Fans pick 100 books like Pigeon English

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us.  She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.

It’s great for me, personally, that queer means both strange and gay, in some way, because I’m both. I love writing stories that are zany, bizarre, and supernatural, but still grounded in the real world; giving detail to the strangeness makes it feel more real, like something that could have happened to a friend of a friend. I’m particularly moved by stories that work on both the literal and metaphorical level – being a werewolf is a metaphor for being queer and chronically ill, but my werewolf, Brigid, is also a chronically ill lesbian. Here are five of my favorite books that capture both definitions of the word queer. 

I am a retired professor of History and International Political Economy. Unraveling knotted masses of string was a relaxing, enjoyable activity for me while growing up. As a historian, I continue to pick apart entangled matters,  particularly about capitalism as a complex system. Networks give structure to complex systems, and I find networked merchants in the modern era (ca. 1500- 1945) especially fascinating to study. Who were they? How did they create opportunities and work across borders and cultures? How did they work around adversities? How did they both perpetuate and diversify their networks? How did they link to and collaborate with one another? How do networks evolve?

Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.  

The Cold War has never been a passion for me, but rather a kind of horror. It was ongoing all through my childhood, and I had nightmares about nuclear attacks and Soviet spies. We lived in the middle of a Suffolk pine forest during the 60s and 70s. There was an American air base on the edge of the forest, surrounded by a tall wire fence. It seemed a spooky place with its concrete bunkers and keep-out signs. Later, as an author on the lookout for good stories, I remembered my childhood terrors and the atmosphere of menace surrounding the base. It gave me an idea for a story set in a similar airbase. 

I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).