Here are 100 books that Everything is Flammable fans have personally recommended if you like
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My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Sheila, a playwright, is trying to figure out how to be in the world, and she’s using her best friend Margaux, a visual artist, to help get her there. This book is filled with trenchant observations, sharp dialogue, and the twists and turns of a female friendship with all the emotional intimacy, creative cross-pollination and cannibalization, rupture and reconciliation that happen during the formative years of young women in their mid-twenties trying to be somebodies. But that doesn’t begin to describe the pleasure of reading this astute and hilarious story that begins with the idea of an ugly painting contest. It will make you examine your own world anew.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
Joanne McNeil has written about internet culture for over fifteen years. Her book considers the development of the internet from a user's perspective since the launch of the World Wide Web. Her interest in digital technology spans from the culture that enabled the founding of major companies in Silicon Valley to their reception in broader culture.
Beginning with Stewart Brand’s influence through his projects like The Whole Earth Catalog, the WELL, and Wired magazine, this book examines the unique culture of Silicon Valley. An essential history and one that clarifies the tech industry’s seemingly contradictory values of revolution and corporate power.
In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools…
I started climbing and running around the hills in my teens, got into boats, became a professional sailor for twenty years, then took up surfing at thirty and snowboarding at forty. There’s something special about playing with gravity, whether it’s sliding down hills or waves, or defying it on a mountain face. All these books capture the thrill and the dangers.
I discovered this book when I had just started surfing, and it blew me away – so there could be great fiction about extreme sports! I loved the grittiness, the foreboding noir feel, and the unusual setting. It was part of the inspiration for Powder Burn, although they are very different books.
Heart Attacks is California's last secret spot - the premier mysto surf haunt, the stuff of rumour and legend. The rumours say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
This, Dorst’s first novel, adopts the trappings of a police procedural but is at heart a character drama seasoned with elements of the supernatural. It follows the fortunes of a rookie cop in the “cemetery city” of Colma, California, whose charges, he quickly discovers, include both the living and the dead. Recommended if you like your ghosts eerie and your human beings haunted not only by wakeful spirits but by their own personal blunders and false starts.
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living.
Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
I love how Raina reaches out of her largely autobiographical work and delves into the world of spirituality and folklore. There’s also the very realistic, dire, and looming “ghost” of the character Maya’s cystic fibrosis. In the story, Raina masterfully weaves reality and fantasy. It’s an engaging journey about overcoming fear with the help of family and friends. And, as all her books are, it’s beautifully illustrated. As someone with a pretty strong spiritual bent, this book really resonates with me.
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This book is for kids age
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From award-winning graphic novelist Raina Telgemeier comes a new story about family, friendship and hope.
Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahia de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahia de la Luna. Maya is determined to meet one, but Cat wants nothing to do…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Don’t let the YA tag dissuade you if you don’t generally read books for that audience; Watch Over Me has definite appeal for an adult crowd.
The main character is an 18-year-old young woman who has aged out of foster care and is searching for her place in the world. A ghost-story-that-isn’t-a-ghost-story, Watch Over Me is a book about confronting our own ghosts—literally and figuratively.
La Cour’s arresting prose seamlessly inserts the speculative elements into an exploration of recovery from guilt and grief in a way I found breathtaking.
A modern ghost story about trauma and survival, Watch Over Me is the much-anticipated new novel from the Printz Award-winning author of We Are Okay
"Gripping; an emotion-packed must-read." -Kirkus, starred review "A painfully compelling gem from a masterful creator." -Booklist, starred review "Moving, unsettling, and full of atmospheric beauty." -SLJ, starred review
Mila is used to being alone.
Maybe that's why she said yes. Yes to a second chance in this remote place, among the flowers and the fog and the crash of waves far below.
I grew up near the coasts of New York and Connecticut, and since an early age I was fascinated by the natural world, especially the ocean. I have held a variety of jobs, including stints as a fisheries policy analyst at the National Marine Fisheries Service, a program manager at the U.S. Environmental Protection Agency, and an environmental consultant stateside and in London. Throughout my career, one thing remained constant: I enjoyed writing and telling stories. I am the author of 14 non-fiction books on American history, including Black Flags, Blue Waters: The Epic History of America’s Most Notorious Pirates, and Leviathan: The History of American Whaling.
St. George Reef Lighthouse is located about six miles off Point St. George on the coast of Northern California, not far from the Oregon border. It is built atop, and partly chiseled into, a massive wave-swept rock. Finished in 1892, St. George Reef took roughly a decade to build, at a cost of $752,000, making it far and away the most expensive lighthouse ever built in the United States. The dramatic history of this iconic lighthouse—replete with engineering feats and tragic deaths—is well-told by Powers, who provides one of the best profiles of a single lighthouse ever written.
Miles off the coast of northern California lies a mariner's nightmare. Concealed by roiling sea and thick fog, the jagged edges of a submerged volcanic mountain chain await approaching vessels like predators in the mist. This is one of the most hazardous reefs off the West Coast. And for over a century, it has been home to the most remote, most expensive, and most dangerous lighthouse ever built in America.
Called "Dragon Rocks" in 1792 by British explorer George Vancouver, the area became known as St. George Reef in the hope that its namesake might slay the dragon. But the…
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