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While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
Often overlooked by today's readers, this fine novel of 1940 Berlin by an author who never left Nazi Germany offers a realistic and touching portrayal of ordinary working citizens. A married couple whose life is upended by the loss of a soldier son encounters persistent Nazi propaganda discrediting their sacrifice. Inspired by actual historical figures, the protagonists courageously turn to modest acts of resistance, drawing the unrelenting focus of a Gestapo inspector determined to solve the case to further his career. Fallada's masterful storytelling and unforgettable characters will put you inside a righteous struggle to resist the oppressive state. This is a classic from an author who lived the place and time, and it shouldn't be missed.
A gripping portrait of life in wartime Berlin and a vividly theatrical study of how paranoia can warp a society gripped by the fear of the night-time knock on the door.
Based on true events, Hans Fallada's Alone In Berlin follows a quietly courageous couple, Otto and Anna Quangel who, in dealing with their own heartbreak, stand up to the brutal reality of the Nazi regime. With the smallest of acts, they defy Hitler's rule with extraordinary bravery, facing the gravest of consequences.
Translated and Adapted by Alistair Beaton (Feelgood, The Trial Of Tony Blair), this timely story of the…
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
When I was secretly working as an escort, living and working ‘underground’, and came upon this book, I was immediately drawn in because here, too, despite and thankfully many different circumstances, was a woman witnessing and taking notes not only to keep herself sane but also to bear witness to the real events as they affected women in this terrible and extraordinary moment in history.
Instead of events and general washes of the main players, as is so often what we get when studying a period of history, here was a true, authentic voice of the actual effects and aftermath of the war on the people living through it. And she wrote it as it was being lived! …” with nothing but a pencil stub, writing by candlelight since Berlin had no electricity…”
As the author, she chose to remain anonymous to protect herself. This choice resonated with me until…
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the…
I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.
I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.
I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.
I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems…
"Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction."-The Boston Globe
The first book of the Regeneration Trilogy-a Booker Prize nominee and one of Entertainment Weekly's 100 All-Time Greatest Novels.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back…
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.
I can clearly remember where I was when I first read this anti-war novel: my bedroom in my small hometown of West Warwick, Rhode Island, with the slanted ceiling, yellow and white checkered bedspread, white and gold fake French Provincial furniture.
I bought the paperback–black cover with a stark white hand making a peace sign–at the Waldenbooks at the mall, came home, and went upstairs to read. I did not look up from that book once. I just read it straight through, all three hundred pages, horrified, mesmerized, angry, saddened. In WWI, Joe Bonham loses his ears, eyes, mouth, and limbs and is trapped in his body with his thoughts and shattered dreams.
I had a peace sign pillow on my bed and a 'Make Love, Not War' poster on the wall across from me. This novel brought the consequences of war right into my childhood bedroom. When the new…
“Trumbo sets this story down almost without pause or punctuation and with a fury accounting to eloquence.”—The New York Times
This was no ordinary war. This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered—not the millions of dead bodies, nor the thousands of ruined lives. . . . This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome . . . but so is war.
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Set in the period 1914-1916, it follows the life of Kate Crilly, a young girl whose brother Liam has just been killed in the Great War. This loss binds Kate to Liam’s comrade in arms, Hubie Wilson. Meanwhile, the tensions of the Rising are at boiling point and Dublin is turning into a battleground as Kate doubles back and across the River Liffey checking on her family, her friends and her desperately ill sister. Mills excels at describing the nature of grief and how one lives with it, rather than dwelling on the immediate impact of the loss per se. Beautiful, limpid prose and imagery, really enjoyed.
Fallen by Lia Mills - a remarkable love story amidst the ruins of the First World War and the Easter Rising SELECTED AS THE 2016 'ONE CITY ONE BOOK' TITLE FOR BOTH DUBLIN AND BELFAST
Spring, 1915. Katie Crilly gets the news she dreaded: her beloved twin brother, Liam, has been killed on the Western Front.
