Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
I wrote
This Much Huxley Knows: A Story of Innocence, Misunderstandings, and Acceptance
Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.
A boy runs across a busy road. His father smacks him. A passer-by intervenes ...
When Billy Wright runs across a busy road, his world is altered irreversibly, even though he doesn't realise it at the time. Because a passer-by has stopped to watch the scene. She has seen Billy's father catch up with him and smack him. Within an hour she has informed social services, plunging the family into a living nightmare which begins with a social worker's visit and escalates through a series of misunderstandings until the family is threatened to its core. What I Did is a…
Five-year-old Jack knows no existence beyond the space where he’s been imprisoned with his mother since birth. Outside is nothing more than pictures flickering across a television screen. Jack’s isolated upbringing is exemplified by his voice. Omission of articles a or the (as in the title) elevates everyday items into proper nouns as if they are friends and have personalities. The use of capital letters heightens the visual experience of reading and enhances the audible quality. It’s as if readers can hear the cogs of a young child’s mind turning. Following Jack’s dramatic escape, the challenge for mother and son lies in their ability to adapt to the big bad world.
A major film starring Brie Larson. Shortlisted for the Man Booker Prize. Shortlisted for the Orange Prize.
Picador Classics edition with an introduction by John Boyne, author of The Boy in the Striped Pyjamas.
Today I'm five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I'm changed to five, abracadabra.
Jack lives with his Ma in Room. Room has a single locked door and a skylight, and it measures ten feet by ten feet. Jack loves watching TV but he knows that nothing he sees on the screen…
Nine-year-old Chloe Janis is missing. Abby, her mom, is now faced with an impossible decision—revealing seventeen-year-old secrets she's kept hidden, or losing her daughter forever.
Everything unravels after Abby receives a cryptic message from a man from her past, someone she’d tried to erase from her memory. But now, he’s…
Shortlisted for the Man Booker Prize and currently an AQA English Literature GCSE text, Pigeon Englishis a debut novel that captures the experiences of eleven-year-old Harrison Opuku. A new arrival from Ghana, he lives with his mother and sister amongst the gang culture on a south London housing estate. Harri is an appealing narrator who uses a mixture of West African slang and a rapidly acquired local vernacular. The text is enlivened by dialogue presented in the form of a playscript with illustrations and lists promoting the visual quality of the story.
Newly arrived from Ghana with his mother and older sister, Harrison Opoku lives on the ninth floor of a block of flats on a London housing estate. The (second) best runner in the whole of Year 7, Harri races through his new life in his personalised trainers - the Adidas stripes drawn on in marker pen - unaware of the danger growing around him.
But when a boy is knifed to death on the high street and a police appeal for witnesses draws only silence, Harri decides to start a murder investigation of his own. In doing so, he unwittingly…
Jude grows up in an abusive home following the suicide of her mother. Life is continually perplexing for Jude who tries to make sense of what’s happening in her home, school, and community life. The understanding that slips through her fingers is represented by the use of a range of typography including varied fonts and sizes, print from pale to bold, left and right justified margins. Jude’s vulnerability is juxtaposed with anger and hatred which makes for a heady mix of emotions. One can’t help but respect this young narrator for her ability to withstand.
A taut and beautifully written debut novel by an exciting and accomplished new author.
Motherless, rootless and unprotected, Jude Williams' childhood is fractured by the horror and experience of sexual abuse, forcing her to exist somewhere and nowhere in-between childhood and adulthood. Caught within the limitations of her own language and trapped within a family secret, Jude becomes the consequence of her mother's tragedy. As she moves through the 1980s, Jude's life is buffeted by choice and destiny and she collects experiences that layer her personal tragedy and plunge her into the darkest of worlds.
The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.
Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…
Five-year-old Peony narrates the story of her life in Southern France and the imaginary world which she creates with the younger Margot. Known as Pea, she lives in a rundown farmhouse, where her recently bereaved and heavily pregnant English mother sleeps most of the time. Bold and brave, Pea’s ability to cope with absent parenting is beautifully imagined. She looks after herself and Margo and makes forays into the community her mother has rejected. The language she uses and her understanding of the world is delightfully quirky.
During one long, hot summer, five-year-old Pea and her little sister Margot play alone in the meadow behind their house, on the edge of a small village in Southern France. Her mother is too sad to take care of them; she left her happiness in the hospital, along with the baby. Pea's father has died in an accident and Maman, burdened by her double grief and isolated from the village by her Englishness, has retreated to a place where Pea cannot reach her - although she tries desperately to do so.
Then Pea meets Claude, a man who seems to…
I’m seven years old and I’ve never had a best mate. Trouble is, no one gets my jokes. And Breaks-it isn’t helping. Ha! You get it, don’t you? Brexit means everyone’s falling out and breaking up. Huxley is growing up in the suburbs of London at a time of community tensions. To make matters worse, a gang of youths is targeting isolated residents. When Leonard, an elderly newcomer chats with Huxley, his parents are suspicious. But Huxley is lonely and thinks Leonard is too. Can they become friends?
Funny and compassionate, This Much Huxley Knows explores issues of belonging, friendship, and what it means to trust.
Head West in 1865 with two life-long friends looking for adventure and who want to see the wilderness before it disappears. One is a wanderer; the other seeks a home he lost. The people they meet on their journey reflect the diverse events of this time period–settlers, adventure seekers, scientific…
Royal Academy, London 1919: Lily has put her student days in St. Ives, Cornwall, behind her—a time when her substitute mother, Mrs. Ramsay, seemingly disliked Lily’s portrait of her and Louis Grier, her tutor, never seduced her as she hoped he would. In the years since, she’s been a suffragette…