended consequences.
A brutally and beautifully written picture of a time that sought to remake America for the better.
In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen-year ride through the heart of the counterculture—a journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self-imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist-anarchists who had assumed as their task nothing less than the re-creation of the nation’s political and social soul, Coyote and his companions soon became power players.
In prose both graphic and unsentimental, Coyote reveals the…
Interested in
California,
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bildungsroman?
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