Here are 100 books that What a Girl Wants (Ashley Stockingdale Series #1) fans have personally recommended if you like
What a Girl Wants (Ashley Stockingdale Series #1).
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I started drawing comics in the first grade and have never stopped. My syndicated comic strip, Cow & Boy, ran for eight years, and now I write and draw the middle-grade fantasy series Quest Kids. I am so fortunate to have cobbled together my love of comics into a career and to have been inspired by so many talented people along the way. Below is a collection of some of the best.
My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.
The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books.
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star…
My name is Craig Melvin and I’m an anchor on NBC’s Today show. I’m also a father to my two young kids, Delano and Sybil. Being a dad is so important to me because when you’re a parent, you’re charged with shaping and molding a solid human being whose empathetic, compassionate, and responsible. I don’t take the responsibility lightly. Of the many jobs I have, it’s the most important.
Jim Gaffigan is one of the funniest comedians out there, and he’s always one of our favorite in-studio guests. This book uses Gaffigan’s classic sense of humor to describe what it is like to be a dad to his five children. Beyond being extremely funny and a solid memoir, it reveals the underbelly of fatherhood, as only Jim Gaffigan can.
Jim Gaffigan never imagined he would have his own kids.
Though he grew up in a large Irish-Catholic family, Jim was satisfied with the nomadic, nocturnal life of a standup comedian, and was content to be "that weird uncle who lives in an apartment by himself in New York that everyone in the family speculates about." But all that changed when he married and found out his wife, Jeannie "is someone who gets pregnant looking at babies."
Five kids later, the comedian whose riffs on everything from Hot Pockets to Jesus have scored millions of hits on YouTube, started to…
Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.
I am captivated by Gabby’s witty internal monologue and her unwanted contributions to investigations. Her refusal to back down from threats proves her strength and resilience.
Gabby St. Clair longs to complete her degree in forensic science, and while working as a crime scene cleaner, she uncovers clues. Fluent in sarcasm, Gabby says half of what she wants to say and adds a touch of humor and relatability to her underdog character. She yearns to complete her degree to become a licensed investigator. I am especially pleased the story has no porn or profanity.
Gabby St. Claire dropped out of school on her way to completing a degree in forensic science. Instead, she did the next best thing: she started her own crime scene cleaning business. When a routine cleaning job uncovers a murder weapon the police overlooked, she realizes that the wrong person is in jail. But the owner of the weapon is willing to do anything to keep Gabby quiet. With the help of her neighbor, Riley Thomas, Gabby plays detective. But can Riley help her before another murder occurs?
It's 1943, and World War II has gripped the nation, including the Stilwell family in Jacksonville, Alabama. Rationing, bomb drills, patriotism, and a changing South barrage their way of life. Neighboring Fort McClellan has brought the world to their doorstep in the form of young soldiers from all over the…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
I was a teenager in the late sixties, born into a conservative household, with a huge rebellious streak. Starting with Woodstock, I was obsessed with hippie culture. Communes in particular held a special fascination for me, and later, as places of potential depravity. My sister-in-law lived in a commune in Oregon in the late 60s/early 70s. Many of the details in my novel are pulled from her life, and though she is no longer alive, her adult children shared stories from their childhoods. Her oldest daughter, whom I fictionalized as Shoshanna, became the character and voice I used to recount the family’s escape and eventual safe landing. The story still feels like uncovered family history.
I love The Age of Miracles because I was so taken with Walker’s scientific premise, that by the “slowing” of rotation, the world would come to its inevitable end. This scientifically grounded plot point was something I found arresting; it fascinated me immediately. I also loved Walker’s eleven-year-old protagonist, Julia. Julia is genuine, believable, set in her strange but also eerily recognizable nearing-the-apocalypse world. Julia also has a rich, and I felt very authentic, inner life. Her emotions rang true, and the plot not only riveted me, it broke my heart.
'It is never what you worry over that comes to pass in the end. The real catastrophes are always different - unimagined, unprepared for, unknown...'
What if our 24-hour day grew longer, first in minutes, then in hours, until day becomes night and night becomes day? What effect would this slowing have on the world? On the birds in the sky, the whales in the sea, the astronauts in space, and on an eleven-year-old girl, grappling with emotional changes in her own life..?
