Here are 100 books that Sleeping Where I Fall fans have personally recommended if you like
Sleeping Where I Fall.
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Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
Winter Soldiers offers firsthand accounts of more than thirty of members of Vietnam Veterans Against the War, some of whom first joined the military with a deep belief in the rightness of America’s role in that conflict.
Eventually they made common cause with the protesters against the war and their voices had a role in its ending. Winter Soldiersfollows them from their lives before the war, through their service, and into its aftermath.
In 1971, Vietnam veterans testified in public hearings about atrocities they had participated in or witnessed during the war. Here, Stacewicz seeks to tell their story by interviewing more than 30 members of Vietnam Veterans Against War and draws on their archives for supporting evidence.
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
...and a hard rain fell is a devastating firsthand portrait of a young man brutalized by the war from basic training to his final discharge and the nightmares that followed.
John Ketwig’s memoir pulls no punches in an account of his experience that is as eloquent as it is horrifying.
If you want to know what an ordinary soldier’s life was like, from basic training to the jungles and the recurring nightmares, this is the book.
A classic, must-read Vietnam war memoir The classic Vietnam war memoir, ...and a hard rain fell is the unforgettable story of a veteran's rage and the unflinching portrait of a young soldier's odyssey from the roads of upstate New York to the jungles of Vietnam. Updated for its 20th anniversary with a new afterword on the Iraq War and its parallels to Vietnam, John Ketwig's message is as relevant today as it was twenty years ago. "A magnetic, bloody, moving, and worm's-eye view of soldiering in Vietnam, an account that is from the first page to last a wound that…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
The societal changes brought by the movements of the sixties had a different effect on women.
The sexual revolution promised freedom but didn’t plan for jealousy or conflicting ideas of “free.” The anti-war movement and even the civil rights movement saw women’s role as making the sandwiches and lettering the placards.
Rosen chronicles women’s rising fed-up-ness from the 1950s to the unfinished business left at the book’s publication in 2000.
In this enthralling narrative-the first of its kind-historian and journalist Ruth Rosen chronicles the history of the American women's movement from its beginnings in the 1960s to the present. Interweaving the personal with the political, she vividly evokes the events and people who participated in our era's most far-reaching social revolution. Rosen's fresh look at the recent past reveals fascinating but little-known information including how the FBI hired hundreds of women to infiltrate the movement. Using extensive archival research and interviews, Rosen challenges readers to understand the impact of the women's movement and to…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
If there is any cultural icon that defines this era, it is music.
Positively 4thStreetchronicles the personal and musical lives of these four, a portrait of extravagant, quarrelsome genius and the transformation of folk music from academic song-collecting to an era-defining musical form, by way of Greenwich Village, the anti-war movement, and shifting personal entanglements.
When twenty-five-year-old Bob Dylan wrecked his motorcycle near Woodstock in 1966 and dropped out of the public eye, he was already recognized as a genius, a youth idol with an acid wit and a barbwire throat; and Greenwich Village, where he first made his mark, was unquestionably the center of youth culture.
In Positively 4th Street, David Hajdu recounts the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but also his part-time lover Joan Baez -- the first voice of the new generation; her sister…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a collection I have constantly gone back to over the years and is probably my all-time favorite in the history of the counter-culture. I love the blend of rigorous research and easy reading, as well as the breadth of topics and diversity of approaches.
It is replete with thoughtful analyses and eloquent descriptions of the counter-culture, without ever giving in to the nostalgia of era or condemning it for that has gone wrong since. A great starting point if you want a good overview of the history of the American counter-culture.
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
Years ago, I visited a school for the deaf to see how the children learn to read. It opened my eyes: It is exceedingly difficult to learn to read a language you cannot hear. I am a linguist and a writer for children. So this experience lit a fire under me – I wanted to learn about the deaf experience, sign languages, and what sorts of ways I might be able to support the effort to learn to read. I now analyze sign languages, work with a team to advocate for deaf children’s language rights, and am co-director of the RISE project, producing videobooks for deaf children and their families.
This book gives the British side of things, focusing on the division between viewing deafness as a medical condition (a deficiency) and viewing it as a cultural condition (which leads to the birth of sign languages). This book asks what a culture is, truly, and shows how cultures grow up around deaf signing communities.
