Here are 77 books that A Fire Story fans have personally recommended if you like
A Fire Story.
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As a lover of both fiction and nonfiction, I find that the ultimate pleasure in reading is when the author combines the two without short-changing either. These are books that provide accurate and deep historical background, but also tell stories shaped by that context. These are also books that have intricate, unusual, and effective narrative structures.
This book concerns a group of young firefighters known as smokejumpers and the catastrophic Mann Gulch Forest Fire in Montana in 1949.
Maclean was from the community and worked in the US Forest Service before he became a professor and eventually an author who spent years researching the event. You learn about the physics of forest fires, the invention of the first "escape fire," how multiple and cascading errors can lead to a disastrous outcome, and about the lives and heroics of a group of firefighters.
Interestingly, it is all seen through the journey of a man trying to understand a captivating event from his past. This book falls pretty squarely in the non-fiction category, but has multiple stories interwoven with the facts. It helps that Maclean was not only an author of many nonfiction articles, but also the author of the highly successful novel (and movie) A River Runs…
When Norman Maclean sent the manuscript of A River Runs through It to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, "It has trees in it." Forty years later, the title novella is widely recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. Maclean's later triumph, Young Men and Fire, has over the decades also established itself as a classic of the American West. And with this twenty-fifth-anniversary edition, a fresh audience will be introduced to Maclean's…
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
I grew up in southern Appalachia. Every time I fly home to visit my family, I see the scars of mountaintop removal coal mining as the plane begins to descend over the Blue Ridge Mountains. Lost Mountainchronicles the far-reaching effects of this devastating and unethical practice. I truly believe it ought to be required reading for anyone living in America today.
A new form of strip mining has caused a state of emergency for the Appalachian wilderness and the communities that depend on it-a crisis compounded by issues of government neglect, corporate hubris, and class conflict. In this powerful call to arms, Erik Reece chronicles the year he spent witnessing the systematic decimation of a single mountain and offers a landmark defense of a national treasure threatened with extinction.
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
As the title suggests, this book lingers like a disquieting dream. A mother to a toddler myself, I think of what the protagonist Amanda calls the “rescue distance” often – the ground between herself and her child, should something perilous occur.
This book distills maternal protectiveness and anxiety into something as potent as poison or as powerful as a curse. It makes me want to look over my shoulder, lock the doors, draw the blinds. It carries an air of contagion. I can think of few other reads that evoke such a visceral reaction with such subtle strokes.
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a remote Argentinian hospital. A boy named David sits beside her.
She's not his mother. He's not her child.
At David's ever more insistent prompting, Amanda recounts a series of events from the apparently recent past, a conversation that opens a chest of horrors. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
A chilling tale of maternal anxiety and ecological…
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
My favorite fantasy books are always ones that use the lens of genre to help us better understand the world we live in, and Master of Poisons accomplishes this with bells on. An epic fantasy set in a world where climate disaster looms, Master of Poisons draws from Hairston's extensive research and experience in West African, African-American, and Indigenous cultures to weave a rich narrative tapestry that casts an unflinching eye on sources of evil and cruelty, while still always finding a way to offer hope.
“This is a prayer hymn, a battle cry, a love song, a legendary call and response bonfire talisman tale. This is medicine for a broken world." —Daniel José Older
Named a Best of 2020 Pick for Kirkus Review's Best Books of 2020
Award-winning author Andrea Hairston weaves together African folktales and postcolonial literature into unforgettable fantasy in Master of Poisons
The world is changing. Poison desert eats good farmland. Once-sweet water turns foul. The wind blows sand and sadness across the Empire. To get caught in a storm is death. To live and do nothing is death. There is magic…
I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
Growing up in rural East Texas, some of my earliest memories center around the fire station where my father was a volunteer firefighter.
Although this book is set in Northern California, it manages to render the small town and its politics familiar enough that I can almost smell the smoke. Lex’s reluctance to return to where everyone else in her immediate family died is tempered by the romance igniting between her and an old flame, but everyone has secrets here—and some can be deadly.
From the author of One of Those Faces comes the haunting story of a young woman's return home to face her tragic past, the fire that killed her family, and what remains in the ashes.
Alexis "Lex" Blake swore she would never return to the town where she'd lost her home and her family in a devastating fire that only she survived and can barely remember. But when her aunt dies, leaving behind a mountain of debt, Lex has no choice but to head back to Northern California to settle her family's estate.
