Here are 100 books that Sleeping Where I Fall fans have personally recommended if you like
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Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
Winter Soldiers offers firsthand accounts of more than thirty of members of Vietnam Veterans Against the War, some of whom first joined the military with a deep belief in the rightness of America’s role in that conflict.
Eventually they made common cause with the protesters against the war and their voices had a role in its ending. Winter Soldiersfollows them from their lives before the war, through their service, and into its aftermath.
In 1971, Vietnam veterans testified in public hearings about atrocities they had participated in or witnessed during the war. Here, Stacewicz seeks to tell their story by interviewing more than 30 members of Vietnam Veterans Against War and draws on their archives for supporting evidence.
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
...and a hard rain fell is a devastating firsthand portrait of a young man brutalized by the war from basic training to his final discharge and the nightmares that followed.
John Ketwig’s memoir pulls no punches in an account of his experience that is as eloquent as it is horrifying.
If you want to know what an ordinary soldier’s life was like, from basic training to the jungles and the recurring nightmares, this is the book.
A classic, must-read Vietnam war memoir The classic Vietnam war memoir, ...and a hard rain fell is the unforgettable story of a veteran's rage and the unflinching portrait of a young soldier's odyssey from the roads of upstate New York to the jungles of Vietnam. Updated for its 20th anniversary with a new afterword on the Iraq War and its parallels to Vietnam, John Ketwig's message is as relevant today as it was twenty years ago. "A magnetic, bloody, moving, and worm's-eye view of soldiering in Vietnam, an account that is from the first page to last a wound that…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
The societal changes brought by the movements of the sixties had a different effect on women.
The sexual revolution promised freedom but didn’t plan for jealousy or conflicting ideas of “free.” The anti-war movement and even the civil rights movement saw women’s role as making the sandwiches and lettering the placards.
Rosen chronicles women’s rising fed-up-ness from the 1950s to the unfinished business left at the book’s publication in 2000.
In this enthralling narrative-the first of its kind-historian and journalist Ruth Rosen chronicles the history of the American women's movement from its beginnings in the 1960s to the present. Interweaving the personal with the political, she vividly evokes the events and people who participated in our era's most far-reaching social revolution. Rosen's fresh look at the recent past reveals fascinating but little-known information including how the FBI hired hundreds of women to infiltrate the movement. Using extensive archival research and interviews, Rosen challenges readers to understand the impact of the women's movement and to…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
If there is any cultural icon that defines this era, it is music.
Positively 4thStreetchronicles the personal and musical lives of these four, a portrait of extravagant, quarrelsome genius and the transformation of folk music from academic song-collecting to an era-defining musical form, by way of Greenwich Village, the anti-war movement, and shifting personal entanglements.
When twenty-five-year-old Bob Dylan wrecked his motorcycle near Woodstock in 1966 and dropped out of the public eye, he was already recognized as a genius, a youth idol with an acid wit and a barbwire throat; and Greenwich Village, where he first made his mark, was unquestionably the center of youth culture.
In Positively 4th Street, David Hajdu recounts the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but also his part-time lover Joan Baez -- the first voice of the new generation; her sister…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.
Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.
'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone
With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book…
Years ago, I visited a school for the deaf to see how the children learn to read. It opened my eyes: It is exceedingly difficult to learn to read a language you cannot hear. I am a linguist and a writer for children. So this experience lit a fire under me – I wanted to learn about the deaf experience, sign languages, and what sorts of ways I might be able to support the effort to learn to read. I now analyze sign languages, work with a team to advocate for deaf children’s language rights, and am co-director of the RISE project, producing videobooks for deaf children and their families.
This book gives the British side of things, focusing on the division between viewing deafness as a medical condition (a deficiency) and viewing it as a cultural condition (which leads to the birth of sign languages). This book asks what a culture is, truly, and shows how cultures grow up around deaf signing communities.
This book presents a 'Traveller's Guide' to Deaf Culture, starting from the premise that Deaf cultures have an important contribution to make to other academic disciplines, and human lives in general. Within and outside Deaf communities, there is a need for an account of the new concept of Deaf culture, which enables readers to assess its place alongside work on other minority cultures and multilingual discourses. The book aims to assess the concepts of culture, on their own terms and in their many guises and to apply these to Deaf communities. The author illustrates the pitfalls which have been created…
I became obsessed with motorcycles at an early age, taking a six hundred mile cross-country tour to Cornwall as soon as I’d bought a moped at sixteen, working as a London dispatch rider, and then building my first chopper in my (upstairs) university bedroom and have been fascinated by what I’ve seen over the years of the ‘club life.’ Whatever you think about outlaw biker clubs, there’s no denying it’s a serious lifestyle choice involving real commitment and having serious consequences, but it wasn’t a subject being addressed with serious fiction. So I set out to explore this world and what it would mean to be involved.
