I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
A book rarely brings me to tears. I didn’t know what to expect when I first picked up this one. The main thing I love about this book is that it takes you right into the head of the main character, who happens to be a very precocious nine-year-old boy. Outwardly, the main character is on an adventure to solve a mystery, but inwardly, he’s on a journey to come to terms with his father’s death.
The protagonist–who, on the surface, is nothing like me–made me feel and address things I had not come to terms with in my life. I felt myself struggling along with the character, and then I ultimately began to heal with him, too. It’s a powerful, tragic, yet absolutely hilarious story that allowed me to forget myself for a while before realizing that I was learning about myself the entire time I read it.
From the critically acclaimed author of Here I Am, Everything is Illuminated and We are the Weather - a heartrending and unforgettable novel set in the aftermath of the 9/11
'Utterly engaging, hugely involving, tragic, funny and intensely moving... A heartbreaker' Spectator
'The most incredible fictional nine-year-old ever created... a funny, heart-rending portrayal of a child coping with disaster. It will have you biting back the tears' Glamour
'Pulsates with dazzling ideas' Times Literary Supplement
'It's a miracle... So impeccably imagined, so courageously executed, so everlastingly moving' Baltimore Sun…
I didn’t get pulled into one character’s head in this book, but two. What I enjoyed most about this book is that the balance between the mystery and the characters’ struggles is equal throughout. I cared about both protagonists and was routing for them to achieve their goals (and defeat their enemies) while anxiously awaiting the resolution to the mystery.
While reading, I often had to stop ruminating about the kinds of people in the world. This book is dark, exhilarating, and sometimes horrifying–and I loved every page of it.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I appreciate that this is a slow burn. It’s the perfect way to unfold a mystery while focusing on what’s going on in the character’s head–and, let’s face it, this book is really about the character more than the mystery. Don’t get me wrong: the mystery is still there. It’s strong. It’s interesting. But the protagonist–and what happened to her–is far more thrilling than the murders are.
I was stuck inside her head all the while I was reading, and I was uncomfortable. She made me squirm. This book reassessed my view of other people, making me more compassionate toward them–and wary.
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FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds…
This book took me into a world of darkness. That darkness–so beautifully juxtaposed with the innocence of childhood–left a lasting impression on me, which I haven’t shaken to this day and which has greatly inspired my writing.
There is no one protagonist, so I found myself entering the minds of several young boys as they try to make sense of the situation they’ve fallen into. Once inside their minds, I followed each of them on their equally frightening paths and was shaken to the core to see that it didn’t matter who chose to be good and who chose to embrace their animalistic sides, as they each fell in one way or another.
Strange, dark, and twisted, I struggled to let go of these characters and still feel haunted by what became of them.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
Whenever I feel trapped, I think about this book. Told in the first person, it brought me into the asylum and locked me in there with the other patients, and even once I finished reading it, I didn’t feel completely free.
There’s something I like to call “Hollywood Mental Illness.” Movies tend to sugarcoat mental disorders and make them seem fun and entertaining. This book does nothing of the sort. I felt the isolation, the fear, and the sheer panic that these characters faced, like a huge, heavy ball in the pit of my stomach and a zigzagging anxiety that repeatedly paced across my mind. What makes it so dark and frightening is that it’s routed in so much truth, which makes it such a compelling story.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
My book is outwardly a mystery story, but the protagonist’s inner struggle is even more haunting. Enim Lund is in his last year of boarding school. Located on an island off the coast of Maine, it’s purposefully isolated from the rest of the world–a problem for Enim, who’s determined to distract himself from a terrible tragedy that’s been tormenting him for months.
A reprieve comes in the unlikely form of a body that washes up on shore. Enim becomes convinced that solving what happened will allow him to comprehend the other tragic event that’s been haunting him. The further he goes to solve the mystery, though, the farther he falls into the hellish nightmare taking over his mind.
From the time I was a girl, I’ve loved stories that put a lump in my throat even as I’m laughing. As a fiction writer, that funny-sad tone is the one I go for in my own work. I gravitate toward female protagonists of all ages who break the mold—women who are intelligent and strong but who also have unconventional, quirky personalities. Women who can be hilarious, infuriating, and heartbreaking—sometimes all at once. Because they are complex and unique, these women tend to struggle with life’s challenges more than their contemporaries. That’s what makes their stories so interesting, and why I have chosen the books on this list.
When Mar’s husband divorces her, she reacts by abandoning everything in her past: her home, her friends, even her name. Though it's not easy starting over, she’s ready for new adventures—as long as she can keep things casual. Each month, Mar goes from one acquaintance to the next: a fellow gym member down on her luck, a flirty hip-hop instructor, a bossy but comical consultant. . . and a handsome novelist who wants more than she can give. Mar learns from each encounter. But can she open herself up to true connection?
Surrounded by quirky, endearing characters, Mar navigates her…
"A fun, entertaining novel! I can't imagine anyone who wouldn't enjoy this book as much as I did." -Leslie A. Rasmussen, award-winning author
When Mar Meyer's husband divorces her for another woman, she reacts by abandoning everything in her past: her home, her friends, even her name. Though it's not easy to start over, Mar is young-looking, fit, and ready for new adventures-as long as she can keep things casual.
With each passing month, Mar goes from one acquaintance to the next. Among them: a fellow gym member down on her luck, a flirty hip-hop instructor, a bossy but comical…
