Here are 100 books that What a Girl Wants (Ashley Stockingdale Series #1) fans have personally recommended if you like
What a Girl Wants (Ashley Stockingdale Series #1).
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I started drawing comics in the first grade and have never stopped. My syndicated comic strip, Cow & Boy, ran for eight years, and now I write and draw the middle-grade fantasy series Quest Kids. I am so fortunate to have cobbled together my love of comics into a career and to have been inspired by so many talented people along the way. Below is a collection of some of the best.
My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.
The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books.
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star…
My name is Craig Melvin and I’m an anchor on NBC’s Today show. I’m also a father to my two young kids, Delano and Sybil. Being a dad is so important to me because when you’re a parent, you’re charged with shaping and molding a solid human being whose empathetic, compassionate, and responsible. I don’t take the responsibility lightly. Of the many jobs I have, it’s the most important.
Jim Gaffigan is one of the funniest comedians out there, and he’s always one of our favorite in-studio guests. This book uses Gaffigan’s classic sense of humor to describe what it is like to be a dad to his five children. Beyond being extremely funny and a solid memoir, it reveals the underbelly of fatherhood, as only Jim Gaffigan can.
Jim Gaffigan never imagined he would have his own kids.
Though he grew up in a large Irish-Catholic family, Jim was satisfied with the nomadic, nocturnal life of a standup comedian, and was content to be "that weird uncle who lives in an apartment by himself in New York that everyone in the family speculates about." But all that changed when he married and found out his wife, Jeannie "is someone who gets pregnant looking at babies."
Five kids later, the comedian whose riffs on everything from Hot Pockets to Jesus have scored millions of hits on YouTube, started to…
Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.
I am captivated by Gabby’s witty internal monologue and her unwanted contributions to investigations. Her refusal to back down from threats proves her strength and resilience.
Gabby St. Clair longs to complete her degree in forensic science, and while working as a crime scene cleaner, she uncovers clues. Fluent in sarcasm, Gabby says half of what she wants to say and adds a touch of humor and relatability to her underdog character. She yearns to complete her degree to become a licensed investigator. I am especially pleased the story has no porn or profanity.
Gabby St. Claire dropped out of school on her way to completing a degree in forensic science. Instead, she did the next best thing: she started her own crime scene cleaning business. When a routine cleaning job uncovers a murder weapon the police overlooked, she realizes that the wrong person is in jail. But the owner of the weapon is willing to do anything to keep Gabby quiet. With the help of her neighbor, Riley Thomas, Gabby plays detective. But can Riley help her before another murder occurs?
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
I was a teenager in the late sixties, born into a conservative household, with a huge rebellious streak. Starting with Woodstock, I was obsessed with hippie culture. Communes in particular held a special fascination for me, and later, as places of potential depravity. My sister-in-law lived in a commune in Oregon in the late 60s/early 70s. Many of the details in my novel are pulled from her life, and though she is no longer alive, her adult children shared stories from their childhoods. Her oldest daughter, whom I fictionalized as Shoshanna, became the character and voice I used to recount the family’s escape and eventual safe landing. The story still feels like uncovered family history.
I love The Age of Miracles because I was so taken with Walker’s scientific premise, that by the “slowing” of rotation, the world would come to its inevitable end. This scientifically grounded plot point was something I found arresting; it fascinated me immediately. I also loved Walker’s eleven-year-old protagonist, Julia. Julia is genuine, believable, set in her strange but also eerily recognizable nearing-the-apocalypse world. Julia also has a rich, and I felt very authentic, inner life. Her emotions rang true, and the plot not only riveted me, it broke my heart.
'It is never what you worry over that comes to pass in the end. The real catastrophes are always different - unimagined, unprepared for, unknown...'
What if our 24-hour day grew longer, first in minutes, then in hours, until day becomes night and night becomes day? What effect would this slowing have on the world? On the birds in the sky, the whales in the sea, the astronauts in space, and on an eleven-year-old girl, grappling with emotional changes in her own life..?
One morning, Julia and her parents wake up in their suburban home in California to discover, along…
When I was a youngster, my parents took me on 6-week journeys across the United States by car. We'd stop in a small town each night, and I would explore on foot and meet other kids at the swimming pool or ice cream shop. That slow mode of travel has become my default, and I've spent years exploring back roads, small towns, and bywaters by car, bicycle, and sailboat. I write about the strangers I've found and the "candy" I've gotten from them: strangers have lessons for all of us and are not as dangerous as we've been told.
In this novel, a pregnant teenager gets abandoned in a small town where she doesn't know anyone. She begins connecting with strangers, one at a time, studying them and deciding which ones are safe to talk to. Eventually, the main character has built a complete support network for herself and her child. I love the way author Billie Letts describes the process of talking to strangers and connecting with them until they become some of our closest friends. It's the same way I get candy from strangers in real life.
A 17-year-old pregnant girl heading for Califonia with her boyfriend finds herself stranded at a Wal-Mart in Oklahoma, with just $7.77 in change. But she's about to be helped by a group of down-to-earth, deeply caring people, including a bible-thumping nun and an eccentric librarian.
All of the books on my list are about characters who—either due to their own failings and character flaws, or bad luck, or the body blows that life has thrown their way, or a combination of all those things—have hit rock bottom (though as it sometimes turns out, there’s a bottom below that bottom). I think because of my own struggles, and because I’ve often been my own worst enemy, I’ve found comfort in reading stories of this sort. Like many of the writers on my list, I’ve also found that, more often than not, the only way out was to start writing about what I was going through.
This tale of Arturo Bandini, a young would-be writer living on the edge in 1930s Los Angeles, is the book that Charles Bukowski discovered in a local library and was purportedly his inspiration for becoming a writer himself. Like Henry Chinaski in Buk’s autobiographical works, Bandini is a stand-in for Fante, and his personal disasters are mined for their comic gold. He falls in love with a waitress named Camilla, only to watch her fall in love with another man and eventually suffer a nervous breakdown. In the end, Bandini realizes he can't help Camilla and must focus on his writing instead—a conclusion that I, as a young writer, totally identified with.
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer’s life he fought so hard to attain.
I’ve loved portal fantasies since childhood—after all, who has never imagined being swept away to another world, particularly one in which magic is more than mere illusion? (The trick, of course, is then finding your way back…) Since the wardrobes in my life have thus far refused to open onto snowy forests, however, I write my own stories these days.
The Magicians is what happens when a kid who’s obsessed with a series like The Chronicles of Narnia grows up, is accepted into a magical university, and discovers along the way that the fantasy world he so loved reading about is real…but not quitewhat he imagined. This novel, the first in a trilogy, offers a more jaded look at some of the beloved aspects of children’s fantasy and how they might play out with young adults discovering themselves and seeking purpose.
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…