Fans pick 100 books like Fallen

Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me. 

I think Sebastian Barry is one of the greatest contemporary novelists whose prose unfailingly sings, pirouettes, and enriches. I would recommend all his novels, which take various members of the Dunne or McNulty families over time and place. This particular novel is set in the First World War and follows Willie Dunne as he leaves Dublin to fight for the British, only to find himself caught on the wrong side at the Easter uprising and having to face his own countrymen. It is a brilliant depiction of a young Irish tommy out of his depth in a brutal war, fighting on the side of a country for whom he has mixed loyalties, of the ambivalence and tension of the Irish war of independence, and those caught in its cross hairs.

Again set in the Middle East, this novel about Ahmad and Carwyn, Arab and Welsh, who are both drawn into the war on its Eastern Front, is an absorbing story from a part of the world that has been neglected in World War I fiction. The two men are both betrayed by the English in different ways, and Izzidien’s Iraqi-Welsh heritage allows her to draw a compassionate picture of both protagonists. It also shows how the rapacious European colonialist mentality that underpinned the entire war created the conditions for terrorism and strife in the region today.

Hochschild’s moving, powerful account of the build-up to World War One is not a dry historical treatise, but an interweaving of individual stories such as those of Sylvia Pankhurst, Keir Hardie, Emily Hobhouse, and Bertrand Russell. These counter-cultural stories of pacifists, objectors, and philosophers inspired and informed the plot of White Feathers, particularly the divisions among the suffragettes and the toxic consequences of the Boer Wars, which Emily Hobhouse bravely reported on and smuggled out post in the face of extreme censorship. An absolute page-turner and highly informative.

Reading Fay Weldon for the first time played on my imagination with her unconventional style and interpretation.

I was always a daydreamer at school and remember being able to relate to the innocence of the main character. She led you on a journey where you didn’t quite know what to believe and for this reason, I fell in love with her work. 

This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.

I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.

Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorker was taller than she was) she is travelling all the time.

She ought to be better known. 

World War I caused 20 million deaths and left 21 million wounded.

Soldiers who survived the gas attacks and trench warfare often returned to societies eager to forget the atrocities of the conflict and move on. Remarque’s insightfully written novel details the struggles of three German soldiers who return home only to discover that they may have no place in a nation that has learned almost nothing from what they regard as a senseless and immoral war.

In May of 1933, this novel and the rest of Remarque's writing were declared “unpatriotic” by the Nazi dictatorship and all his novels were banned.

Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.” 

What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”

A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.

But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.

The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.

Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.

In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for… show more.