Here are 84 books that Room fans have personally recommended if you like
Room.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
The internationally bestselling novel that inspired the acclaimed film directed by Peter Jackson.
With an introduction by Karen Thompson Walker, author of The Age of Miracles.
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.
In heaven, Susie Salmon can have whatever she wishes for - except what she most wants, which is to be back with the people she loved on earth. In the wake of her murder, Susie watches as her happy suburban family is torn apart by grief; as her friends grow up, fall in…
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
I love historical fiction, especially when authors throw in a touch of crime. So, that’s what first drew me to this book.
What kept me reading and what made me rank this novel so highly is the gradual unlayering of the main character as the story progresses. Sure, Kya is a victim and a survivor, but she is so much more, and she is capable of more than I could have anticipated. As in some of my other favorite novels, it’s that loyalty to human nature, the understanding that circumstances can make good choices wrong and poor choices right, that pulled me in.
If I had known the ending when I started the book, I might not have believed it possible, but Delia Owens made it work.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.
A boy runs across a busy road. His father smacks him. A passer-by intervenes ...
When Billy Wright runs across a busy road, his world is altered irreversibly, even though he doesn't realise it at the time. Because a passer-by has stopped to watch the scene. She has seen Billy's father catch up with him and smack him. Within an hour she has informed social services, plunging the family into a living nightmare which begins with a social worker's visit and escalates through a series of misunderstandings until the family is threatened to its core. What I Did is a…
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Shortlisted for the Man Booker Prize and currently an AQA English Literature GCSE text, Pigeon Englishis a debut novel that captures the experiences of eleven-year-old Harrison Opuku. A new arrival from Ghana, he lives with his mother and sister amongst the gang culture on a south London housing estate. Harri is an appealing narrator who uses a mixture of West African slang and a rapidly acquired local vernacular. The text is enlivened by dialogue presented in the form of a playscript with illustrations and lists promoting the visual quality of the story.
Newly arrived from Ghana with his mother and older sister, Harrison Opoku lives on the ninth floor of a block of flats on a London housing estate. The (second) best runner in the whole of Year 7, Harri races through his new life in his personalised trainers - the Adidas stripes drawn on in marker pen - unaware of the danger growing around him.
But when a boy is knifed to death on the high street and a police appeal for witnesses draws only silence, Harri decides to start a murder investigation of his own. In doing so, he unwittingly…
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Jude grows up in an abusive home following the suicide of her mother. Life is continually perplexing for Jude who tries to make sense of what’s happening in her home, school, and community life. The understanding that slips through her fingers is represented by the use of a range of typography including varied fonts and sizes, print from pale to bold, left and right justified margins. Jude’s vulnerability is juxtaposed with anger and hatred which makes for a heady mix of emotions. One can’t help but respect this young narrator for her ability to withstand.
A taut and beautifully written debut novel by an exciting and accomplished new author.
Motherless, rootless and unprotected, Jude Williams' childhood is fractured by the horror and experience of sexual abuse, forcing her to exist somewhere and nowhere in-between childhood and adulthood. Caught within the limitations of her own language and trapped within a family secret, Jude becomes the consequence of her mother's tragedy. As she moves through the 1980s, Jude's life is buffeted by choice and destiny and she collects experiences that layer her personal tragedy and plunge her into the darkest of worlds.
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Five-year-old Peony narrates the story of her life in Southern France and the imaginary world which she creates with the younger Margot. Known as Pea, she lives in a rundown farmhouse, where her recently bereaved and heavily pregnant English mother sleeps most of the time. Bold and brave, Pea’s ability to cope with absent parenting is beautifully imagined. She looks after herself and Margo and makes forays into the community her mother has rejected. The language she uses and her understanding of the world is delightfully quirky.
During one long, hot summer, five-year-old Pea and her little sister Margot play alone in the meadow behind their house, on the edge of a small village in Southern France. Her mother is too sad to take care of them; she left her happiness in the hospital, along with the baby. Pea's father has died in an accident and Maman, burdened by her double grief and isolated from the village by her Englishness, has retreated to a place where Pea cannot reach her - although she tries desperately to do so.
Then Pea meets Claude, a man who seems to…
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
I wasn’t sure what to think of this novel. I picked it up in a bookstore after reading the back cover with no recommendations from anyone. I should do that more often.