I grew up near the coasts of New York and Connecticut, and since an early age I was fascinated by the natural world, especially the ocean. I have held a variety of jobs, including stints as a fisheries policy analyst at the National Marine Fisheries Service, a program manager at the U.S. Environmental Protection Agency, and an environmental consultant stateside and in London. Throughout my career, one thing remained constant: I enjoyed writing and telling stories. I am the author of 14 non-fiction books on American history, including Black Flags, Blue Waters: The Epic History of America’s Most Notorious Pirates, and Leviathan: The History of American Whaling.
St. George Reef Lighthouse is located about six miles off Point St. George on the coast of Northern California, not far from the Oregon border. It is built atop, and partly chiseled into, a massive wave-swept rock. Finished in 1892, St. George Reef took roughly a decade to build, at a cost of $752,000, making it far and away the most expensive lighthouse ever built in the United States. The dramatic history of this iconic lighthouse—replete with engineering feats and tragic deaths—is well-told by Powers, who provides one of the best profiles of a single lighthouse ever written.
Miles off the coast of northern California lies a mariner's nightmare. Concealed by roiling sea and thick fog, the jagged edges of a submerged volcanic mountain chain await approaching vessels like predators in the mist. This is one of the most hazardous reefs off the West Coast. And for over a century, it has been home to the most remote, most expensive, and most dangerous lighthouse ever built in America.
Called "Dragon Rocks" in 1792 by British explorer George Vancouver, the area became known as St. George Reef in the hope that its namesake might slay the dragon. But the…
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
In my very favorite story in this book full of favorites, “Pilgrims,” young children cope with adult reality in a Lord of the Flies-like atmosphere where a tragic accident is offset by the innocent gift of a lost tooth, a talisman meant to create magic in a world that can seem devoid of it. How to Breatheforefronts girls and teens struggling with guilt, peer pressure, identity, envy, sickness, death. Sounds grim, but the writing, the world Orringer creates, is as beautiful and moving as it is dark. Her characters are the kind you can live inside, remember being, feel for. I think about them a lot, still, and I read the book more than a decade ago.
A New York Times notable book and winner of The Northern California Book Award for Best Short Fiction, these nine brave, wise, and spellbinding stories make up this debut. In "When She is Old and I Am Famous" a young woman confronts the inscrutable power of her cousin's beauty. In "Note to Sixth-Grade Self" a band of popular girls exert their social power over an awkward outcast. In "Isabel Fish" fourteen-year-old Maddy learns to scuba dive in order to mend her family after a terrible accident. Alive with the victories, humiliations, and tragedies of youth, How to Breathe Underwaterilluminates this…
Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.
Tad Williams has many acclaimed series, but this stand-alone novel is my favorite. The protagonist is pulled into another realm where magic reigns supreme. The protagonist must uncover his past while learning about his place in the magical realm before both worlds are destroyed. The way Williams has connected up the two worlds is unique, and the world-building alone gets this story on my must-read list.
Theo Vilmos' life is about to take a real turn for the worse.
He is drawn from his home in Northern California into the parallel world of Faerie, for, unknown to him, he is a pivotal figure in a war between certain of Faerie's powerful lords and the rest of the strange creatures who live in this exotic realm.
Joanne McNeil has written about internet culture for over fifteen years. Her book considers the development of the internet from a user's perspective since the launch of the World Wide Web. Her interest in digital technology spans from the culture that enabled the founding of major companies in Silicon Valley to their reception in broader culture.
Beginning with Stewart Brand’s influence through his projects like The Whole Earth Catalog, the WELL, and Wired magazine, this book examines the unique culture of Silicon Valley. An essential history and one that clarifies the tech industry’s seemingly contradictory values of revolution and corporate power.
In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This heavy, sardonic novel about a commune of hippies whose utopian dream is rapidly fraying kept me totally compelled and frequently laughing all the way through.
They find land in Alaska and try to move their scene to the great North, but the realities of weather and wilderness don’t conform to their plans.
It is 1970, and a down-at-the-heels California commune devoted to peace, free love, and the simple life has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. Armed with the spirit of adventure and naive optimism, the inhabitants of "Drop City" arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head. Rich,…