A year later, when her home city of Dublin is suddenly engulfed by the violence of the Easter Rising, Katie finds herself torn by conflicting emotions and loyalties. Taking refuge in the home of a friend, she meets Hubie Wilson, a friend of Liam's…
In the throes of the Civil War, Adrien Villere joins Terry's Texas Rangers to safeguard his East Texas home and protect the reputation of his love, Lily Hart.
As war unfolds, Adrien grapples with forbidden love, ethical dilemmas, and the harsh treatment of the enslaved, culminating in a poignant realization…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Again set in the Middle East, this novel about Ahmad and Carwyn, Arab and Welsh, who are both drawn into the war on its Eastern Front, is an absorbing story from a part of the world that has been neglected in World War I fiction. The two men are both betrayed by the English in different ways, and Izzidien’s Iraqi-Welsh heritage allows her to draw a compassionate picture of both protagonists. It also shows how the rapacious European colonialist mentality that underpinned the entire war created the conditions for terrorism and strife in the region today.
It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign.
Carwyn’s and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face.
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Hochschild’s moving, powerful account of the build-up to World War One is not a dry historical treatise, but an interweaving of individual stories such as those of Sylvia Pankhurst, Keir Hardie, Emily Hobhouse, and Bertrand Russell. These counter-cultural stories of pacifists, objectors, and philosophers inspired and informed the plot of White Feathers, particularly the divisions among the suffragettes and the toxic consequences of the Boer Wars, which Emily Hobhouse bravely reported on and smuggled out post in the face of extreme censorship. An absolute page-turner and highly informative.
In this brilliant new work of history, Adam Hochschild follows a group of characters connected by blood ties, close friendships or personal enmities and shows how the war exposed the divisions between them. They include the brother and sister whose views on the war could not have been more diametrically opposed - he a career soldier, she a committed pacifist; the politician whose job was to send young men who refused conscription to prison, yet whose godson was one of those young men and the suffragette sisters, one of whom passionately supported the war and one of whom was equally…
Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I love the descriptions Pat Barker, a British author, uses as she delves into the cruelty and ugliness of war. This reframe of victors, the Greeks who are winners of the Trojan War is richly written; the characters of the captors are despicable as they live in the ruins of a glorious city, enslaving women, but punished by their gods who trap them away from their homes.
Revenge is in the air as the raped and degraded Trojan women, spoils of the war, conspire while living with their Greek captors. What I love about it, above all, is the bleak description of a brutal patriarchy.
'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard
There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . .
Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive…
History and literature have been my two passions in life, and I’ve been lucky enough to have had a career in both. I’m fascinated in particular by history ‘from below,’ the stories of those disenfranchised – by gender, race, class – from the historical record. My non-fiction books, focusing on oral histories of women, and the Caribbean, reflect this. Untold histories continue in my fiction. My novels are set in WWII, telling parts of its history rarely encountered in the official record – of women trafficked and abused, of survival and misogyny, of the long shadow of war trauma on the soldiers who fought and the society that silenced them.
The story of women trafficked into military brothels is one of the untold histories of war, as is the use of rape as a military weapon. The victims were often too ashamed of their wartime experiences, or too frightened of being accused of collaboration to speak out and as a result, the women’s voices and their traumas are silenced. Jing Jing Lee’s novel is about one such moment – that of Chinese women in Singapore forced to work as prostitutes for the Japanese soldiers. It is a masterpiece of storytelling. Evocative and heart rending, it tells of one woman’s survival and the quest of a child to solve a family mystery. It is beautifully written, exquisitely crafted, utterly compelling.
Shortlisted for the 2020 Singapore Literature Prize
Longlisted for the HWA Debut Crown
Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked. Only three survivors remain, one of them a tiny child.
In a neighbouring village, seventeen-year-old Wang Di is bundled into the back of a troop carrier and shipped off to a Japanese military rape camp. In the year 2000, her mind is still haunted by her experiences there, but she has long been silent about her memories of that time. It takes twelve-year-old Kevin, and the mumbled confession he overhears from his…