100 books like What I Did

My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

I always used food to cope with painful feelings, and I developed Binge Eating Disorder as a child. As an adult, I was in therapy to deal with traumatic stuff, and I lost 100 pounds. I finished therapy with a whole new set of tools with which to navigate the world, but I still regained the weight and started hating myself again. I said, “Whoa. Time-out. I am worthy of love. That has not changed, so why do I hate myself again?” That is what I explore in Big Fat Disaster: what is our worth, and why should that worth depend on what we look like? 

As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.

I spent 7 years in a commercial cult. I was indoctrinated into, rose to the top of, and finally escaped from a multilevel marketing company. When I started my exit, I wondered how I had become so brainwashed, which led me to do research into coercive control. I started to understand that different types of authoritarian control; behavior, information, thought, and emotional, drove me further into the cult and away from my outside friends and family. I read as many cult books and watched as many documentaries as I could find, and became fascinated with uncovering why people find themselves in the same situation I was in.  

I believe my love of horror and mystery started young. My first favorite book was The Berenstain Bears and the Spooky Old Tree. I started writing my first mystery novel when I was in high school. It wasn’t very good, but I still have it. I have so many stories in my head that it’s hard to keep them straight. I also co-host a True Crime podcast, Nothing Happens in A Small Town. 

I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.  

I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.