One morning, Julia and her parents wake up in their suburban home in California to discover, along…
None of them knew what was coming, and none of them will ever be the same again...
Detective Jelani is a tough, veteran cop. His younger partner, Detective Madigan, is brash and confident. But they were not prepared to become embroiled in a series of cosmic events they could never…
All of the books on my list are about characters who—either due to their own failings and character flaws, or bad luck, or the body blows that life has thrown their way, or a combination of all those things—have hit rock bottom (though as it sometimes turns out, there’s a bottom below that bottom). I think because of my own struggles, and because I’ve often been my own worst enemy, I’ve found comfort in reading stories of this sort. Like many of the writers on my list, I’ve also found that, more often than not, the only way out was to start writing about what I was going through.
This tale of Arturo Bandini, a young would-be writer living on the edge in 1930s Los Angeles, is the book that Charles Bukowski discovered in a local library and was purportedly his inspiration for becoming a writer himself. Like Henry Chinaski in Buk’s autobiographical works, Bandini is a stand-in for Fante, and his personal disasters are mined for their comic gold. He falls in love with a waitress named Camilla, only to watch her fall in love with another man and eventually suffer a nervous breakdown. In the end, Bandini realizes he can't help Camilla and must focus on his writing instead—a conclusion that I, as a young writer, totally identified with.
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer’s life he fought so hard to attain.
After finding out a close friend of mine had what was once called Multiple Personality Disorder, I set out looking for stories, only to find that, according to most fictional representations, my friend was likely to be a violent, amnesiac murderer. Fortunately, this is wildly inaccurate. Unfortunately, it's socially prominent, and enormously destructive. This has sparked a decade-long obsession (and close friendship), the result of which is my debut novel, When Fire Splits the Sky, which was released in November of 2022 by Unsolicited Press. My other writing has been nominated for the Rhysling and Best of the Net, and has appeared in Asimov’s Science Fiction and F(r)iction, among others.
Paul Lynch was recently announced as the (very deserving) winner of the Booker Prize, but I’ve been a fan of his ever since his spectacular novel about the Ireland’s Great Famine, Grace.
How do you capture trauma on a national level? Of course, you embody it in the personal, and I was in constant awe of Lynch’s immediate, visceral sentences, and their ability to force me to embody Grace’s experience living through absolutely unimaginable history.
One memorable section is made up of four entirely blacked-out pages, a brilliant nod to the way trauma overwhelms and erases.
From the Booker Prize-winning author of Prophet Song, a sweeping, Dickensian story of a young girl on a life-changing journey across nineteenth-century Ireland on the eve of the Great Famine.
Early one October morning, Grace's mother snatches her from sleep and brutally cuts off her hair, declaring, "You are the strong one now." With winter close at hand and Ireland already suffering, Grace is no longer safe at home. And so her mother outfits her in men's clothing and casts her out.
When her younger brother Colly follows after her, the two set off on a remarkable odyssey in the…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested.
A spellbinding debut about half sisters, one black and one white, on a 1950s road trip through the American South
Self-educated and brown-skinned, Cassie works full time in her grandmother’s laundry in rural Mississippi. Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.
In an old junk car, with a frying pan, a ham, and a few dollars…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
Even though this book has some major plot issues, when I read it a decade or more ago it instantly became one of my favorites. I don’t think Laymon writes about kids much, but he did a good job with the three friends in The Traveling VampireShow. The budding, awkward romance between the two of them was realistic, and the comic relief that the third provided was great. The story gets a bit wild at the end with the excessive violence and nudity, but that’s what Laymon got off writing about (sadly he passed away a number of years ago), and if you’re okay with those types of things, you’ll certainly enjoy the ride.
On a hot August morning in 1963, the rural town of Grandville is covered with fliers announcing the coming of something extraordinary - a one-night-only performance of The Travelling Vampire Show, featuring Valeria, the only known vampire in captivity. For three local teenagers, it's a show they don't want to miss. The trouble is, the show starts at midnight and they're supposed to be home by then. And in any case, Janks Field, where the show will take place, has been declared off-limits because of its own sinister history. But they can't just sit at home and let Valeria do…
