Here are 100 books that A Tree Grows in Brooklyn fans have personally recommended if you like
A Tree Grows in Brooklyn.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m not an expert on very much. Certainly not the biggest questions of all, such as are we really here, and if not, what’s this all about? But I’ve always enjoyed books that touch upon these questions and find a way to connect them to our everyday reality (I find them easier than actual philosophy). If I am well placed to curate this list, that’s why. I hope it reminds you how we all grapple with these same universal questions. How we all share our doubts and face the same fears. How we’re all whittled away by the same relentless flow of time.
The idea that when a loved one dies they watch over us, wishing to end our pain, is a powerful one. And for a novelist it’s a rich seam to mine. And yet The Lovely Bones did it so well, that few have tried to follow where it leads.
Although it moves in a very different direction, my own book clearly owes a debt of inspiration to Alice Seebold and I couldn’t not make it first on my list.
The internationally bestselling novel that inspired the acclaimed film directed by Peter Jackson.
With an introduction by Karen Thompson Walker, author of The Age of Miracles.
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.
In heaven, Susie Salmon can have whatever she wishes for - except what she most wants, which is to be back with the people she loved on earth. In the wake of her murder, Susie watches as her happy suburban family is torn apart by grief; as her friends grow up, fall in…
I am on a self-discovery journey, and each day, I discover more of why I am here on earth. The books I mentioned all have themes related to the human condition. I write to express what I understand. I love writing about characters and their journeys. I love all animals, and dogs are a great comfort. I’d like to see animal abuse come to an end in my lifetime. I write about people who have fallen from great heights and how saving animals and others in need saves them. We need to love more.
This book is about defending justice, using a legal system to fight something you know is wrong, and sticking to what is right at all costs. It is about knowing what’s right and what’s wrong.
My main character, too—Miss Pink sticks to what is right at all costs. This touching, powerful story shows the worst of people and the best.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us. She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.
I shiver at evil and am, at the same time, fascinated. How can so much badness exist? There is plenty to shiver at in Room, but I guess I always wonder how people survive brutality and if I would be able to do so. The mother in Room manages to keep love alive as she raises a child in brutal imprisonment.
And what hooked me was her use of imagination, making a world out of their non-world. The use of words is a major part of what she teaches her son. (I am a word freak.) Also, the novel honors something I really believe in: seeing and valuing everything, every little thing. The less you have, the more precious a scrap of paper is; any small thing can become important, and I think there is joy in that.
A major film starring Brie Larson. Shortlisted for the Man Booker Prize. Shortlisted for the Orange Prize.
Picador Classics edition with an introduction by John Boyne, author of The Boy in the Striped Pyjamas.
Today I'm five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I'm changed to five, abracadabra.
Jack lives with his Ma in Room. Room has a single locked door and a skylight, and it measures ten feet by ten feet. Jack loves watching TV but he knows that nothing he sees on the screen…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
Oh, I love this book. I read it several times and had to watch the movie even though it wasn’t as good as the book. I love firsthand accounts of secret lives, and even though this is a fictional story, there is so much truth in it. Although it is fiction, maybe historical fiction, Arthur Golden takes us into the very secretive world of Geishas in Kyoto, Japan, before and right after the war.
I knew nothing about this world save for general history. But here we were, seeing the world and its politics and its effects on women from the eyes of one who lived it. The details of the lives of Geishas felt so authentic that I began to research the world he brought to life in this transporting tale. I found that the author based the story on a Geisha he interviewed.
'An epic tale and a brutal evocation of a disappearing world' The Times
A young peasant girl is sold as servant and apprentice to a renowned geisha house. Many years later she tells her story from a hotel in New York, opening a window into an extraordinary half-hidden world of eroticism and enchantment, exploitation and degradation and summoning up a quarter of a century of Japan's dramatic history.
'Intimate and brutal, written in cool, lucid prose it is a novel whose psychological empathy and historical truths are outstanding' Mail on Sunday
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
I fell in love with the entire Brilliant Friend series. Ferrante moves in so closely to her characters, so imitimately, I felt like I was right up next to them in Naples.
And of course, I loved the book because it takes place in Italy. Lila and Lenu, the two main characters, are both struggling to know who they are, not just as Italian women, but as individual women.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
NOW A MAJOR TV SERIES
GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
58 WEEKS ON THE BOOKSELLER'S TOP 20 ORIGINAL FICTION BESTSELLERS LIST
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
43 INTERNATIONAL RIGHTS DEALS
Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I loved this book for its fantastical portrayal of a Pacific voyage that mirrors the internal conflicts many of us face. Like Pi, who embraced multiple faiths during his ordeal, I searched for answers to reconcile my faith and sexuality across various denominations, religions, and philosophies.
Pi’s story as he journeys across the Pacific, a tiger in tow, allowed me to reflect on the moments when I felt alone, wrestling with my faith in the face of an overwhelming challenge, given my fundamentalist upbringing.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
A book rarely brings me to tears. I didn’t know what to expect when I first picked up this one. The main thing I love about this book is that it takes you right into the head of the main character, who happens to be a very precocious nine-year-old boy. Outwardly, the main character is on an adventure to solve a mystery, but inwardly, he’s on a journey to come to terms with his father’s death.
The protagonist–who, on the surface, is nothing like me–made me feel and address things I had not come to terms with in my life. I felt myself struggling along with the character, and then I ultimately began to heal with him, too. It’s a powerful, tragic, yet absolutely hilarious story that allowed me to forget myself for a while before realizing that I was learning about myself the entire time I read it.
From the critically acclaimed author of Here I Am, Everything is Illuminated and We are the Weather - a heartrending and unforgettable novel set in the aftermath of the 9/11
'Utterly engaging, hugely involving, tragic, funny and intensely moving... A heartbreaker' Spectator
'The most incredible fictional nine-year-old ever created... a funny, heart-rending portrayal of a child coping with disaster. It will have you biting back the tears' Glamour
'Pulsates with dazzling ideas' Times Literary Supplement
'It's a miracle... So impeccably imagined, so courageously executed, so everlastingly moving' Baltimore Sun…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
As a bad boy protagonist, I’ve always loathed Gene Forrester and love to loathe him. He starts as a quiet, intellectual student whose best friend and roommate is charming, self-confident, athletic, and a daredevil without being arrogant. Gene even seems to admire his roommate for having all those qualities until we learn the truth. He resents him.
Like Gene, there were times in my life when playing wingman to a vastly more popular friend could be frustrating, doubly so when they made terrible decisions. Yet, Gene’s journey to the heart of darkness helps put things in perspective. There is no better warning against envy and jealousy than the one immortalized by John Knowles.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