This book presents a 'Traveller's Guide' to Deaf Culture, starting from the premise that Deaf cultures have an important contribution to make to other academic disciplines, and human lives in general. Within and outside Deaf communities, there is a need for an account of the new concept of Deaf culture, which enables readers to assess its place alongside work on other minority cultures and multilingual discourses. The book aims to assess the concepts of culture, on their own terms and in their many guises and to apply these to Deaf communities. The author illustrates the pitfalls which have been created…
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast…
I became obsessed with motorcycles at an early age, taking a six hundred mile cross-country tour to Cornwall as soon as I’d bought a moped at sixteen, working as a London dispatch rider, and then building my first chopper in my (upstairs) university bedroom and have been fascinated by what I’ve seen over the years of the ‘club life.’ Whatever you think about outlaw biker clubs, there’s no denying it’s a serious lifestyle choice involving real commitment and having serious consequences, but it wasn’t a subject being addressed with serious fiction. So I set out to explore this world and what it would mean to be involved.
The books I’m recommending have all been key sources of insight in differing ways into the realities of the club worlds and cultures. This is a definite recommendation as one of the best “informed outsider’s” overviews I found.
It’s something of a rarity in the outlaw book world being a book by what seems to be a very well-informed and connected outsider (although I understand there has also been criticism of the content) which strives and manages to present a view that seems both balanced and nuanced. I like it because it doesn’t whitewash, nor does it condemn, instead it tries to show and explain.
Australia has a strong bikie culture that draws on a long tradition of ‘mateship’ and this book gives a glimpse behind the scenes of the rules and rituals of club membership, as well as the history of clubs in Australia.
"If it's a good ride, there's nothing like it...you and the machine become one...It gets to the point on the edge of a hard ride where there is a balance between taking your machine further and a fear of dying. Managing that space is real freedom". Riding like there's no tomorrow on the open road, the wind in your face, handling a powerful and responsive machine - you can't get that sort of freedom in a car. Bikies consider themselves "the last free people in society", unconstrained by the regulations that rule ordinary citizens. And they guard their privacy jealously.…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.
Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.
'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone
With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book…
After hurricane Katrina, I was shocked by the scale of displacement and devastation, and the failed government response. I decided to use my planning classes at MIT to assist with rebuilding efforts. Over the next ten years, my students and I worked with several dozen organizations across New Orleans and provided ongoing assistance to three neighborhoods. Through this work and my relationships with many New Orleanians, I learned so much about the city and came to appreciate how special New Orleans, its way of life and people are.
Unique cultural and social traditions are a big part of what makes New Orleans a special place.
This book helped me gain a much deeper appreciation of how these traditions build and sustain communities, serve as artistic and political expression and draw on New Orleans’ African and Caribbean connections.
The House of Dance and Feathers is a rare and beautiful book that presents the Mardi Gras Indians, Social Aid and Pleasure Clubs, Second Line parades (and a lot more) from a practitioners’ perspective as told by Ronald W. Lewis, founder of the museum of the book’s title.
The scores of photos by Lewis and others provide rich documentation of the arts, crafts, practices, and communities that constitute these traditions.
In the Lower Ninth Ward of New Orleans, Ronald W. Lewis has assembled a museum to the various worlds he inhabits. Built in 2003, the House of Dance & Feathers represents many New Orleans societies: Mardi Gras Indians, Social Aid and Pleasure Clubs, Bone Gangs, and Parade Krewes. More than just a catalogue of the artifacts in the museum, this full-color book is a detailed map of these worlds as experienced by Ronald W. Lewis.
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood.
Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
Thanks to this book, I know that a great biography can also serve as a penetrating lens into an era. Yes, this is a book about Janis Joplin, but I do not value it because I care particularly much about the tragic specifics of her life, as much as I respect her music.
I love this book because it serves as a deep dive into the links between the often tritely-considered 1960s triumvirate: sex, drugs, and rock ‘n’ roll. Echols does not lightly throw around the word “counterculture”—that’s a big pet peeve of mine—but takes the reader on a tour of the making of a clear and specific cultural divide that’s still very much with us today.
No mistake, though; it is also an empathetic tale of a sensitive and era-defining musician.
The undisputed queen of sex, drugs and rock n' roll was also the voice of a generation who, when she overdosed on heroin at the age of twenty-seven in October 1970; became the posthumous icon of bad girl femininity for millions around the world. Drawing on hundreds of interviews Echols renders Joplin in all her complexity, revealing how this sweet-voiced girl from Texas recreated herself, first as a gravely-voiced bluesy folksinger, and then as rock n' roll's first female superstar. Echols examines the roots of her musicianship and her efforts to probe the outer limits of life; declaring herself the…
