100 books like Grace

This book smashed everything I thought about memoirs into pieces. Here is a vivid retelling of an abusive relationship that grabbed me not only with its pain but with its form.

From chapter to chapter, Machado hops and skips through genres, utilizing a treasure trove of styles and formats to evoke the best and worst parts of her experience. It’s a masterful experiment that works on every page. That achievement in and of itself makes this book worthwhile.

But also factor in that it’s a queer story. It’s a groundbreaking narrative that never forgets all of the elements that arise when queerness and cruelty collide. This is a high-wire act that Machado pulls off with gusto. It’s easily one of the best books I’ve read in years.

Some books are fascinating character studies. Others are riveting stories. When Rabbit Howls is somehow both.

Narrated by a woman’s alters (The Troops for Trudi Chase), this book really goes the extra mile in terms of forcing the reader to feel the lifetime impact of abuse both through the story being told, and the way that story is written on the page. I won’t spoil anything here, but it includes a brilliant, metafictional ending that has lingered with me for years now like a punch to the solar plexus.

In far too many stories, Dissociative Identity Disorder is positioned as the antagonist of the story, which results in hideously inaccurate, stigmatizing portrayals.

I was utterly captivated by the way Matthew McKay (a clinical psychologist) did not allow us to flinch from the very real challenges Margaret faced as a result of living with DID, while also highlighting the profound strength that flowed into her life via her alters.

I couldn’t put this book down. It was instrumental in showing me how a portrayal could be both brutally honest and authentically faithful, while avoiding the many pitfalls in which so many portrayals seem to bottom out. 

This novel is an incredible feat of writing “from the inside” of a character.

Teenager Tracey Berkowitz narrates her story as she looks for her missing brother, who thinks he’s a dog, but she is absolutely not a reliable narrator. I was lucky enough to have Maureen as a mentor, but for everything she taught me, this book somehow manages to say even more.

A fascinating psychological portrait. There is so much cold, brutal poetry in its pages.

I read this novel when I was twenty-two years old.

I remember exactly where I was (in the kitchen of a dilapidated apartment I loved) and what time of day I read it (early afternoon until early evening). I cackled and sobbed (I am not a sobber), and afterward, I couldn’t get the main character’s voice out of my head for days. He narrated everywhere I went and everything I did.

Before then, I’d always written casual nonsense for my own entertainment, but I knew afterward I wanted to do that—I wanted to make people laugh, horrify them, and put their hearts through the wringer. 

I think Sebastian Barry is one of the greatest contemporary novelists whose prose unfailingly sings, pirouettes, and enriches. I would recommend all his novels, which take various members of the Dunne or McNulty families over time and place. This particular novel is set in the First World War and follows Willie Dunne as he leaves Dublin to fight for the British, only to find himself caught on the wrong side at the Easter uprising and having to face his own countrymen. It is a brilliant depiction of a young Irish tommy out of his depth in a brutal war, fighting on the side of a country for whom he has mixed loyalties, of the ambivalence and tension of the Irish war of independence, and those caught in its cross hairs.

This book is happiness. 

Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM. 

The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.    

As this novel is set in 1970s Islamabad, Pakistan and the ex-pats are mainly American, it’s technically not about the British in India. But the ex-colonial legacy is there to see: Pakistan was a creation of independence from British rule and is still being affected by geo-politics. I was gripped by the description of life in the Pakistani capital; an area where my grandparents had lived and worked and through which I had travelled in the ’70s. This coming-of-age story is told by teenager Aliya, (half-Pakistani and half-Dutch) who attends the American school. Not only are the tensions of identity well portrayed but also the growing unease between the communities after a traffic accident leaves a young boy dead and world events ignite further unrest. Fascinating and unusual historical fiction.

Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.    

Published in 1943, this was certainly my favorite coming-of-age novel which I read in high school. I grew up in a neighborhood in Queens with trees and parks while to me, Brooklyn was a world of concrete.

Francie intrigued me with how she survived her drunk father, her single-minded mother, and the harshness of poverty. My working-class world was a lot less dangerous and drastic than Francie’s so she intrigued me as she never wavered or lost her belief that everything would work out. The novel is the epitome of the coming-of-age book since it is truly about growing up and looking back on childhood memories no matter how unforgiving they are.

You are only young once and the novel tells us to relish those memories since there is always something good in them even if they are buried. The movie directed by Kazan is a good watch showing the… show more.