Here are 83 books that Extremely Loud and Incredibly Close fans have personally recommended if you like
Extremely Loud and Incredibly Close.
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I’m not an expert on very much. Certainly not the biggest questions of all, such as are we really here, and if not, what’s this all about? But I’ve always enjoyed books that touch upon these questions and find a way to connect them to our everyday reality (I find them easier than actual philosophy). If I am well placed to curate this list, that’s why. I hope it reminds you how we all grapple with these same universal questions. How we all share our doubts and face the same fears. How we’re all whittled away by the same relentless flow of time.
The idea that when a loved one dies they watch over us, wishing to end our pain, is a powerful one. And for a novelist it’s a rich seam to mine. And yet The Lovely Bones did it so well, that few have tried to follow where it leads.
Although it moves in a very different direction, my own book clearly owes a debt of inspiration to Alice Seebold and I couldn’t not make it first on my list.
The internationally bestselling novel that inspired the acclaimed film directed by Peter Jackson.
With an introduction by Karen Thompson Walker, author of The Age of Miracles.
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.
In heaven, Susie Salmon can have whatever she wishes for - except what she most wants, which is to be back with the people she loved on earth. In the wake of her murder, Susie watches as her happy suburban family is torn apart by grief; as her friends grow up, fall in…
I want to leave behind a body of work capable of transcending time and to write in as many forms as possible. I often blur the lines of genre and experiment with style and structure, known for breaking “rules,” such as with the poetry in the collection, but you can’t break rules until you learn them, and I’m set on breaking as many as I can before taking my last breath. Writing meaningful and lasting poetic prose requires reading meaningful and lasting poetic prose, and the books I have chosen for this list are fine examples of authors whose entire bodies of work will be dissected for years.
It’s difficult to choose a single book by David Mitchell, since everything he writes is painfully poetic, but The Bone Clocksis a favorite. The title is a derogatory term immortals in the story use for humans flawed with mortality because of natural aging. Six unique first-person perspectives; six timelines spanning past, present, and future. If underlining inspiring passages, in awe of their creation, most of the book would need underlining. Nearly every sentence is breathtaking for readers and writers alike. Mitchell is as literary as they get, but this novel dips into science fiction the way his novel Slade House dips into horror. All his works are connected by threads, including Ghostwritten, his debut that first made me want to become a writer.
The dazzling novel from the bestselling author of CLOUD ATLAS.
Longlisted for the Man Booker Prize 2014
Run away, one drowsy summer's afternoon, with Holly Sykes: wayward teenager, broken-hearted rebel and unwitting pawn in a titanic, hidden conflict.
Over six decades, the consequences of a moment's impulse unfold, drawing an ordinary woman into a world far beyond her imagining. And as life in the near future turns perilous, the pledge she made to a stranger may become the key to her family's survival . . .
I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
Whenever I feel trapped, I think about this book. Told in the first person, it brought me into the asylum and locked me in there with the other patients, and even once I finished reading it, I didn’t feel completely free.
There’s something I like to call “Hollywood Mental Illness.” Movies tend to sugarcoat mental disorders and make them seem fun and entertaining. This book does nothing of the sort. I felt the isolation, the fear, and the sheer panic that these characters faced, like a huge, heavy ball in the pit of my stomach and a zigzagging anxiety that repeatedly paced across my mind. What makes it so dark and frightening is that it’s routed in so much truth, which makes it such a compelling story.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us. She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.
I shiver at evil and am, at the same time, fascinated. How can so much badness exist? There is plenty to shiver at in Room, but I guess I always wonder how people survive brutality and if I would be able to do so. The mother in Room manages to keep love alive as she raises a child in brutal imprisonment.
And what hooked me was her use of imagination, making a world out of their non-world. The use of words is a major part of what she teaches her son. (I am a word freak.) Also, the novel honors something I really believe in: seeing and valuing everything, every little thing. The less you have, the more precious a scrap of paper is; any small thing can become important, and I think there is joy in that.
A major film starring Brie Larson. Shortlisted for the Man Booker Prize. Shortlisted for the Orange Prize.
Picador Classics edition with an introduction by John Boyne, author of The Boy in the Striped Pyjamas.
Today I'm five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I'm changed to five, abracadabra.
Jack lives with his Ma in Room. Room has a single locked door and a skylight, and it measures ten feet by ten feet. Jack loves watching TV but he knows that nothing he sees on the screen…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Before her mega-hit Gone Girl, Gillian Flynn penned this diabolical noir set in the deep South. It’s an edgy story, presenting a gallery of disturbed characters—including the deeply troubled protagonist, a journalist who returns to her hometown to report on the murders of two young girls.
Some books I forget a week or two after reading, others just stick with me for a year or more, and some leave bootprints in my mind forever. This is one of the latter.
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FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds…
I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.
This stunning book puts me in the head of a young boy with a neurodivergent way of seeing the world. I picked up this book before a cross-country flight and couldn’t stand that we landed, and I would have to stop reading for the drive home.
It immersed me in Christopher’s dilemma of trying to make sense of people. The most trivial things become massive. I was hurtled along with him for a harrowing, incredible journey. Profoundly moving!
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
I grow bored reading the same thing over and over, so I don’t. My favorite books challenge me, teach me, blow the walls out, and expand my horizons. I want books to take me to unexpected places and show me worlds existing and otherwise that I never dreamed could be out there. I’ve never been a fan of genre literature that strictly “follows the rules” for that reason. Some of the books on this list are from genres, but they still differ from the predictable. I want to be surprised, and then you’ll hold my attention for the entire novel, and I’ll refer back to it for years.
Barbara Kingsolver’s magnum opus follows a Georgia missionary family’s self-destruction in the dark jungles of the Belgian Congo. The story is narrated by the mother and four daughters as the father, Nathan Price, leads his family to a remote village where they live squalid lives.
In a series of misadventures, he is resolute and foolish, attempting to lead the natives to Christ. Through poverty, culture clashes, and even death, the American women learn to depend on the villagers as Nathan blindly attempts to shove them into an Americanized form of Christianity. Kingsolver’s epic is an engrossing study of how destructive blind, stubborn, prejudiced faith can become. It is, at times, heartbreaking and painfully realistic.
Kingsolver is not afraid to question Christians' motives and show the dark side of Christianity. Yet, she is also respectful of the faith and especially respectful of the African villagers. After reading this story, I found…
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An international bestseller and a modern classic, this suspenseful epic of one family's tragic undoing and their remarkable reconstruction has been read, adored and shared by millions around the world.
'Breathtaking.' Sunday Times 'Exquisite.' The Times 'Beautiful.' Independent 'Powerful.' New York Times
This story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959.
They carry with them everything they believe they will…
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