The books I’m recommending have all been key sources of insight in differing ways into the realities of the club worlds and cultures. This is a definite recommendation as one of the best “informed outsider’s” overviews I found.
It’s something of a rarity in the outlaw book world being a book by what seems to be a very well-informed and connected outsider (although I understand there has also been criticism of the content) which strives and manages to present a view that seems both balanced and nuanced. I like it because it doesn’t whitewash, nor does it condemn, instead it tries to show and explain.
Australia has a strong bikie culture that draws on a long tradition of ‘mateship’ and this book gives a glimpse behind the scenes of the rules and rituals of club membership, as well as the history of clubs in Australia.
"If it's a good ride, there's nothing like it...you and the machine become one...It gets to the point on the edge of a hard ride where there is a balance between taking your machine further and a fear of dying. Managing that space is real freedom". Riding like there's no tomorrow on the open road, the wind in your face, handling a powerful and responsive machine - you can't get that sort of freedom in a car. Bikies consider themselves "the last free people in society", unconstrained by the regulations that rule ordinary citizens. And they guard their privacy jealously.…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
American Junkie is a brutally honest tour de force you will never forget! The life of a young and intelligent musician with the promise of success in the 1990s Seattle Grunge scene slowly morphs into the sad reality of a man slipping into addiction and melancholy. In this memoir, Hansen struggles, but does find that his humanity is tied up in more than just addiction. Hansen was a gentleman heroin dealer, not a thug or bully.He mixed with celebrities and those unseen ghosts of the street that end up unnamed and forgotten. He had a code of ethics he lived by. Cleverly written in intimate second-person narrative voice, I loved this book because as you read, you are at once a part of Hansen’s story and in the end, you feel moved by his honesty and the unsparing way he shares the details of his life. When his final…
A non-stop trip into one man's land of desperate addicts, failed punk bands, and brushes with sad fame, as he sells drugs during the Seattle grunge years.
In American Junkie, Tom Hansen maps his heroin addiction, from the promise of a young life to the prison of a mattress, from budding musician to broken down junkie, drowning in syringes and cigarette butts, shooting heroin into wounds the size of softballs, and ultimately, a ride to a hospital for a six-month stay and a painful self-discovery that cuts down to the bone. Through it all he never really loses his step,…
After hurricane Katrina, I was shocked by the scale of displacement and devastation, and the failed government response. I decided to use my planning classes at MIT to assist with rebuilding efforts. Over the next ten years, my students and I worked with several dozen organizations across New Orleans and provided ongoing assistance to three neighborhoods. Through this work and my relationships with many New Orleanians, I learned so much about the city and came to appreciate how special New Orleans, its way of life and people are.
Unique cultural and social traditions are a big part of what makes New Orleans a special place.
This book helped me gain a much deeper appreciation of how these traditions build and sustain communities, serve as artistic and political expression and draw on New Orleans’ African and Caribbean connections.
The House of Dance and Feathers is a rare and beautiful book that presents the Mardi Gras Indians, Social Aid and Pleasure Clubs, Second Line parades (and a lot more) from a practitioners’ perspective as told by Ronald W. Lewis, founder of the museum of the book’s title.
The scores of photos by Lewis and others provide rich documentation of the arts, crafts, practices, and communities that constitute these traditions.
In the Lower Ninth Ward of New Orleans, Ronald W. Lewis has assembled a museum to the various worlds he inhabits. Built in 2003, the House of Dance & Feathers represents many New Orleans societies: Mardi Gras Indians, Social Aid and Pleasure Clubs, Bone Gangs, and Parade Krewes. More than just a catalogue of the artifacts in the museum, this full-color book is a detailed map of these worlds as experienced by Ronald W. Lewis.
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
Patrick Galbraith is arguably one of the leading experts on all things otaku. He has written dozens of article and essays and a few books on the subject, and choosing one to showcase here was not easy. The Moe Manifestois not an entry-level work; it’s for hardcore fans who want to dive headfirst into the otaku rabbit hole. Even I often consult it for inspiration when I write about Japanese subcultures.
The book’s main selling point – especially if you can’t read Japanese – is that Galbraith has assembled a unique lineup of experts (university professors, social and cultural critics, writers, illustrators and other assorted creatives) that he has extensively interviewed about different aspects of otaku culture. There’s a lot of serious food for thought here.
Moe is a huge cultural phenomenon and one of the driving forces behind the enormous success of Japanese anime and manga--not just in Japan but now throughout the world.
In Japan, avid fans of manga comics, anime films and video games use the term Moe to refer to the strong sense of emotional attachment they feel for their favorite characters. These fans have a powerful desire to protect and nurture the youthful, beautiful and innocent characters they adore--like Sagisawa Moe in Dinosaur Planet and Tomoe Hotaru in Sailor Moon. They create their own websites, characters, stories, discussion groups, toys and…
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