100 books like A Child Called It

As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.

When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.

As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.

As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.

When I sold the manuscript that became The Way Back from Broken, my editor asked why I wrote it. I said, “I wrote a book about the two things I’m an expert in: grief and canoeing.” It took me ten years to find my own way back from being broken after the death of my daughter. Along that difficult and heartbreaking trail, I came to loathe people who said things like “Time heals all wounds” or “It was meant to be.” I craved those brave few who spoke and wrote with deep authenticity about how grief and loss force us to reconsider everything we’ve ever known about the world. 

I am an adoptive parent and I often use stories to help my children to understand and process emotive topics. While we were going through the adoption process, I couldn’t find any stories that adequately explained why some children can’t stay with their birth families, so I decided to create my own! I found the waiting during the adoption process quite unbearable and put every spare minute to good use, reading books by adoptees and birth parents, so that I could understand the experiences of the people affected most by adoption. These autobiographies were a tough, emotional read at times, but they all changed me for the better. 

I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped. 

I'm a 24-year-old, 1st time Author with big plans to call for major changes within our current social system, to bring the taboo subject of child abuse, to conversation. My own story, yes is an extreme case, but isn’t an uncommon occurrence and affects many. My book, The Girl In The Pink Shoes, was written not only for my own self-help but to also help many others to know they are not alone and someone is fighting their corner. I hope my book will open the right doors to raise awareness and make my charity, Your Voice UK, a success and help bring a brighter future to children who have suffered abuse.

My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn back home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.

I went through some very tough times growing up. I was an undiagnosed autistic teen, terribly shy, with no real guidance, and I was often bullied and bewildered. But my heart was filled with only goodwill and good intentions, and a yearning to connect meaningfully with others. So, stories of adversity, of characters making it through very tough times, through trauma—these stories were like shining beacons that said, “survival is possible.” Now that I’m a grownup writer, it’s at the root of what I want to offer—hope—to today’s kids who may be going through similar tough stuff. Survival is possible.