This book pulled me in quickly with its well-crafted mystery and buildup of suspense. I thought I knew what was happening, who to suspect, who to love, and who to despise. I didn’t want to put it down. Then, in the end, the author turned everything upside down and broke my heart.
It left me questioning the validity of my perceptions and my own reality for a long time after. It stayed with me, and, for me, that is evidence of a successful twist.
The TikTok phenomenon and #1 New York Times bestseller.
A beautiful and distinguished family. A private island. A brilliant, damaged girl; a passionate, political boy. A group of four friends-the Liars-whose friendship turns destructive. A revolution. An accident. A secret. Lies upon lies. True love. The truth.
We Were Liars is a modern, sophisticated suspense novel from New York Times bestselling author, National Book Award finalist, and Printz Award honouree E. Lockhart.
Read it.
And if anyone asks you how it ends, just LIE.
Don't miss FAMILY OF LIARS, the thrilling prequel to We Were Liars, published in May 2022.
I am Casey Kelleher, a crime writer and author of 17 novels. I have always been a complete and utter bookworm, but my true passion is crime and psych thrillers. Most of my stories concentrate on the victim–or, as I prefer to call them, the survivor. That’s who I champion in my stories, highlighting the strength of that person who has overcome whatever harsh reality that’s been forced upon them. But I also like to get inside the perpetrator’s head. I want to know the ‘whys’ of what they do. Psychology is very complex, but I do believe that there can be good and bad/darkness and light in all of us.
This book really set the bar for me in terms of psych thrillers. It has an ingenious plot and is one of the first genuinely shocking ‘Twist you don’t see coming’ books.
This book is so well-crafted, deliciously dark and manipulating, and, of course, so well-written. I was invested in both the main characters and constantly changed my mind about who I was routing for and what the truth really was. Bravo!
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
Long before presenting my writing, or for that matter, becoming a writer, I have loved the spotlight of the oral storyteller. I have told stories at gatherings for children and adults, layering the content to fit every age. Every spoken story I tell comes from bits of my own life situations, and therefore, first person view has been the only effective tool I have had. Really, that is the only way I see the world. So, when I tell a story about someone besides me, I simply jump into their shoes and become that character.
Again, I chose a book that is given in the first-person point of view. Rather than using a variety of first persons to tell a story, Martel takes the main character, Pi, and uses him in back-and-forth narrations from various ages – young and in the moment, and older, looking back. As well, he uses Pi as a general narrator overall in the storytelling. This gives the illusion that perhaps the other characters are not so important, or rather they are not the point of the story.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
I have lived in the US, and particularly lived and worked in New York, for many years. How the events of 9/11 changed the city, its people, and the perceptions of the people all around the country and the world has always intrigued me. 9/11 has put up a prism through which experiences have emanated out in a kaleidoscopic range of stories. A banker by day and a cynical blogger by night, I have traveled the world and have met many interesting people with compelling backgrounds and have experienced many peculiar and beautiful things. I love to explore the confluence of fascinating narrative arcs and life-altering events.
A precocious and inquisitive child Oskar goes on a treasure hunt around New York to solve a mystery left behind by his father who had died on 9/11.
In his quest, you see a child seeking to stay close to his father a little while longer. In his streams of consciousness and hyperactive imagination, you feel him trying to fill the void left behind by a supportive father figure.
With the sheer weight of his innocence, he gets strangers to open up to him, let him into their lives, and add to their life stories. In a moving manner, the narrative follows the path that Oskar, his mother and his grandfather take in dealing with trauma and finding closure in their own personal ways.
From the critically acclaimed author of Here I Am, Everything is Illuminated and We are the Weather - a heartrending and unforgettable novel set in the aftermath of the 9/11
'Utterly engaging, hugely involving, tragic, funny and intensely moving... A heartbreaker' Spectator
'The most incredible fictional nine-year-old ever created... a funny, heart-rending portrayal of a child coping with disaster. It will have you biting back the tears' Glamour
'Pulsates with dazzling ideas' Times Literary Supplement
'It's a miracle... So impeccably imagined, so courageously executed, so everlastingly moving' Baltimore Sun…
Interested in
kidnapping,
psychopathy,
and
prison escapes?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
kidnapping,
psychopathy,
and
prison escapes.
